Showing posts with label The Da Vinci Code. Show all posts
Showing posts with label The Da Vinci Code. Show all posts

Monday, October 29, 2012

A Faded Piece of Papyrus Refers to Jesus’ Wife


LAURIE GOODSTEIN
September 18, 2012
http://www.nytimes.com/2012/09/19/us/historian-says-piece-of-papyrus-refers-to-jesus-wife.html

CAMBRIDGE, Mass. — A historian of early Christianity at Harvard Divinity School has identified a scrap of papyrus that she says was written in Coptic in the fourth century and contains a phrase never seen in any piece of Scripture: “Jesus said to them, ‘My wife ...’ ”

The faded papyrus fragment is smaller than a business card, with eight lines on one side, in black ink legible under a magnifying glass. Just below the line about Jesus having a wife, the papyrus includes a second provocative clause that purportedly says, “she will be able to be my disciple.”

The finding was made public in Rome on Tuesday at the International Congress of Coptic Studies by Karen L. King, a historian who has published several books about new Gospel discoveries and is the first woman to hold the nation’s oldest endowed chair, the Hollis professor of divinity.

The provenance of the papyrus fragment is a mystery, and its owner has asked to remain anonymous. Until Tuesday, Dr. King had shown the fragment to only a small circle of experts in papyrology and Coptic linguistics, who concluded that it is most likely not a forgery. But she and her collaborators say they are eager for more scholars to weigh in and perhaps upend their conclusions.

Even with many questions unsettled, the discovery could reignite the debate over whether Jesus was married, whether Mary Magdalene was his wife and whether he had a female disciple. These debates date to the early centuries of Christianity, scholars say. But they are relevant today, when global Christianity is roiling over the place of women in ministry and the boundaries of marriage.

The discussion is particularly animated in the Roman Catholic Church, where despite calls for change, the Vatican has reiterated the teaching that the priesthood cannot be opened to women and married men because of the model set by Jesus.

Dr. King gave an interview and showed the papyrus fragment, encased in glass, to reporters from The New York Times, The Boston Globe and Harvard Magazine in her garret office in the tower at Harvard Divinity School last Thursday.

She repeatedly cautioned that this fragment should not be taken as proof that Jesus, the historical person, was actually married. The text was probably written centuries after Jesus lived, and all other early, historically reliable Christian literature is silent on the question, she said.

But the discovery is exciting, Dr. King said, because it is the first known statement from antiquity that refers to Jesus speaking of a wife. It provides further evidence that there was an active discussion among early Christians about whether Jesus was celibate or married, and which path his followers should choose.

“This fragment suggests that some early Christians had a tradition that Jesus was married,” she said. “There was, we already know, a controversy in the second century over whether Jesus was married, caught up with a debate about whether Christians should marry and have sex.”

Dr. King first learned about what she calls “The Gospel of Jesus’s Wife” when she received an e-mail in 2010 from a private collector who asked her to translate it. Dr. King, 58, specializes in Coptic literature, and has written books on the Gospel of Judas, the Gospel of Mary of Magdala, Gnosticism and women in antiquity.

The owner, who has a collection of Greek, Coptic and Arabic papyri, is not willing to be identified by name, nationality or location, because, Dr. King said, “He doesn’t want to be hounded by people who want to buy this.”

When, where or how the fragment was discovered is unknown. The collector acquired it in a batch of papyri in 1997 from the previous owner, a German. It came with a handwritten note in German that names a professor of Egyptology in Berlin, now deceased, and cited him calling the fragment “the sole example” of a text in which Jesus claims a wife.

The owner took the fragment to the Divinity School in December 2011 and left it with Dr. King. In March, she carried the fragment in her red handbag to New York to show it to two papyrologists: Roger Bagnall, director of the Institute for the Study of the Ancient World, at New York University, and AnneMarie Luijendijk, an associate professor of religion at Princeton University.

They examined the scrap under sharp magnification. It was very small — only 4 by 8 centimeters. The lettering was splotchy and uneven, the hand of an amateur, but not unusual for the time period, when many Christians were poor and persecuted.

It was written in Coptic, an Egyptian language that uses Greek characters — and more precisely, in Sahidic Coptic, a dialect from southern Egypt, Dr. Luijendijk said in an interview.

What convinced them it was probably genuine was the fading of the ink on the papyrus fibers, and traces of ink adhered to the bent fibers at the torn edges. The back side is so faint that only five words are visible, one only partly: “my moth[er],” “three,” “forth which.”

“It would be impossible to forge,” said Dr. Luijendijk, who contributed to Dr. King’s paper.

Dr. Bagnall reasoned that a forger would have had to be expert in Coptic grammar, handwriting and ideas. Most forgeries he has seen were nothing more than gibberish. And if it were a forgery intended to cause a sensation or make someone rich, why would it have lain in obscurity for so many years?

“It’s hard to construct a scenario that is at all plausible in which somebody fakes something like this. The world is not really crawling with crooked papyrologists,” Dr. Bagnall said.

The piece is torn into a rough rectangle, so that the document is missing its adjoining text on the left, right, top and bottom — most likely the work of a dealer who divided up a larger piece to maximize his profit, Dr. Bagnall said.

Much of the context, therefore, is missing. But Dr. King was struck by phrases in the fragment like “My mother gave to me life,” and “Mary is worthy of it,” which resemble snippets from the Gospels of Thomas and Mary. Experts believe those were written in the late second century and translated into Coptic. She surmises that this fragment is also copied from a second-century Greek text.

The meaning of the words, “my wife,” is beyond question, Dr. King said. “These words can mean nothing else.” The text beyond “my wife” is cut off.

Dr. King did not have the ink dated using carbon testing. She said it would require scraping off too much, destroying the relic. She still plans to have the ink tested by spectroscopy, which could roughly determine its age by its chemical composition.

Dr. King submitted her paper to The Harvard Theological Review, which asked three scholars to review it. Two questioned its authenticity, but they had seen only low-resolution photographs of the fragment and were unaware that expert papyrologists had seen the actual item and judged it to be genuine, Dr. King said. One of the two questioned the grammar, translation and interpretation.

Ariel Shisha-Halevy, an eminent Coptic linguist at Hebrew University in Jerusalem, was consulted, and said in an e-mail in September, “I believe — on the basis of language and grammar — the text is authentic.”

Major doubts allayed, The Review plans to publish Dr. King’s article in its January issue.

Dr. King said she would push the owner to come forward, in part to avoid stoking conspiracy theories.

The notion that Jesus had a wife was the central conceit of the best seller and movie “The Da Vinci Code.” But Dr. King said she wants nothing to do with the code or its author: “At least, don’t say this proves Dan Brown was right.”

Tuesday, December 21, 2010

The real-life Da Vinci Code

http://www.dailymail.co.uk/news/article-1337976/Real-life-Da-Vinci-Code-Tiny-numbers-letters-discovered-Mona-Lisa.html

The real-life Da Vinci Code: Historians discover tiny numbers and letters in the eyes of the Mona Lisa
Nick Pisa and Luke Salkeld
13th December 2010

Intrigue is usually focused on her enigmatic smile.

But the Mona Lisa was at the centre of a new mystery yesterday after art detectives took a fresh look at the masterpiece – and noticed something in her eyes.

Hidden in the dark paint of her pupils are tiny letters and numbers, placed there by the artist Leonardo da Vinci and revealed only now thanks to high-­magnification techniques.

Experts say the barely distinguishable letters and numbers represent something of a real-life Da Vinci code.

The revelation could have come straight from the pages of Dan Brown’s best-seller The Da Vinci Code, in which the Mona Lisa is said to contain hidden clues about the Holy Grail.

Silvano Vinceti, president of Italy’s National Committee for Cultural Heritage, which spotted the symbols, said: ‘To the naked eye the symbols are not visible but with a magnifying glass they can clearly be seen

‘In the right eye appear to be the letters LV which could well stand for his name, Leonardo da Vinci, while in the left eye there are also symbols but they are not as defined.

‘It is very difficult to make them out clearly but they appear to be the letters CE, or it could be the letter B.

‘In the arch of the bridge in the background the number 72 can be seen or it could be an L and the number 2.

‘You have to remember the ­picture is almost 500 years old so it is not as sharp and clear as when first painted.

‘From the preliminary investigations we have carried out we are confident they are not a mistake and were put there by the artist.’

The search was initiated by another Dan Brown-style plot device after a fellow committee member discovered a musty book in an antique shop ­referring to symbols in the Mona Lisa’s eyes.

Mr Vinceti added: ‘Da Vinci put a special emphasis on the Mona Lisa and we know that in the last years of his life he took the painting with him everywhere.

'We also know that da Vinci was very esoteric and used symbols in his work to give out messages.

‘Who knows, they may even ­possibly be a love message to the ­figure in the painting.’

Mr Vinceti is a member of a group which is seeking permission to exhume da Vinci’s remains from his tomb at Amboise Castle in France’s Loire Valley.

They want to see if the artist’s skull is there so that they can try and recreate his face and establish if the Mona Lisa – owned by the French government and on display in The Louvre – is in fact a twist on a self-portrait of the artist as some believe.

Wednesday, December 1, 2010

CIA's Kryptos sculpture close to being solved

http://www.telegraph.co.uk/news/worldnews/northamerica/usa/8149792/CIAs-Kryptos-sculpture-close-to-being-solved.html
CIA's Kryptos sculpture close to being solved
Jim Sanborn created Kryptos in 1990 for the agency's Langley headquarters
A portion of the code was printed on the dust jacket of The Da Vinci Code, Dan Brown's highly successful 2003 novel
Jon Swaine in New York
21 Nov 2010

For 20 years it has sat in the grounds of the CIA headquarters in Virginia, unsolved even by the sharp-minded agents who pass it every day.

But a solution to the Kryptos sculpture – a 12 foot-high copper scroll, containing a mysterious coded message – may now finally be close, after its creator was driven to give away a clue.

The artist, Jim Sanborn, disclosed over the weekend that "BERLIN" is the answer to a six-letter passage in the fourth and final section of the sculpture's code to remain un-cracked.

Mr Sanborn, who created Kryptos in 1990 for the agency's Langley headquarters, said the titbit should assist cryptographers he has baffled for two decades, adding he had assumed the solution would have been found "in a fairly short time."

His clue sent ripples of excitement through the legions of Kryptos obsessives, many of whom were enticed by a reference to the sculpture in the work of Dan Brown, the mystery novel author.

A portion of the code was printed on the dust jacket of The Da Vinci Code, Brown's highly successful 2003 novel, and Kryptos was incorporated into the plot of the sequel, The Lost Symbol.

By then, three of the four coded sections of the sculpture had been cracked by a CIA analyst, who was estimated to have spent 400 lunch-hours pondering it with a pencil and paper.

He kept his solution secret, however, and it was not until a computer scientist in California cracked the same three sections that they became public.

The first section, containing a deliberate misspelling, was a poetic phrase composed by Mr Sanborn: "Between subtle shading and the absence of light lies the nuance of iqlusion."

The second and third sections were longer passages, one referring to something "buried out there somewhere" and the other a description of the opening of the tomb of Tutankhamun in 1922.

Mr Sanborn, who was assisted by a CIA operative while encoding the sculpture, also unveiled a website through which those racing to solve the other 91letters of code could submit answers.

The 65-year-old sculptor said he was hopeful someone would crack it soon. "I personally think it's a significant clue," he told the Wired technology website, "I don't have that many decades left in me".

Elonka Dunin, an amateur cryptographer who runs the leading Kryptos-watching website, said she and others believed the clue indicated the coded passage could refer to a monument at Langley comprising three slabs of the Berlin Wall.

“One of the main reasons it’s taken so long to solve this section is that it’s so short that finding patterns has been difficult,” Ms Dunin told The Daily Telegraph. “So to have an entire word is a huge, huge hint.”

Wednesday, September 23, 2009

Dan Brown's conspiracy theories

http://www.telegraph.co.uk/culture/books/booknews/6198574/The-Last-Symbol-author-Dan-Browns-conspiracy-theories-six-of-the-best.html

The Last Symbol author Dan Brown's conspiracy theories: six of the best
Dan Brown’s novels The Lost Symbol, The Da Vinci Code and Angels and Demons are filled with conspiracy. But how much of it is based on fact?
By Tom Chivers
16 Sep 2009

The Lost Symbol, the new book by Da Vinci Code and Angels and Demons author Dan Brown, takes us once again into a world of shadowy cabals, hidden messages and secret conspiracies.

They are works of fiction, but Brown tells us they are based on fact: "All organisations in this novel exist,” says a foreword to The Last Symbol, "including the Freemasons, the Invisible College, the Office of Security, the SMSC, and the Institute of Noetic Sciences”. Similarly, at the beginning of The Da Vinci Code, we learn that The Priory of Sion is a real secret society founded in 1099.

Da Vinci Code sequel criticised by Catholics But how much of Brown's work is fact, and how much is fiction? We take a look at six of his most prominent claims and see how closely they fit reality.

The Freemasons (from The Lost Symbol, 2009)

What Brown says

A secret society, the Freemasons, secretly run America, and the Founding Fathers have concealed a secret portal under Washington where the terrifying Secrets of the Universe are hidden.

In reality:

Rumours that Freemasons control society are widespread. They often overlap with conspiracy theories about the New World Order and the Illuminati.

Apparent Masonic symbols do appear regularly in American culture – most notably the pyramid and eye on the Great Seal of the United States, which appears on the dollar bill and is said to be the Eye of Providence. Furthermore, at least one member of the Founding Fathers, Benjamin Franklin, was a Mason.

However, the Eye of Providence was not commonly used as a Masonic symbol until 1797, some years after the Great Seal was designed.

1733 Sixteenth Street, NW, Washington (from The Lost Symbol, 2009)

What Brown says:

Known as the House of the Temple, this Washington building is a replica of a pre-Christian temple to King Mausolus, and the world headquarters of Freemasonry

In reality:

Designed by John Russell Pope and finished in 1915, the House of the Temple is indeed a model of the Mausoleum of Mausolos. It holds the remains of the Confederate general Albert Pike, author of the 1871 book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry. It is home to the Supreme Council of Freemasonry.

The Priory of Sion (from The Da Vinci Code, 2003)

What Brown says:

An brotherhood founded in 1099, whose members have included Sir Isaac Newton, Botticelli, Victor Hugo, and Leonardo da Vinci, and who are the only ones who know that Jesus married Mary Magdalene and has a surviving heir. Mary Magdalene and her descendents are the real Holy Grail.

In reality:

The Priory of Sion was indeed said to be a monastic order formed in 1099. In 1982 Michael Baigent, Richard Leigh, and Henry Lincoln's book The Holy Blood and the Holy Grail set forth the claim that it protected the knowledge of Jesus and Mary Magdalene. However, the existence of the Priory is now believed to be a hoax created in the 1950s by a Frenchman named Pierre Plantard.

Opus Dei (from The Da Vinci Code, 2003)

What Brown says:

A Vatican-sanctioned Catholic sect that plots to find the Priory's secret and kill the heir/Grail. They carry out a practice of self-flagellation called "corporal mortification". A major villain in the book is the Opus Dei monk Silas, who murders a Priory member.

In reality:

Opus Dei is a real Catholic organisation; the Labour Minister Ruth Kelly is one of its estimated 87,000 members worldwide. But none of those members are monks.

There is no evidence that it hopes to find the Holy Grail in any form. Its stated goal (on its website, www.opusdei.us) is "to spread the message that work and the circumstances of everyday life are occasions for growing closer to God, for serving others, and for improving society."

Rosslyn Chapel (from The Da Vinci Code, 2003)

What Brown says:

Rosslyn Chapel, near Edinburgh, was built by the Knights Templar as a perfect copy of Solomon's Temple in Jerusalem, complete with a subterranean vault which holds the secret of the Holy Grail. A message written in secret code on its ceiling reveals the entrance to the vault.

In reality:

While the Chapel was built 150 years after the dissolution of the Knights Templar, it does have some Templar and Masonic symbols. Links with the Knights and the alleged bloodline of Jesus and the Priory of Sion were put forward by the historian Andrew Sinclair. However, the Priory has now been shown to be a mid-20th century hoax.

The Illuminati (from Angels and Demons, 2000)

What Brown says:

A shadowy secret society sworn to bring down the Catholic Church in revenge for their crimes against scientists like Copernicus, "murdered by the church for revealing scientific truths," and Galileo, convicted of heresy for claiming the Earth moved around the Sun. The Illuminati are described as"a secret society dedicated to scientific truth" and "the most powerful underground organisation ever to walk the earth".

In reality:

The Illuminati were a real organisation. They were founded in 1776 in Bavaria, sworn to ideals of free-thinking and rationalism.

Nicolaus Copernicus was never attacked by the Church. On the Revolutions of the Heavenly Spheres was dedicated to Pope Paul III, and the Church used his theories in their revising of the calendar. He died of a stroke in 1543 at the age of 70; there is no reason to believe that he was murdered.

Galileo Galilei certainly was mistreated – he was subjected to lifelong house arrest following the publication of his 1633 work Dialogue Concerning the Two Chief World Systems, which argued that the Earth moved round the Sun, although he was only suspected of heresy, never convicted. He died in 1642. The Bavarian Illuminati were dissolved in 1785, although various other groups have used their name since.

Sunday, September 20, 2009

Brown delivers action-packed if familiar Lost Symbol

http://www.usatoday.com/life/books/reviews/2009-09-16-the-lost-symbol-dan-brown_n.htm

Dan Brown delivers action-packed if familiar 'Lost Symbol'
By Carol Memmott, USA TODAY
9-16-9

Dan Brown's long-anticipated new novel, The Lost Symbol, takes Da Vinci Code hero Robert Langdon to Washington, D.C. to decipher Masonic symbols.

ABOUT THE BOOK
The Lost Symbol
By Dan Brown
Doubleday, 509 pp., $29.95

Grab your history books, conspiracy theories and decoder rings: The long wait for a new novel from Dan Brown is over.

Six years after The Da Vinci Code, Harvard symbologist Robert Langdon is back unraveling ancient secrets, solving puzzles and running for his life in the turbo-charged The Lost Symbol.

Fans will feel at home in Symbol because it's cookie-cutter Code: Same formula for the same hero, just set in a new location, Washington, D.C. The book is not without its faults, but Code lovers will like what they find in The Lost Symbol.

Conspiracy theorists had a field day with Code's papal secrets. The Lost Symbol centers on the mysterious Freemasons and legends of hidden knowledge. It's intriguing but doesn't quite match Code's hard-to-top premise that hinged on the marriage of Jesus to Mary Magdalene and their modern-day bloodline.

But Brown couldn't have picked a better time to set a novel in the headline-making nation's capital.

Thankfully, he takes us away from our worries about war, bad mortgages and health care and throws us into the middle of an escapist story line that pits Langdon against Mal'akh, a monster more hideous than the self-flagellating albino monk in The Da Vinci Code.

Mal'akh is a steroid-pumped and hairless eunuch covered head to toe with tattoos of scales, words and symbols. He lures Langdon to Washington after he kidnaps Langdon's mentor, Peter Solomon. Langdon can save Solomon's life if he helps Mal'akh find an ancient portal behind which "a treasure of lost ancient wisdom" was hidden centuries ago by Freemasons.

The U.S Capitol, the Library of Congress and other landmarks play a role in this story that plays up the symbolic art and architecture of Washington.

Brown has never been lauded for his deft handling of the written word. As in his other books, here his prose can be clumsy, flowery and heavy-handed.

But, to his credit, he tells an action-packed story filled with fascinating history, myths, math, science, madmen and philosophers. There are chases through buildings and down city streets.

The Lost Symbol, like Brown's other works, isn't great literary fiction. But long ago, Brown cracked the code on how to write a best-selling novel. Fans will read this book and begin yearning for his next.

Friday, September 18, 2009

Nothing's lost on Dan Brown

http://www.usatoday.com/life/books/news/2009-09-14-dan-brown-lost-symbol_N.htm

Nothing's lost on Dan Brown as long-awaited 'Symbol' arrives
Master-of-the-cliffhanger Dan Brown has followed The Da Vinci Code with The Lost Symbol, another thriller starring Harvard professor Robert Langdon.
By Bob Minzesheimer, USA TODAY
9-14-9

NEW YORK — The Lost Symbol, Dan Brown's thriller to be released Tuesday — his first since 2003's The Da Vinci Code— includes a scene that Brown says came from his own life.

In the new novel, Brown's recurring hero, Harvard professor Robert Langdon, is recognized by a fan who tells him: "My book group read your book about the sacred feminine and the church! What a delicious scandal that one caused! You do enjoy putting the fox in the henhouse!"

Langdon, who in Brown's fiction writes non-fiction books about symbols and religion, replies, "Scandal wasn't really my intention."

Is that a reference to Da Vinci, which has sold 80 million copies worldwide, and was driven by the idea that the Vatican covered up Jesus' marriage to Mary Magdalene?

"Of course," Brown says and laughs.

Three years ago, facing a British copyright infringement suit over The Da Vinci Code (decided in his favor), Brown says a woman recognized him, and used that phrase: "Putting the fox in the henhouse."

He replied the way Langdon does in the novel. But if scandal isn't his intention, what is?

"To mix facts into a fictional setting and get readers to ask questions about what they believe. But to make it fun to read. Someone said it's like eating vegetables that taste like ice cream. That's a little simplistic."

Brown's thrillers are anything but simplistic. The Lost Symbol, a 509-page puzzle, is set in modern-day Washington, D.C.

It's driven by a Masonic legend: hidden in the nation's capital is a map or portal that leads to a body of secret knowledge, that as Langdon puts it, "allegedly enables its practitioners to access powerful abilities that lie dormant in the human mind."

The map may not literally be a map. And for much of the novel, it's not clear what's real and what's metaphorical symbolism.

But with a first printing of 5 million copies, there's no doubt that Symbol promises to be the publishing event of 2009.

Brown says he knew he had to do two things to appeal to his fans: "They had to immediately know they were back in Langdon's world, but that the story was fresh."

Langdon is a professor of "symbology." (Brown says there's no such academic field. "The closest is symbiotics.") He becomes entangled in a search for a madman who has kidnapped Langdon's mentor, Peter Solomon, director of the Smithsonian Institution.

The madman offers clues, starting with Solomon's severed hand, left on the floor of the Capitol Rotunda. His fingertips, tattooed with Masonic symbols, point up to the ceiling and an actual 1865 painting of George Washington as a god.

Washington, like most of the Founding Fathers, was a member of the Freemasons, the secretive and mysterious fraternal order.

Citing national security, the CIA gets involved for reasons that aren't explained until Chapter 117.

(Brown likes short chapters that end with cliffhangers: "I respect my readers. Whatever is there makes the book move.")

More clues are found throughout Washington, including Melencolia I, a 1514 engraving by Albrecht Dürer in the National Gallery. As Langdon explains, "The symbolism in Melencolia I is so complex it makes Leonardo da Vinci look overt."

A childhood curiosity

Brown, 45, has been intrigued by the Masons since his childhood in Exeter, N.H., where his father taught at Phillips Exeter prep school: "Their lodge was above the theater, and the shades were always drawn."

Much of the pre-publication speculation about the novel assumed it would be critical of the Masons, in the way that many saw Da Vinci as an attack on the Catholic hierarchy.

But that's not the case. "It's a reverent look at their philosophy," Brown says. "I'm more interested in what they believe than all their rituals and conspiracy theories about them. That's in the novel, but it's discredited."

Brown, a former singer/songwriter, studied writing as a student at Amherst College, but became a novelist almost by accident. In 1994, he was on vacation in Tahiti, where he read a discarded copy of Sidney Sheldon's The Doomsday Conspiracy.

"As a student I had read the classics, but I didn't know there were novels like that: The Hardy Boys for adults. It was light, fun but interesting. I decided to try something like that," he says.

His first three thrillers sold modestly until his fourth, The Da Vinci Code, became an overnight sensation. That, in turn, made best sellers of his earlier books.

He says he hasn't read any of about 40 books that analyze or debunk DaVinci, or JesusDecoded.com, a site set up by the U.S. Conference of Catholic Bishops to rebut what it sees as inaccuracies in The Da Vinci Code.

"I'm not surprised. I've always said there's room for different opinions. Controversy is a good thing when it gets people thinking and talking."

His own religious beliefs are a "work in progress." He was raised an Episcopalian but doesn't attend church. "My spirituality is a private thing. I spend part of every day thinking about religion, spirituality and God — maybe more than people who go to church. By Sunday, I'm pretty tired."

He says he's not nearly as smart as Langdon, who first appeared in Brown's 2000 novel, Angels & Demons. (Tom Hanks played Langdon in the movies of Da Vinci and Angels.)

He may have created Langdon but "those little quips of his that refer to some obscure fact from the 13th century just roll off his tongue. It takes me a day or two to write one."

And that, he says, explains what he's been doing in the six years since his last novel became a publishing phenomenon.

The lawsuit and movies were distractions, but mostly, "I had a lot to learn and read and get my head around and to reveal it in a fictional chase. "

A house in New Hampshire

His only research assistant is his wife, Blythe. They're finishing what Brown calls one of his few extravagances since hitting it big: a new house in the woods of New Hampshire.

Part of it is a 100-year-old hunting lodge. A new addition is "the kind of house Langdon would love. It's filled with secret tunnels, revolving bookcases, and codes and symbols built into the interior woodwork."

It has a library Brown calls "The Fortress of Gratitude," filled with a copy of every edition of his five novels that have been published in 51 languages.

Last week, he gave a tour to Today's Matt Lauer, who Brown says agreed not to disclose the house's location. The segment is scheduled to air this morning.

In his new novel, Brown writes of his hero: "Ever since his experiences in Europe over the last several years, Langdon's unwanted celebrity had made him a magnet for nut cases."

Is that true for Brown?

"On some level. I've met some wonderful people. It's not all nut cases, but there's been concerns and issues with security. It's not all puppies and rainbows."

His writing style, which makes heavy uses of italics and ellipses, has been mocked by some critics as formulaic.

Brown shrugs and says, "Some critics say I don't write like William Shakespeare or William Faulkner, and they're right. I write in a modern, efficient style that serves only the story."

Italics, he says, are "underrated," especially when conveying what characters are thinking: "The best part of a novel is the interior dialogue that you don't get in a movie or in actual life."

And ellipses? "Underrated. Minds don't work in periods and commas."

He says he's "maniacal about controlling the point of view of my characters." His stories are told in shifting third-person, with no omnipresent narrator. "Since one character doesn't know what someone else knows, the author can withhold evidence fairly and build suspense."

His next novel?

"I know what it is. I don't know when. And that's all I'm saying."

RESEARCH BEHIND THE SCENES

In his research for The Lost Symbol, Dan Brown says he got unusual access to all but one of the landmarks in or near Washington, D.C., that figure into his novel:

• The exception: James Sanborn's massive metal sculpture Kryptos (Greek for "hidden") at CIA headquarters in Langley, Va. It includes nearly 2,000 letters organized into a baffling code. Brown said he worked from photos. In the novel, he writes, "Kryptos was art ... but it was also an enigma."

• New Hampshire Sen. Judd Gregg took Brown and his wife to the outdoor skywalk that encircles the pinnacle of the U.S. Capitol Dome. "It was absolutely terrifying," says Brown, who shares a sense of claustrophobia and fear of heights with his fictional hero, Robert Langdon.

• Brown toured House of the Temple, a Masonic replica of a pre-Christian temple in downtown Washington. He says he went on the public tour and "beyond," thanks to an unnamed Mason. "I went in a hat and glasses and with a notebook." The novel describes it as a replica of "the temple of King Mausolus, the original mausoleum ... a place to be taken after death" that "looked like someone had built a pyramid on top of Rome's Pantheon."

Friday, May 22, 2009

'Angels & Demons' tour illuminates Rome

http://www.usatoday.com/travel/destinations/2009-05-14-rome-angels-and-demons-tour_N.htm
'Angels & Demons' tour illuminates the charms of Rome
By Chris Gray Faust, USA TODAY
5-14-9

VATICAN CITY — The faithful stream into St. Peter's Square on Christianity's holiest day, engulfing the Egyptian obelisk that centers the piazza so carefully planned by 17th-century sculptor and architect Gian Lorenzo Bernini. Stern despite their colorful striped uniforms, members of the Swiss Guards direct those in the Easter crowd fortunate enough to procure free tickets to chairs, while others stand, waiting for a glimpse of papal pomp.

It's a scene that could be taken straight out of Angels & Demons, author Dan Brown's best-selling prequel to the hugely successful — and highly controversial — novel The Da Vinci Code. Just like that book, Angels & Demons has been made into a movie starring Tom Hanks as symbologist Robert Langdon, which opens today around the world.

Set in Vatican City and Rome, Angels & Demons pits Langdon (paired with an intelligent and attractive female sidekick, Vittoria Vetra) against a modern incarnation of an ancient foe of the Roman Catholic Church, the Illuminati. In the book, Catholics fill St. Peter's Square, awaiting the announcement of Il Conclave, the assembly of cardinals charged with selecting a new pope. Little do they know they are sitting atop a time bomb — and that four cardinals in line for the job are being murdered at sites around Rome.

It's not a tale you'd expect the Catholic Church to embrace. And indeed, several prominent religious leaders — including Catholic League for Religious and Civil Rights president Bill Donohue— have come out against the film (although the church itself has not issued a boycott call).

No matter. Catholic indignation did nothing to stop The Da Vinci Code movie from grossing more than $758 million in 2006.

And it did nothing to stop Sony Pictures from shooting key scenes of the movie in Rome, which will only enhance the city's allure for Angels & Demons fans. Among the sites from the book that will be seen on film: the Pantheon, Piazza Navona, Castel Sant'Angelo and its Pasetto di Borga, the secret passageway that connects the fortress with the Vatican.

The Vatican itself is not on film, nor are the interiors of two churches prominently featured in the book, Santa Maria del Popolo or Santa Maria della Vittoria; the Rome diocese said last summer that it had banned filming there because of the movie's themes. Reggia di Caserta, an 18th-century royal palace outside Naples and south of Rome, stood in for the Vatican in some scenes (and an elaborate replica was built on a Los Angeles studio lot).

Executive producer Todd Hallowell says the production didn't bother asking permission to film at the Vatican, as the church never grants it. He promises that viewers will feel as if they are within the Vatican, even if the church itself wasn't crazy about the filming.

Says Hallowell: "Given the fact that The Da Vinci Code was perhaps not their favorite movie, the concept of a sequel being shot in their backyard was not the best news they had all week."

Mapping out the book

On the steps outside Santa Maria del Popolo — the site of the book's first element-themed murder, Earth— about 30 people gather for Angels & Demons guided tours. While the operating company, Angelsanddemons.it, bills it as "the official Angels & Demons tour," several tour operators in Rome offer a similar version.

The group is split, and guide Graham Hannaford, 26, passes out a map of Rome, a replica of the one from Angels & Demons. Fewer than half the people on Hannaford's tour have read the book, but he carries it with him for reference (and occasionally, to debunk the poetic license that Brown sometimes took with Roman geography).

The first stop on the "Path of Illumination" that Brown has devised through Rome is the Chigi Chapel inside the church. Designed by Renaissance master Raphael and filled with sculptures by Bernini — the baroque wunderkind whom Brown cheekily portrays as a secret Illuminati mastermind — the Chapel is an artistic masterpiece, albeit one that might fall lower on a typical tourist itinerary.

Subsequent stops in the four-hour tour call at Roman sites both familiar and off-the-beaten-track: St. Peter's Square, the gloriously elaborate Santa Maria della Vittoria and the always-hopping Piazza Navona, sites of the book's Air, Fire and Water murders, respectively. It concludes at the imposing Castel Sant'Angelo, where the Hassassin in Brown's book keeps Vittoria captive in an alleged ancient Illuminati lair.

Jennifer Carroll, 32, of French Settlement, La., takes pictures at nearly every stop.

"My book club will kill me if I don't," she says.

Carroll and her husband, Basil, attended the papal Easter Mass and bought rosaries for family at the Vatican, including one for their daughter to use at her First Communion. Carroll had some friends who felt The Da Vinci Code was anti-Catholic and others who felt the murders in Angels & Demons were too violent. But the controversy has been overblown, she says.

"It's fiction, it's OK," she says. "You could get offended by just about anything if you wanted to."

Hannaford calls for a coffee break next to the Pantheon. With Roman tourism down, the Napa, Calif., native had questioned returning after Christmas, but he figured the release of Angels & Demons could trigger the same bump in visitors that Paris received from The Da Vinci Code.

The tour is not the company's best seller — visitors tend to hire guides to the immense Vatican Museum more often, Hannaford says. But he thinks that Angels & Demons provides a good road map to Rome's charms.

"The book does capture the spirit of Rome," he says. "There are a lot of chaotic things going on, but it all pulls together."

Seeing the story

Of course, visitors don't have to take a guided tour to see the parts of Rome explored in Angels & Demons. But some sites do require planning ahead.

Such is the case with the Vatican Scavi, the necropolis under St. Peter's Basilica said to contain the grave of Peter, the founder of the Christian church. In the book, Langdon chases the camerlengo (played by Ewan McGregor in the film) through the subterranean passages to find the hidden canister of dangerous antimatter.

In real life, the Vatican Excavations Office carefully controls the number of people allowed to walk through the Scavi. Only 12 people are allowed through at a time, with a limit of 250 visitors a day. Travel agents and tour guides are not allowed to buy tickets; visitors must petition through e-mail or fax months ahead of time to secure a spot.

The machinations are well worth it. Undertaken in 1939 through 1950, the excavations unearthed pagan and early Christian tombs from a cemetery that existed on the site before Constantine built the original St. Peter's Basilica around 322. The corridors between the tombs are narrow and uneven, and the air is slightly dank. But what you'll see are remarkably well-preserved frescoes and mosaics that provide a glimpse into the time when Christianity was a religious newcomer.

Back above ground, a Vatican trip is not complete without visiting the Sistine Chapel, although doing so requires negotiating the crowded Vatican Museums. With the masses of people snapping photos of Michelangelo's famed ceiling, it's hard to imagine the Sistine Chapel as a quiet place of deliberation. But this is where Il Conclave chooses papal succession, broadcasting their results through smoke from a chimney brought in for the occasion.

A better job of crowd control takes place at the Galleria Borghese, where visitors are limited to two-hour time blocks. While the museum — set amid leafy Villa Borghese, Rome's version of Central Park— is not referenced in Angels & Demons, it's a must-stop for readers who are curious about Bernini's other works. Some of his most famous pieces are here, including The Rape of Proserpina, his determined David and Truth Unveiled by Time, created for himself.

The latter sculpture was composed when Bernini — a papal darling who not only designed the colonnades of St. Peter's Square but also came up with the idea for the 10 angels guarding Ponte Sant'Angelo, the bridge between Rome and Vatican City — was out of favor. Could it be that during this time, as Brown suggests, Bernini joined disgruntled intellectuals such as Galileo in the Illuminati ranks?

Vatican tour guide Joseph Mancinelli dismisses such speculation. "It is just a story, it has nothing to do with Christianity," he says of Angels & Demons. "You must believe what is true, not what people say in a story."

Follow Chris Gray Faust at twitter.com/CAroundTheWorld.

IF YOU GO

Getting there: Rome's main airport, Leonardo da Vinci, is known by its old name, Fiumicino. The Leonardo Express runs shuttles to Rome's Termini rail station every 30 minutes ($15, trenitalia.com). Taxis or car service to and from the airport costs about $60.

Lodging: The Westin Excelsior Rome is offering a two-night Angels & Demons package that includes a private or group movie tour, as well as 20% off at the hotel's restaurants and bars. The promotion starts at $444 a night and runs through 2010 (westin.com/angelsanddemons.com). The venerable Hotel Hassler at the top of the Spanish Steps also has a three-night package that includes a tour starting at $2,323 (hotelhassler.com). Or live like the fictional Robert Langdon, who stayed at Hotel Bernini on Plaza Barberini (Bernini's Triton fountain is right in front). Rates start at $395 (berninibristol.com).

Generally, a cheaper way to stay in Rome is to rent an apartment through a service such as venere.com. The Beehive, with dorm beds starting at $34 and private rooms at $109, is the No. 1-ranked budget hotel on Trip Advisor (the-beehive.com).

Dining: Rome's better restaurants are in alleys away from main tourist streets. Near the Pantheon, try the pasta at Osteria del Sostegno (primi, $8-$11, secondi, $12-$20). Osteria dell'Angelo, about 10 minutes from the Vatican on Via G. Bettolo, has an outstanding version of the Roman classic spaghetti carbonara at similar prices. Do as the Romans do and enjoy an evening gelato; Gelataria della Palma, also near the Pantheon, has 100-plus flavors.

Tours: The "Official Angels & Demons Tour" is four hours and includes some bus transport, $76 (angelsanddemons.it). To book tickets to the Vatican Scavi, e-mail the Excavations Office several months in advance; the visit costs $14 (scavi@fsp.va). Advance tickets to Vatican Museums can be purchased online for $19 (mv.vatican.va); private companies such as Context Rome also have tours with art historians (contexttravel.com/rome). The Galleria Borghese requires advance reservations for its two-hour blocks for $12 (ticketeria.it).

Information: en.turismoroma.it

Tuesday, May 19, 2009

The Truth About Angels, Demons and Antimatter

http://www.foxnews.com/story/0,2933,520193,00.html

The Truth About Angels, Demons and Antimatter
Thursday, May 14, 2009
By Jeremy Hsu

An antimatter explosion threatens to level the Vatican in the movie adaptation of the thriller "Angels and Demons," but real-world physicists are unfazed by this plot.

The story features "Da Vinci Code" hero Robert Langdon racing to recover an antimatter capsule stolen from the CERN particle physics facility in Switzerland. Researchers first figured out how to create and trap antimatter particles at CERN, which gave author Dan Brown the inspiration for his story.

One physicist doesn't find CERN's unexpected publicity from the story upsetting. On the contrary, he's rather pleased.

"I always say that what Dan Brown did for the Roman Catholic Church in 'The Da Vinci Code,' he did for me and my research with 'Angels and Demons,'" said Gerald Gabrielse, a Harvard physicist who currently leads an international research team at CERN.

Antimatter is real, but it still represents a baffling presence in the universe – sub-atomic particles that are the opposite of normal matter. When a particle and antiparticle meet, they mutually annihilate each other and release their entire mass as energy.

This bizarre but intriguing reality has prompted plenty of science fiction writers to dream of antimatter engines powering future civilizations or starships, such as Star Trek's U.S.S. Enterprise.

"Angels and Demons" twists that dream of untapped energy into more of a nightmarish scenario, by suggesting what might happen if a relatively large amount of antimatter annihilated itself with matter all at once. A quarter of a gram of antimatter threatens to unleash the power of 5,000 tons of TNT and destroy everything within a half-mile radius – or so goes the fictional story.

The reality is that physicists can only wish they had so much of the stuff.

"If you take all the antimatter produced in the history of the world and annihilated it all at once, you wouldn't have enough energy to boil a cup of tea," Gabrielse told LiveScience.

Antimatter represents a rare entity in a universe dominated by matter, and scientists still struggle to understand why. What they do know is that creating antimatter requires tremendous effort, such as using particle accelerators at CERN to smash together particles at nearly the speed of light.

An occasional antimatter particle may arise naturally when a cosmic ray strikes Earth's upper atmosphere. But collecting man-made antimatter particles is much more practical for research.

Physicists have only slowed and trapped a small fraction of all the produced particles, in this case known as antiprotons. They use antimatter traps somewhat similar in concept to what "Angels and Demons" describes, with magnetic fields keeping the antimatter particles in a vacuum away from any matter.

"You need a container with no walls, that's the idea," Gabrielse noted. His former project, known as TRAP, successfully created and held charged antiprotons for months.

Now physicists face the more daunting challenge of capturing neutral antihydrogen atoms. The newer international effort, called ATRAP, has put together an antihydrogen trap and is working on a second.

"We are trying right now to trap neutral antihydrogen atoms which we have produced, but no one has succeeded in proving that they've been trapped yet," Gabrielse said.

Such neutral antihydrogen atoms could theoretically be clumped together, whereas charged antiprotons are repelled by each other. Whether an antimatter clump would annihilate with all the power of a small nuke without blowing itself apart remains an open question – and that still assumes physicists can create and collect anything close to a quarter of a gram of antimatter.

One part of "Angels and Demons" may have come true, although unrelated to antimatter. The fictional plot includes retinal scanners guarding a CERN lab, and the real-life CERN happened to adopt such eyeball security after the book came out, Gabrielse explained.

So the plot of "Angels and Demons" doesn't quite annihilate upon contact with reality, but the real-life mystery of antimatter may still trump fiction.

"Why the universe is made out of more matter than antimatter? We don't know the answer to that question at all," Gabrielse said.

Friday, April 24, 2009

Dan Brown Novel Now Due in September

http://artsbeat.blogs.nytimes.com/2009/04/20/long-delayed-dan-brown-novel-now-due-in-september/

April 20, 2009
Long-Delayed Dan Brown Novel Now Due in September
By Motoko Rich

Dan Brown, the author of the mega-bestselling novel “The Da Vinci Code,” has finally delivered his long-awaited new novel, “The Lost Symbol,” and it will be published Sept. 15. The Knopf Doubleday Publishing Group said on Monday that it was planning a first print run of 5 million copies, a number that dwarfs most other books. “The Da Vinci Code,” which was made into a movie starring Tom Hanks, was a worldwide publishing phenomenon, with 81 million hardcover copies in print. Fans and the publisher have been waiting a long time for Mr. Brown to finish the new book. It was originally scheduled for a 2005 delivery. “The Lost Symbol” will again feature Robert Langdon, the protagonist of “The Da Vinci Code.” According to Jason Kaufman, executive editor at Doubleday, the novel takes place over the course of 12 hours and will “follow Robert Langdon through a masterful and unexpected new landscape.” In a statement, Mr. Brown said he had spent five years on research for the book. “Robert Langdon’s life clearly moves a lot faster than mine,” he said.

The publisher remained cryptic about the plot or subject of the new novel, but in an author’s FAQ on Mr. Brown’s Web site, he answers the question “What are you working on now?” by saying that the work in progress finds Langdon “embroiled in a mystery on U.S. soil. The new novel explores the hidden history of our nation’s capital.” And on another page on the Web site, he notes that “the next Robert Langdon novel” is “set deep within the oldest fraternity in history … the enigmatic brotherhood of the Masons.”

Monday, April 14, 2008

Bible is America's favorite book

http://news.yahoo.com/s/nm/20080408/lf_nm_life/reading_survey_dc

Bible is America's favorite book: poll
Tue Apr 8, 2008

When it comes to literary pursuits in the United States most people agree on at least one thing -- the most popular book is the Bible, according to a new survey.

It came in first in a Harris Poll of nearly 2,513 adults but the second choice in the survey was not as clear cut.

"While the Bible is number one among each of the different demographic groups, there is a large difference in the number two favorite book," Harris said in a statement announcing the results.

Men chose J.R.R. Tolkien's "The Lord of the Rings" and women selected Margaret Mitchell's "Gone With the Wind" as their second-favorite book, according to the online poll.

But the second choice for 18- to 31-year-olds was J.K. Rowling's Harry Potter series, while 32- to 43-year-olds named Stephen King's "The Stand" and Dan Brown's "Angels and Demons."

Picks for second-favorite book also varied according to region. "Gone With the Wind" was number two in the southern and midwestern United States while easterners chose "The Lord of the Rings" and westerners opted for "The Stand."

Whites and Hispanics picked "Gone With the Wind" as their second-favorite book after the Bible, while African-Americans preferred "Angels and Demons."

"Finally, they may not agree on candidates, but one thing that brings together partisans is their favorite book. For Republicans, Democrats and Independents, the top two books are the same -- the Bible followed by "Gone With the Wind."

Dan Brown's "The Da Vinci Code," "To Kill a Mockingbird" by Harper Lee, "Angels and Demons" by Dan Brown, "Atlas Shrugged" by Ayn Rand and "Catcher in the Rye" by J.D. Salinger rounded out the top 10 favorites.

(Reporting by Julie Mollins; editing by Patricia Reaney)

Wednesday, March 26, 2008

St Peter not the first Pope and never went to Rome

http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/03/23/wrome123.xml

St Peter was not the first Pope and never went to Rome, claims Channel 4
By Jonathan Wynne-Jones, Religious Affairs Correspondent
23/03/2008

St Peter's journey to Rome led to the spread of Christianity in the West and the foundation of Roman Catholicism, so the Church has always taught.

But a new documentary will challenge the link as nothing more than a "conspiracy of faith". In it, prominent academics accuse the Vatican of misleading the world over the fate of the man regarded as Jesus Christ's closest disciple. In allegations likely to spark controversy, they accuse the Church of fabricating a connection with the apostle to validate giving ultimate power to the papacy.

Catholicism holds that the Pope is the sole successor to the 'supremacy' of Peter

Catholicism has taught for centuries that Peter was martyred and buried in Rome and that all popes succeed him, but the documentary will challenge this by asserting that he never reached the Italian city. Instead, it will accuse the Church of ignoring the discovery of a tomb in Jerusalem that archaeologists believe contains the bones of Peter.

Leading theologians said that these views were an "attempt to smear Catholicism" and criticised Channel 4 for allowing such "outlandish" claims to be broadcast.

They expressed concern that they would appeal to people who are easily persuaded by conspiracy theories, such as the idea that Jesus had a child with Mary Magdalene, as proposed in Dan Brown's best-seller The Da Vinci Code.

Dr Robert Beckford, a theology lecturer at Oxford Brookes University, who presents the documentary, denied that this was an attempt to attack the Catholic Church. "This is about looking at what the pillars of power are founded on and examining the scholarship that most Catholics take for granted," he said.

"We found that there is no scientific evidence to support the idea that Peter was buried in Rome, but yet the rival theory has not got out because it challenges the Church.

"If you undermine its basis for power you undermine the Church. It's tragic that the faith gets reduced to manipulating the facts and to one Church trying to make itself superior to others."

As Christianity spread following the crucifixion of Jesus, it became important for the new churches to claim a link with the disciples and led the Catholic Church to establish a connection with St Peter.

advertisementCatholics believe the proof that Christ constituted St Peter head of His Church is found in the two Petrine texts, Matthew 16:17-19, and John 21:15-17. In Matthew, the office is solemnly promised to the apostle as Jesus addresses him: "Blessed art thou, Simon Bar-Jona: because flesh and blood hath not revealed it to thee, but my Father who is in heaven. And I say to thee: That thou art Peter; and upon this rock I will build my Church, and the gates of hell shall not prevail against it. And I will give to thee the keys of the kingdom of heaven."

Roman Catholicism holds that the Pope, also known as the Bishop of Rome, is the sole successor to the "supremacy" or primacy of Peter and is thus the "Vicar of Christ" for the world.

It is traditionally believed that he was crucified in Rome and buried where the Basilica of St Peter was later built, beneath the high altar.

In 1939, the Vatican announced that the bones of Peter had been found in Rome during an archaeological dig. But the documentary casts doubt on this, questioning why the dig was carried out "in total secrecy", and led by a "personal friend" of the Pope.

"The Pope's authority over the world's one billion Roman Catholics derives from the belief that Peter died and was buried here almost 2,000 years ago," said Dr Beckford.

The documentary, The Secrets of the Twelve Disciples ­(Channel 4 today at 5.45pm), suggests it that is much more likely that St Peter was buried in an ossuary found in Jerusalem with the inscription Shimon Bar Jonah - Simon son of Jonah - the Hebrew name for Peter.

However, Gerald O'Collins, professor emeritus of Systematic Theology at the Gregorian University in Rome, said that the documentary contradicted the "great weight" of tradition that accepted Peter had been martyred and buried in Rome. "This is awful stuff, total ­nonsense," he said. "This kind of outlandish garbage drives me nuts."

John Medlin, the general manager of the Latin Mass Society, said of the "intellectually-challenged" arguments: "They are on a par with Dan Brown's Da Vinci Code and are unsubstantiated. It shows undisguised disdain for the Catholic Church."

Sunday, July 29, 2007

New "Last Supper" theory

http://news.yahoo.com/s/nm/20070727/wr_nm/italy_lastsupper_theory_dc

New "Last Supper" theory crashes Leonardo Web sites
Fri Jul 27, 2007

A new theory that Leonardo's "Last Supper" might hide within it a depiction of Christ blessing the bread and wine has triggered so much interest that Web sites connected to the picture have crashed.

The famous fresco is already the focus of mythical speculation after author Dan Brown based his "The Da Vinci Code" book around the painting, arguing in the novel that Jesus married his follower, Mary Magdelene, and fathered a child.

Now Slavisa Pesci, an information technologist and amateur scholar, says superimposing the "Last Supper" with its mirror-image throws up another picture containing a figure who looks like a Templar knight and another holding a small baby.

"I came across it by accident, from some of the details you can infer that we are not talking about chance but about a precise calculation," Pesci told journalists when he unveiled the theory earlier this week.

Websites http://www.leonardodavinci.tv/, http://www.codicedavinci.tv/, http://www.cenacolo.biz/ and http://www.leonardo2007.com/ had 15 million hits on Thursday morning alone, organizers said, adding they were trying to provide a more powerful server for the sites.

In the superimposed version, a figure on Christ's left appears to be cradling a baby in its arms, Pesci said, but he made no suggestion this could be Christ's child.

Judas, whose imminent betrayal of Christ is the force breaking the right-hand line of the original fresco, appears in an empty space on the left in the reverse image version.

And Pesci also suggests that the superimposed version shows a goblet before Christ and illustrates when Christ blessed bread and wine at a supper with his disciples for the first Eucharist.

The original Da Vinci depicts Christ when he predicts that one among them will betray him.