Showing posts with label Casino. Show all posts
Showing posts with label Casino. Show all posts

Friday, August 14, 2009

A riddle wrapped in... Harrah’s?

http://www.lasvegasweekly.com/news/2009/aug/06/riddle-wrapped-harrahs/

A riddle wrapped in... Harrah’s?
There may be great stories about the Stage Door, but good luck finding them
The building that time forgot: Have a beer and a dog at the Stage Door Casino, but don’t ask too many questions.
Steve Friess
Thu, Aug 6, 2009

The rule of thumb for marquees on the Strip is not to force anyone to think too hard. I challenge anyone to look up and down the Boulevard and spot much signage that stops you in your tracks in bafflement. Subtlety, thy name is not Vegas.

Which is why the Stage Door Casino has long fascinated me. To be honest, though, until last week I didn’t even know the place had a name, let alone something with such phony theatrical aspirations as the Stage Door.

I just knew it—as I suspect a whole lotta folks do—as that place on Flamingo across from the Bally’s Sports Book entrance with a sign that reads, “WE HAVE 21 YEARS LEFT ON OUR LEASE. WE ARE HERE TO SERVE YOU.”

The number changes each year, as you might expect. Huh, you wonder. Defiant! What’s that all about?

I suspected I knew. Must have something to do with all the development pressures in the area, some valiant holdout against the big, bad Harrah’s Entertainment, which owns so much land on the east side of the Strip.

That hunch seemed to be rewarded earlier this month when I stopped in at the video poker and sundries shop immediately east of Bill’s Gamblin’ Hall & Saloon and attached to the venerable Battista’s Hole in the Wall. When I asked a cashier if I could speak with the owner or manager, a portly, courtly fellow named Alan Hoffman emerged from his office with a warm handshake and a broad smile. He was effusive—“Oh, we’ve got stories to tell you!”—and even started gabbing with me about Harrah’s and its plans for neighborhood domination. Hoffman even pointed out that it was Harrah’s that was paying for the construction on Flamingo designed to bury the power lines east of Bill’s and the Flamingo Las Vegas. “They can’t build up without doing that,” he gossiped.

Ooh, good story, I’m thinking. Besieged, profitable David vs. near-bankrupt Goliath. Fun!

Except then something weird happened. Hoffman asked me to come back the following Wednesday to meet the owner, Ron Markin, “and we’ll tell you everything you ever wanted to know.” But when Wednesday arrived and I called up Hoffman to set a time for my return visit, his brio was gone.

“The owner wanted me to tell you we’ll have no comment,” he explained awkwardly. “Go read the InBusiness Las Vegas piece about us from a few years ago.”

“But last week you were so excited to talk,” I said, confused.

“Well, I don’t know what to tell you,” Hoffman answered, also a bit confused, although I’m not sure about what. Then he hung up.

Hmm. That was weird. Up went my scandal antenna. Except that the usual tactics—court-record searches and Googling a variety of versions of “Ron Markin”—didn’t really yield much. The aforementioned InBusiness piece was written in 2007, back when the Vegas economy still had some life, and you were considered a loser if you weren’t at least drawing up some multibillion-dollar construction plan. Harrah’s had something in mind for the 350 acres it owns behind its east-Strip resorts from Harrah’s to Paris, and, perhaps, offered Markin some dough to give up his 24-hour bar and condoms/liquor/munchies shop. If Markin held off in pursuit of bigger riches, he’s probably feeling kinda stupid now.

Harrah’s bought the land and building that houses the Stage Door and Battista’s in 2005, taking over the operation of the delightful old-school Italian joint and continuing to lease space to the Stage Door. The telling part of that 2007 story was that even though the Stage Door has been in business for more than 30 years, UNLV historian Bill Thompson paid it the ultimate Vegas insult: “It’s meant nothing. I’m oblivious to it. It means nothing for our economy.” Harsh!

Amid this, I put out a Facebook query: Anyone know anything about this place called the Stage Door? One friend responded by introducing me via Facebook to Richard Gibson. He’s the executive chef of Battista’s. I called him up.

Gibson sees the Stage Door folks once a month when they turn in their rent check, which Battista’s collects for Harrah’s. As Gibson understands it, Harrah’s bought the land and the restaurant in 2005 and promised to keep it all open for at least two years, which has now become four years and counting. Thing was, Markin signed a deal with Battista’s for a three-year lease back in 1999 that allowed for nine three-year options. In other words, Markin has the legal right to stay here operating the Stage Door until, effectively, 2029.

What’s it like to be next to the Stage Door, I wondered. Gibson said the restaurant’s neighbor, never much to begin with, has gone downhill.

“My cooks won’t even drink over there anymore,” he said. “The place is a hole.” Ouch!

Next up, I wondered about Harrah’s take on the situation. Except Jan Jones, the vice president of anything and everything Harrah’s, was thrown by my question.

“The Stage Door,” she muttered. “What’s that?”

The little slot place and grocery next to Battista’s.

“What’s this got to do with us?”

Well, you own it. And they have this huge marquee that’s clearly meant as a shot at Harrah’s. You haven’t seen it?

“I don’t usually come from that direction,” she said.

Do you have some plan to knock it down? Do anything with that land?

“We’ve made it clear that tearing down existing hotels and businesses and spending two to five years and billions of dollars building them again is not anything we’re going to be doing,” Jones said.

Okay. So let’s review. The place has no history to speak of. Its own neighbor says it’s gross. Its landlord barely notices it exists. And yet its owners are afraid to talk to a columnist.

So what’s the place like? Well, I’m seated right now at one of the two bars writing this very column. It’s a Sunday-evening crowd, maybe 15 patrons swilling beers and playing video poker. I only had $3 in my wallet, but that was enough for the $2.50 beer-and-hot dog deal.

Excellent dog, actually. There are lots of tattoos and blinking lights in here.

Oh, and just now the owner reached out to me. Sort of.

The chesty bartender just told me that I couldn’t have my MacBook on the bartop video poker machine before me. Seeing how there are more than 20 vacant machines, I was baffled.

“It’s illegal,” she explained.

“Is someone going to arrest me?” I responded, in a kidding tone.

(Really. I was already moving my laptop off of the video poker screen.)

“The owner just called,” she said.

I looked around.

“Yeah, he watches through the cameras.”

Huh. That’s fun. Did he also notice that I ate my hot dog with a delicious side order of cigarette-smoke clouds floating my way from other patrons as well as said chesty bartender herself, in clear violation of the laws that prohibit smoking in places where food is served? And how old is that guy at the end of the bar swilling a beer?

At this rate, Harrah’s may get its “out” from that ironclad lease sooner than it thinks. Send in some Gaming Control folks or Health District folks.

That is, if anyone at Harrah’s cares. Which, evidently, they don’t. And that means the people at the Stage Door are wasting incredibly valuable marquee space waging a fight with an opponent that doesn’t even acknowledge their existence. But apparently it works for them.

Saturday, December 15, 2007

Underworld figures at Vegas mob museum

http://news.yahoo.com/s/ap/20071210/ap_on_re_us/vegas_mob_museum_glance

Underworld figures at Vegas mob museum
Mon Dec 10, 2007

Some underworld figures whose stories will be told when Las Vegas opens its mob museum:

Benjamin "Bugsy" Siegel.

Pioneered Las Vegas as America's glamorous gambling capital, opening the lavish Flamingo hotel-casino in 1946. Rubbed out in 1947 in Beverly Hills, Calif. Hollywood handsome, he was played by Warren Beatty in the 1991 movie "Bugsy."

Meyer Lansky

The mob's money man and one of the underworld's most powerful and influential figure. Helped bankroll Siegel's Flamingo. Legend has it he had Siegel killed over the vast cost overruns on the project. Kept a financial interest in the Flamingo until the 1960s. Lee Strasberg played a character based on Lansky in "The Godfather, Part II." Died in 1983 in Miami Beach at age 80.

Anthony "Tony the Ant" Spilotro

A Chicago mob enforcer who moved to Las Vegas in 1971, Spilotro worked with Frank "Lefty" Rosenthal, who ran several casinos, including the Stardust. Spilotro and Rosenthal were the inspiration for characters played by Joe Pesci and Robert De Niro in the 1995 movie "Casino." Spilotro was killed in 1986 and buried in an Indiana cornfield. He was 48.

Frank "Lefty" Rosenthal

Now 78 and living in Florida, Rosenthal was a behind-the-scenes hand running the Stardust, Fremont and Hacienda casinos when they were controlled by the mob. Banned from casinos in 1988 because of his mob ties. Served as the model for Sam "Ace" Rothstein, played by Robert De Niro in "Casino."

Morris Barney "Moe" Dalitz

A former bootlegger from Cleveland, Dalitz financed completion of the Desert Inn hotel-casino in the late 1940s and owned it until 1967, when he sold it to the billionaire Howard Hughes. Also ran the Stardust for a time. Died in 1989.
___
Sources: Professor Michael Green, College of Southern Nevada; "Casino: Love and Honor in Las Vegas," by Nicholas Pileggi; "The First 100:" http://www.1st100.com/

Las Vegas plans to open a mob museum

http://news.yahoo.com/s/ap_travel/20071210/ap_tr_ge/travel_brief_vegas_mob_museum

Las Vegas plans to open a mob museum
By KEN RITTER, Associated Press Writer
Mon Dec 10, 2007

Las Vegas is building a museum about some of its founding fathers and most influential figures — guys with names like Bugsy, Lefty and Lansky.

The mob museum will stand as frank acknowledgment of the major role mobsters played in developing Las Vegas into the gambling capital of America and giving the city its rakish glamour during the 1940s and '50s.

"Let's be brutally honest, warts and all. This is more than legend. It's fact," said Mayor Oscar Goodman, a former defense attorney whose clients once included mobsters Meyer Lansky and Anthony "Tony the Ant" Spilotro. "This is something that differentiates us from other cities."

The project has gained the support of the FBI and is guided by a retired FBI agent. They say they are involved because you can't tell the stories of Benjamin "Bugsy" Siegel, his banker, Lansky, casino boss Frank "Lefty" Rosenthal and others without telling the story of the lawmen who pursued them.

"This is a way to connect with the public and show the results of our work," said Dan McCarron, a spokesman for the FBI in Washington.

Ellen Knowlton, who retired in 2006 as FBI agent in charge in Las Vegas and now heads the not-for-profit museum organization, said FBI officials have offered to share photographs, transcripts of wiretaps and histories of efforts to kneecap organized crime in the 1950s, '60s and '70s.

"Despite the sort of edgy theme, this museum will be historically accurate and it will tell the true story of organized crime," Knowlton said. "The plan is to give people a kind of gritty taste of what it would have been like to be not only a person involved or affiliated with organized crime, but also what it would have been like to be in law enforcement."

Officials expect to open the museum by 2010 in a brick federal building that was the centerpiece of this dusty town of 5,100 residents when it opened in 1933. In 1950, the three-story building hosted a hearing by Tennessee Sen. Estes Kefauver's special investigating committee on the rackets.

Goodman, who showed his own willingness to play up Las Vegas' mob past by making a cameo in the 1995 Robert De Niro-Joe Pesci movie "Casino," has pushed the idea of a mob museum from the time he was elected mayor in 1999.

He brokered a deal for the city to buy the building in 2000 for $1, with the understanding it would be turned into cultural center. Officials expect the final cost, including renovations, to reach almost $50 million.

About $15 million has been raised through grants, city funds, contributions and the sale of commemorative license plates that marked Las Vegas' centennial in 2005.

It was Siegel who pioneered the transformation of this one-time desert stopover into a glittering tourist mecca, opening the $6 million Flamingo hotel on the fledgling Las Vegas Strip in 1946 with financial backing from Lansky.

The movie-star handsome Siegel was rubbed out six months later in Beverly Hills, Calif., perhaps because he angered the mob with cost overruns on the hotel.

Spilotro and Rosenthal were associates in the 1970s, when Rosenthal ran several casinos, including the Stardust. Spilotro was killed in 1986 and buried in an Indiana cornfield.

Organized crime eventually was driven out of Las Vegas in the 1970s and '80s by the FBI, local police and prosecutors, state crackdowns and casino purchases by corporate interests.

Many of these stories have been dramatized by Hollywood in such movies as "Bugsy," "The Godfather" and "Casino." But documenting mob history isn't going to be easy.

"If anybody out there finds a memo saying: `To the boys, from Meyer. Re: Bugsy. Kill him,' We'd love to have it," said Michael Green, a College of Southern Nevada history professor who is researching exhibits for the museum. "But we doubt it's there."

"Because of that, you have to do a lot of reconstructing, inferring and implying," he said. "There's a lot of winking we're going to have to do."

Green pointed to stories about Moe Dalitz, a Cleveland businessman who rescued the Desert Inn and Stardust casinos in the 1950s and '60s and built a hospital, golf courses and shopping centers.

"Was he tied to the mob or involved with the mob? Yes," Green said. "A mobster? Harder to explain."

Dennis Barrie, who designed the Rock and Roll Hall of Fame in Cleveland and the popular International Spy Museum in Washington, said he will design the as-yet-unnamed Las Vegas museum to show how organized crime and the fight against it shaped modern life.

"Whether it's running the casinos in Las Vegas, or controlling cigarette sales or numbers or trash collection in any city, organized crime is part of the American culture," Barrie said. "Everybody has a mob story or a brush with the mob world. Or they at least say they do."

Organizers say paying visitors might be asked to decide as they arrive which side of the law they want to be on, and then be given a story line tracing the life of a famous lawman or mobster or a street cop or numbers runner.

"Were you a hit man? Were you a prosecutor? What choices do you have to make?" Green said. "We're telling a story of things that are multisided."

Organizers also hope to have an oral-history area where visitors "can sit down in front of a camera and say, `I knew Bugsy,' or `I saw Meyer,' or whatever," he said.