The Smile Sessions

From the Wall Street Journal:
For the past 44 years, the Beach Boys' "Smile" has been rock's most notorious phantom album. Intended as a follow-up to the band's "Pet Sounds," the project sent Brian Wilson—the group's leader and mastermind of "Smile"—into an emotional tailspin, and led the band to infighting over the material. In May 1967, after eight grueling months of recording, Capitol Records scrapped the record. Though many of the 19 tracks meant for "Smile" were later modified and added onto subsequent Beach Boys albums, the original tapes and outtakes remained in a vault—all too painful for Mr. Wilson to revisit.

Then, in 2004, Mr. Wilson re-recorded most of the songs on "Brian Wilson Presents Smile," with help from original lyricist Van Dyke Parks and a new band, performing the new album on a brief tour. On Nov. 1, Capitol will finally release "The Smile Sessions"—a five-CD boxed set of original tapes and outtakes complete with Mr. Wilson's desired track sequence. The result shows how Mr. Wilson and Mr. Parks were deploying a dense, psychedelic concept album many months before the Beatles even began recording "Sgt. Pepper's."

To read WSJ's interview with Wilson:

Still Picking Up Good Vibrations
MARC MYERS
OCTOBER 7, 2011
http://online.wsj.com/article/SB10001424052970204524604576609000066845070.html

Official SMiLE announcement from Capitol/EMI Records

March 14th, 2011
David Beard
http://www.examiner.com/beach-boys-in-national/official-smile-announcement-from-capitol-emi-records

This is the official press release from Capitol/EMI:

THE BEACH BOYS’ LEGENDARY ‘SMiLE’ ALBUM SESSIONS TO BE RELEASED THIS YEAR BY CAPITOL/EMI

Never-Before-Released Original 1966-’67 Album Sessions Compiled for 2CD and Digital Packages and Deluxe, Limited Edition Box Set

Hollywood, California - March 14, 2011 – Between the summer of 1966 and early 1967, The Beach Boys recorded, in several sessions, a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band’s 1966 masterpiece, Pet Sounds. The sessions were ultimately shelved, and The Beach Boys’ SMiLE has never been released. With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has collected and compiled the definitive collection, ‘The SMiLE Sessions,’ for worldwide release this year in multiple physical and digital configurations.

The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world. The SMiLE Sessions will be released in 2CD and digital album packages and a deluxe, limited edition box set.

Co-produced by Mark Linett and Alan Boyd, all of The SMiLE Sessions’ physical and digital configurations will include an assembled album of core tracks, while the box set delves much deeper into the sessions, adding early song drafts, alternate takes, instrumental and vocals-only mixes, and studio chatter. The SMiLE Sessions invites the listener into the studio to experience the album's creation, with producer, singer and bassist Brian Wilson's vision leading the way as he guides his fellow Beach Boys, singer Mike Love, drummer Dennis Wilson, lead guitarist Carl Wilson, rhythm guitarist Al Jardine, and newest member Bruce Johnston (who'd replaced Brian Wilson in the touring group during 1965), through the legendary sessions.

"I'm thrilled that The Beach Boys' original studio sessions for SMiLE will be released for the first time, after all these years,” says Brian Wilson. “I'm looking forward to this collection of the original recordings and having fans hear the beautiful angelic voices of the boys in a proper studio release.”

“One of my favorite songs from the SMiLE sessions is ‘Wonderful’,” says Mike Love. “The song truly lives up to its title, as do many of the tracks on SMiLE. Cousin Brian was at his creative peak during those sessions. I’m unaware of anything that comes close in pop music.”

“I recently played some of my personal acetates from the SMiLE sessions and they held up really well,” says Al Jardine. “We would come home from touring and go straight into the studio to record. Brian couldn't wait to show us his latest ideas. We were recording SMiLE and Pet Sounds material simultaneously, so the tracks and vocals all have the same great quality. Most of the vocals were done at Columbia Studios in Hollywood, across the street from Western Studios, where most of the tracking was done.”

“For me, it's always been about the way Brian Wilson brilliantly composed and 'voiced' his amazing chord progressions and melodies,” says Bruce Johnston. “SMiLE really made me smile!”

“Personally, I loved it,” the late Carl Wilson said in 1994 of the SMiLE sessions (from the Don Was-directed documentary, Brian Wilson: I Just Wasn’t Made For These Times).

“In my opinion it makes Pet Sounds stink - that's how good it is,” the late Dennis Wilson told a journalist in 1966 of the planned SMiLE album.

What Brian Wilson brought to the table, in his effort to maintain The Beach Boys' position among the top rock 'n' roll bands of the day, was beyond what anyone could have expected. Beginning with “Good Vibrations,” then into SMiLE, Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens and dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this in pop music, and Wilson had just created “Good Vibrations,” The Beach Boys’ best-selling record in a long string of hits, by using this method. His next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.

In 1965, Brian Wilson had met an up-and-coming session keyboard player and songwriter, Van Dyke Parks. Noticing Parks' conversational eloquence, Wilsonfelt that he could help to volley The Beach Boys’ songwriting into the wave of broader-messaged and socially-conscious rock 'n' roll that would come to define the '60s. They were soon collaborating on keynote songs for SMiLE, including “Heroes and Villains,” the band’s follow-up single to “Good Vibrations.” Wilson and Parks would also co-write “Surf's Up,” “Vegetables,” “Cabin Essence,” “Do You Like Worms,” “Wonderful,” “Wind Chimes,” and other bits and pieces of theSMiLE tapestry. Parks also introduced Beat-Pop artist Frank Holmes to create album sleeve art and a booklet interpreting the album’s James Joyce-mode lyrics.

The reason SMiLE did not see a release in early 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld “Heroes and Villains” and announced they would instead release “Vegetables” – recorded with the band’s own money in April of '67 – on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the band’s Brother Records, and it was agreed that SMiLE was no longer to be the band’s next album.

The SMiLE Sessions’ global release date, complete track lists, and artwork will be unveiled soon.

“Surf's up, aboard a tidal wave, come about hard and join the young and often spring you gave. I heard the word, wonderful thing... a children's song... ”

- from “Surf's Up” (Brian Wilson/Van Dyke Parks)

http://www.thebeachboys.com/

Rolling Stone Magazine's Top 500 Songs: The Top 10

1 Like a Rolling Stone
Bob Dylan

2 (I Can’t Get No) Satisfaction
The Rolling Stones

3 Imagine
John Lennon

4 What’s Going On
Marvin Gaye

5 Respect
Aretha Franklin

6 Good Vibrations
The Beach Boys

7 Johnny B. Goode
Chuck Berry

8 Hey Jude
The Beatles

9 Smells Like Teen Spirit
Nirvana

10 What’d I Say
Ray Charles

Maharishi Mahesh Yogi, Spiritual Leader, Dies

http://www.nytimes.com/2008/02/06/world/asia/06maharishi-1.html

February 6, 2008
Maharishi Mahesh Yogi, Spiritual Leader, Dies
By LILY KOPPEL

Maharishi Mahesh Yogi, who introduced transcendental meditation to the West and gained fame in the 1960s as the spiritual guru to the Beatles, died Tuesday at his home and headquarters in Vlodrop, the Netherlands. He is believed to have been in his 90s. Steven Yellin, a spokesman for the organization, confirmed the Maharishi’s death but did not give a cause.

On Jan. 11, the Maharishi announced that his public work was finished and that he would use his remaining time to complete a long-running series of published commentaries on the Veda, the oldest sacred Hindu text.

The Maharishi was both an entrepreneur and a monk, a spiritual man who sought a world stage from which to espouse the joys of inner happiness. His critics called his organization a cult business enterprise. And in the press, in the 1960s and ’70s, he was often dismissed as a hippie mystic, the “Giggling Guru,” recognizable in the familiar image of him laughing, sitting cross-legged in a lotus position on a deerskin, wearing a white silk dhoti with a garland of flowers around his neck beneath an oily, scraggly beard.

In Hindi, “maha” means great, and “rishi” means seer. “Maharishi” is a title traditionally bestowed on Brahmins. Critics of the yogi say he presented himself with the name, which he was ineligible for because he was from a lower caste.

The Maharishi originated the transcendental meditation movement in 1957 and brought it to the United States in 1959. Known as TM, a trademark, the technique consists of closing one’s eyes twice a day for 20 minutes while silently repeating a mantra to gain deep relaxation, eliminate stress, promote good health and attain clear thinking and inner fulfillment. Classes now cost $2,500 for a five-day session.

The TM movement was a founding influence on what has grown into a multibillion-dollar self-help industry, and many people practice similar forms of meditation that have no connection to the Maharishi’s movement.

Over the years since TM became popular, many scientists have found physical and mental benefits from mediation in general and transcendental meditation in particular, especially in reducing stress-related ailments.

Since the technique’s inception in 1955, the organization says, it has been used to train more than 40,000 teachers, taught more than five million people, opened thousands of teaching centers and founded hundreds of schools, colleges and universities.

In the United States, the organization values its assets at about $300 million, with its base in Fairfield, Iowa, where it operates a university, the Maharishi University of Management. In 2001, disciples of the movement incorporated their own town, Maharishi Vedic City, a few miles north of Fairfield.

Last March, a branch of the organization, Global Financial Capital of New York, moved into new headquarters it bought in Lower Manhattan.

The visibility and popularity of the organization can largely be attributed to the Beatles. In 1968, the band, with great publicity, began studying with the Maharishi at his Himalayan retreat, or ashram, in Rishikesh, in northern India. They went with their wives, the folk singer Donovan, the singer Mike Love, of the Beach Boys, the actress Mia Farrow and Ms. Farrow’s sister Prudence.

They left in the wake of rumors of sexual improprieties by the Maharishi, an avowed celibate, though no sexual-misconduct suits were filed and some of the participants later denied that anything untoward had occurred.

Nevertheless, public interest in the movement had been aroused in the West, and it continued to grow in the 1970s as the Maharishi took his movement around the world and as its techniques gained respectability in the medical world.

Later in life, the Maharishi refused to discuss the Beatles. Another one of his disciples was the Indian spiritualist Deepak Chopra, who was a friend of the former Beatle George Harrison and who promotes his own teachings based on traditional Indian Ayurvedic medicine and meditation.
The Maharishi’s movement began losing followers the late 1970s, as people were put off by the organization’s promotion of a more advanced form of TM called Yogic Flying, in which practitioners try to summon a surge of energy to physically lift themselves off the ground. They have never gone beyond the initial stage of flying, described as “frog hops.”

Mahesh Prasad Varma was born near the central Indian town of Jabalpur, into a scribe caste family. Called Mahesh, he studied physics at Allahabad University and for the next 13 years became a student and secretary to a holy man, Swami Brahmananda Saraswati, who the young disciple Mahesh called Guru Dev.

“Right from the beginning the whole purpose was to breathe in his breath,” the Maharishi wrote in his “Thirty Years Around the World: Dawn of the Age of Enlightenment,” published in 1986. “This was my ideal. The whole purpose was just to assume myself with Guru Dev.”

After the death of his master in 1953, Mahesh went into seclusion in the Himalayan foothills. He emerged two years later and began teaching a system of belief, which grew into the worldwide TM movement.

“It would appear that Maharishi cobbled together his teaching after his master died, when he found himself unemployed and out-of-grace with the ashram,” said Paul Mason, a critic of the Maharishi and the author of a biography, “The Maharishi: The Biography of the Man Who Gave Transcendental Meditation to the World.” “He reinvented himself and became a ‘maharishi’ and wanted to be seen as a messiah.”

Since 1990, the Maharishi had lived in Vlodrop with about 50 of his adherents, including his “minister of science and technology,” John Hagelin, a Harvard-educated physicist, who is expected to oversee the organization in the United States.

Late in life, the Maharishi tried to breathe new life into TM, establishing in 2000 his “Global Country of World Peace,” with the goals of preventing war, eradicating poverty and promoting environmental sustainability. One effort tried to reach young people across the United States with the support of celebrities like Donovan and the filmmaker David Lynch, who went on a speaking tour of colleges to promote the cause.

The Maharishi also sought to rebuild the world according to Vedic principals. He called for the demolition of all toxic buildings and unhealthy urban environments, even the demolition of historic landmarks if they were not built according to “Vedic architecture in harmony with Natural Law.” The Maharishi contended that the White House was wrongly situated. He said that a more suitable location for the capital of the United States was the small town of Smith Center, Kan.

In the last years of his life he rarely met with anyone, even his ministers, face-to-face, preferring to speak with followers almost exclusively by closed-circuit television.