Showing posts with label Civil War. Show all posts
Showing posts with label Civil War. Show all posts

Sunday, January 20, 2013

What 'Lincoln' misses and another film gets right


What 'Lincoln' misses and another Civil War film gets right
John Blake
Tue January 8, 2013
http://www.cnn.com/2013/01/08/showbiz/slavery-pbs/index.html

(CNN) -- He used the N-word and told racist jokes. He once said African-Americans were inferior to whites. He proposed ending slavery by shipping willing slaves back to Africa.

Meet Abraham Lincoln, "The Great Emancipator" who "freed" the slaves.

That's not the version of Lincoln we get from Steven Spielberg's movie "Lincoln." But there's another film that fills in the historical gaps left by Spielberg and challenges conventional wisdom about Lincoln and the Civil War.

"The Abolitionists" is a PBS American Experience film premièring Tuesday that focuses on the intertwined lives of five abolitionist leaders. These men and women arguably did as much -- maybe even more -- than Lincoln to end slavery, yet few contemporary Americans recognize their names.

The three-part documentary's airing comes as the nation commemorates the 150th anniversary of the Emancipation Proclamation, the 1863 decree signed by Lincoln that set in motion the freeing of slaves. Lincoln is a Mount Rushmore figure today, but the abolitionists also did something remarkable. They took on the colossal wealth and political power of the slave trade, and won. (Imagine activists today persuading the country to shut down Apple and Google because they deem their business practices immoral.)

The abolitionists "forced the issue of slavery on to the national agenda," says Sharon Grimberg, executive producer for the PBS documentary. "They made it unavoidable."

"The Abolitionists" offers four surprising revelations about how the abolitionists triumphed, and how they pioneered many of the same tactics protest movements use today.

No. 1: The Great Persuader was not Lincoln

Near the end of "Lincoln," Spielberg shows the president delivering his second inaugural address, a majestic speech marked by harsh biblical language. Lincoln is often considered to be the nation's greatest president in part because of such speeches. He was an extraordinary writer.

But the most well-known condemnation of slavery during that era didn't come from the pen of Lincoln. It came from the pen of Harriet Beecher Stowe, the daughter of a Presbyterian minister who joined the abolitionist movement, the PBS film says.

Stowe's "Uncle Tom's Cabin" awakened the nation to the horrors of slavery more than any other speech or book of that era, some historians say. It hit the American public like a meteor when it was published in 1852. Some historians say it started the Civil War.

The novel revolved around a slave called Tom, who attempted to preserve his faith and family amid the brutality of slavery. The book became a massive best-seller and was turned into a popular play. Even people who cared nothing about slavery became furious when they read or saw "Uncle Tom's Cabin"' performed on stage, the documentary reveals.

The lesson: Appeal to people's emotion, not their rationale, when trying to rally public opinion.

Abolitionists had tried to rouse the conscience of Americans for years by appealing to their Christian and Democratic sensibilities. They largely failed. But Stowe's novel did something all those speeches didn't do. It told a story. She transformed slaves into sympathetic human beings who were pious, courageous and loved their children and spouses.

"When abolitionists were talking about the Constitution and big ideas about freedom and liberty, that's abstract," says R. Blakeslee Gilpin, a University of South Carolina history professor featured in "The Abolitionists."

"But Stowe begins with the human dimension. She shows the human victims from the institution of slavery."

150 years later, myths persist about the Emancipation Proclamation

No. 2: It's the economy, stupid

Want to know why slavery lasted so long? The simplistic answer: racism. Another huge factor: greed, according to "The Abolitionists."

Many abolitionists didn't realize this when they launched the anti-slavery movement, the documentary shows. They were motivated by Christian idealism, but it was no match for the power of money.

Christianity and slavery were two of the big growth industries in early America. The country underwent two "Great Awakenings" in the early 19th century -- while slavery continued to spread.

But the spread of Christianity did little to stop the spread of slavery because too many Americans made money off slavery, the documentary shows. The wealth produced by slavery transformed the United States from an economic backwater into an economic and military dynamo, says Gilpin, also author of "John Brown Still Lives!: America's Long Reckoning With Violence, Equality, and Change."

"All the combined economic value of industry, land and banking did not equal the value of humans held as property in the South," Gilpin says.

Many Americans hated abolitionists because they saw them as a threat to prosperity, says David Blight, a Yale University historian featured in "The Abolitionists."

"They wondered if you really did destroy slavery, where would all of these black people go, and whose jobs would they take," says Blight.

The South wasn't the only region that profited off the slave trade. Abolitionists faced some of their most vicious opposition in the North. New York City, for example, was a pro-slavery town because it was filled with bankers and cotton merchants who benefited from slavery, Blight says.

"Jim Crow laws did not originate in the South; they originated in the North," Blight says.

The lesson: Don't reduce the issue of slavery to racism. Follow the money.

No. 3: Flawed reformers

The historian Henry Louis Gates Jr. once said that black abolitionists used to say that the only thing white abolitionists hated more than slavery was the slave.

"The Abolitionists" reveals that some of the most courageous anti-slavery activists were infected with the same white supremacist attitudes they crusaded against. White supremacy was so ingrained in early America that very few escaped its taint, even the most noble.

The documentary shows how racial tensions destroyed the friendship between two of the most famous abolitionists: Frederick Douglass and William Lloyd Garrison. Garrison was the editor of an abolitionist newspaper who convinced Douglass that he could be a leading spokesman against the institution that once held him captive.

Erica Armstrong Dunbar, a history professor featured in the film, says some abolitionists were uncomfortable with interracial relationships. They wouldn't walk with black acquaintances in public during the day, and refused to sit with them in church.

Lesson: Racism was so embedded in 19th century America that even those who fought against racism were unaware that it still had a hold on them.

"The majority of aboloitionists did not believe in civic equality for blacks," Dunbar says. "They believed the institution of slavery was immoral, but questions about whether blacks were equal, let alone deserved the right to vote, were an entirely different subject."

No. 4: Lincoln the "recovering racist"

Tell some historians that "Lincoln freed the slaves" and one can virtually see the smoke come out of their ears.

"Please don't get me started," Dunbar says after hearing that phrase.

"There's this perception that good old Lincoln and a few others gave freedom to black people. The real story is that black people and people like Douglass wrestled their freedom away," Dunbar says.

Historians still argue over Lincoln's racial attitudes. The historian Henry Louis Gates Jr. once called him a "recovering racist" who used the N-word and liked black minstrel shows.

Others point to the public comments Lincoln made during one of his famed senatorial debates with Stephen Douglas in 1858 when he said, "There is a physical difference between the white and black races which I believe will forever forbid the two races living together on terms of social and political equality.

"There must be the position of superior and inferior, and I as much as any other man am in favor of having the superior position assigned to the white race," Lincoln said in the speech.

Spielberg's film depicts Lincoln as a resolute opponent of slavery, willing to deploy all the powers of his office to destroy it.

Yet "The Abolitionists" paints another portrait of Lincoln. It recounts how he supported colonization plans to ship willing slaves back to Africa. It says that Lincoln once floated a peace treaty offer to the Confederates that would allow them to keep slaves until 1900 if they surrendered. At one White House meeting with black ministers, Lincoln virtually blamed slaves for starting the war, the film's narrator says.

Blight, the Yale University historian, says Lincoln always personally hated slavery. He publicly spoke out against it as early as the 1840s, and spoke often about stopping the expansion of slavery.

Lincoln hoped to slowly end slavery without tearing the nation apart, Blight says.

"He was a gradualist," Blight says. "He was trying to prevent a bloody revolution over it. He couldn't."

He couldn't because of the pressure exerted by the abolitionists and the slaves themselves, other historians say. Blacks did not wait for white people to free them, they say. At least 180,000 blacks fought in the Civil War. And Douglass was one of Lincoln's harshest critics. He constantly pushed Lincoln to move aggressively against slavery.

The historian William Jelani Cobb wrote in a recent New Yorker essay on slavery:

"On the hundred-and-fiftieth anniversary of the Emancipation Proclamation, it's worth recalling that slavery was made unsustainable largely through the efforts of those who were enslaved. The record is replete with enslaved blacks—even so-called house slaves—who poisoned slaveholders, destroyed crops, 'accidentally' burned down buildings."

As for Lincoln's true feelings about blacks, that matter may always be subject to debate.

"No historian would doubt that Lincoln was a man of his times," says Dunbar, author of "A Fragile Freedom: African American Women and Emancipation in the Antebellum City." "He was a racist, and never truly believed that blacks could live in America after emancipation."

Other historians say Lincoln was evolving into the leader that Spielberg depicts.

The historian Gates once wrote that Lincoln initially opposed slavery because it was an economic institution that discriminated against white men who couldn't afford slaves. Two things changed him: The courage black troops displayed in the Civil War and his friendship with Douglass the abolitionist.

"Lincoln met with Douglass at the White House three times. He was the first black person Lincoln treated as an intellectual equal, and he grew to admire him and value his opinion," Gates wrote.

Gilpin says Lincoln was great not only for what he got right, but because he could admit what he got wrong.

"You dream of a president like that," Gilpin says. "Not only was he a brilliant manipulator and reader of public opinion, but he had the capacity for growth. He came into office because he was a moderate but he turns out to be the Great Emancipator."

Lesson: Lincoln led an epic battle against slavery, but the abolitionists lit the fuse.

Friday, May 6, 2011

How the "Lost Cause" poisoned our history books

Ulysses S. Grant championed civil rights in the South during Reconstruction -- and he's still paying dearly for it
Joan Waugh
Sunday, May 1, 2011
http://www.salon.com/news/politics/war_room/2011/05/01/joan_waugh_grant/index.html

Ulysses S. Grant, the commanding general of the Union Army and the 18th president of the United States, would have been 189 years old last week -- not long after the "official" opening of the Civil War Sesquicentennial, which will run through 2015.

Grant -- like George Washington and Dwight D. Eisenhower -- was both a professional warrior of a defining war and a twice-elected president. And like Washington and Eisenhower he dominated his era, which in his case encompassed both the Civil War and its aftermath, called Reconstruction, from 1862 (when he rocketed to fame with his defeat of Confederate forces at Fort Donelson) to 1876.

At the end of the war, Gen. Grant stood with Republicans in making sure that Union victory was secured on northern terms, restoring the rights and privileges of citizenship to white southerners, but also protecting the rights and establishing the citizenship of the freed people. While president, Grant believed that he was carrying out Abraham Lincoln’s plan of a prosperous reunited country, in the end going further than Lincoln envisioned to ensure black civil rights.

After leaving the presidency, Grant made a triumphal tour of the world from 1877 to 1879, hailed by millions across Europe, India, China and Japan as a military hero and leader of an emerging democratic global power. Retiring to New York City, the ex-president lost his entire savings in a financial scandal and was reduced to poverty. To earn money, he agreed to write about his wartime experiences for Century magazine’s spectacularly successful "Battle and Leaders”" series. Grant's contributions proved so popular that he decided to write his military memoirs, just as he was diagnosed with throat cancer.

While dying of the cancer in 1884 and 1885, Grant completed the writing of his autobiography, which brought renewed reverence from many citizens. The two-volume "Personal Memoirs of U.S. Grant" sold 300,000 copies and became a perennial bestseller. Grant's volumes delivered a beautifully rendered narrative of the Civil War written from the viewpoint of the man, after Lincoln, most closely identified with bringing about Northern victory. Although imbued with the spirit of reconciliation between the sections, Grant's account made clear that it was the Northern cause -- union and emancipation -- that would forever remain the morally superior one. The "Personal Memoirs" volumes are considered one of the greatest autobiographies of the English language, earning classic status as both literature and history.

When Grant died on July 23, 1885, he was the most famous of all Americans both at home and abroad. More than a million people watched his funeral procession in New York City on Aug. 8. The dedication of his massive tomb in Manhattan on the 75th anniversary of his birth on April 27, 1897, drew another million plus. Grant’s Tomb, the largest in North America, remained New York City’s most popular tourist site until 1929. Grant’s beautiful memorial sculpture in Washington, D.C., was dedicated on the 100th anniversary of his birth, in 1922. At the foot of Capitol Hill facing down the Mall toward the Lincoln Memorial, the equestrian statue with flanking figures took 20 years to complete and is one of the largest such pieces of artwork in the world.

And yet, despite all of this, Grant’s legacy today is largely forgotten. His memoirs are unread, his monuments are unvisited and in disrepair, and his reputation is synonymous with brutal warfare and overwhelming corruption in public office. In the 1950s, comedian Groucho Marx would pose a standard question to contestants on his quiz show, "Who is buried in Grant’s Tomb?" The answer in 2011 seems to be "Who cares?"

Indeed, few major figures in American history have been so denigrated and disgraced as Grant. How did this happen? A big part of the answer can be found in the successful campaign by historians sympathetic to the Confederacy’s "Lost Cause." Led by William A. Dunning of Columbia University, they portrayed Grant wrongly as only a drunken butcher general and as an enfeebled president who pandered to Radical Republicans, presiding over, as Dunning contended, "the darkest page in the saga of American history." These distortions still thrive in countless history textbooks and classrooms, in movies and on television shows, as well as on popular websites.

Perhaps Grant’s rehabilitation is on the horizon. The 150th anniversary of America’s most devastating conflict will produce a flood of books, articles, exhibits, conferences and the like recasting and reinterpreting the dominant military, social and political events and figures that make up the story of this endlessly fascinating war. Will a serious reconsideration of U.S. Grant, one of the major architects of both victory and reunion, be in the offing? It should be.

One reason mid-19th-century Americans loved Grant was because of his humble background, which proved, like Abraham Lincoln's, that ordinary individuals could rise to extraordinary heights. It should inspire today’s Americans as well. Raised on the Ohio frontier, educated at West Point, veteran of the Mexican War, a hardworking farmer who built his family a log house, Grant was working as a clerk in a leather goods store in Galena, Ill., when he answered President Lincoln’s call for volunteers in that first spring of the American Civil War. Although fame and fortune had thus far eluded this modest man, which has prompted many to label him a prewar failure, he declared firmly and proudly for the Union.

The 39-year-old Grant did not dwell in obscurity for long, gaining fame in Tennessee and Mississippi with a string of victories that included Shiloh, Vicksburg and Chattanooga. He did not rise to his position without controversy. He suffered attacks on his character and generalship. Charges of alcoholism, incompetence and a brutal indifference to death dogged him throughout his career, and affected his reputation after the war as well. Grant did make mistakes. He was caught unprepared for Confederate attacks at Shiloh, and in a deeply regretted order, banned Jews from trading cotton. The historical evidence on his drinking shows that he rarely imbibed and never when it counted. Absorbing all the setbacks and disappointments, Grant displayed great equanimity throughout the war as throughout his life. He accepted the reality of the situation and moved on to the next challenge.

Grant's rare winning record among Union generals secured him a champion in the White House. Promoted to lieutenant general in March of 1864, he took over the strategic direction of the war, achieving victories that guaranteed Lincoln’s election and the end of the conflict. The Union’s hero was praised for the magnanimous terms of surrender he offered to Gen. Robert E. Lee at Appomattox Court House on April 9, 1865. Shortly afterward, he became the first four-star general in U.S. history, remaining as head of the Army until nominated for president by the Republican Party in 1868. Then Grant, aided by newly enfranchised Southern blacks in states reconstructed by Congress, swept to victory with his famous campaign slogan, "Let Us Have Peace."

Once in office, Grant proved to be a stalwart supporter of African-American civil rights, as he was during the war of emancipation. He proudly signed off on the 15th Amendment to the Constitution in 1870, describing the law enabling black suffrage as "a measure of grander importance than any other one act of the kind from the foundation of our free government to the present day." Few current citizens are aware of Grant’s importance in fulfilling emancipation’s promise, even if that promise was not carried out until the next century. Committed to a genuine reunion, he also signed off on a generous amnesty to former Confederates in 1872. Other successes in foreign policy and economic policy marked his first term.

In 1872, Grant, the first president to be reelected since Andrew Jackson, found himself beset by growing scandals, such as the infamous Whiskey Ring. They threatened his administration as did the major depression that struck in 1873. The northern public’s desire to continue unpopular Reconstruction polices waned, and then died. In sum, Grant’s political career proved frustrating and disappointing. Personally honest, Grant presided over an administration that suffered from corruption and bad management.

A few historians have appreciated the difficulties he encountered during his presidency, noting that Grant’s final task harked back to his first one: to ensure a stable transition, this time in the disputed election of 1876. After that, the country reconciled for good.

Perhaps the looming Sesquicentennial will bring many Americans to a more knowledgeable and appreciative judgment of the man. Ulysses S. Grant became the embodiment of the American nation in the decades after the Civil War. No living person symbolized both the hopes and the lost dreams of the war more fully than Grant. No living person more clearly articulated for posterity a powerful truth about the Civil War when he wrote in his "Personal Memoirs" of his feelings about Lee and the soldiers he had led and the slave republic they had defended:

"I felt like anything rather than rejoicing at the down fall of a foe who had fought so long and valiantly, and had suffered so much for a cause, though that cause was, I believe, one of the worst for which a people ever fought, and one for which there was the least excuse."

Grant's legacy to his own generation was deep and wide, and he became an icon in the historical memory of the war shared by a whole generation of men and women. They believed that an appreciation of Grant could only come with the recognition that he was both the heroic general that saved the Union, and the essential president who made sure that it stayed together

Joan Waugh is a professor in the UCLA History Department. Her newest book is entitled "U. S. Grant: American Hero, American Myth" (University of North Carolina Press, 2009).

Wednesday, February 2, 2011

Sorry, The Confederacy Was About Slavery

WaPo had a great article from James W. Loewen (the writer of the most excellent "Lies My Teacher Told Me" book on history) debunking five great myths of the Civil War:
1. The South seceded over states' rights.
2. Secession was about tariffs and taxes.
3. Most white Southerners didn't own slaves, so they wouldn't secede for slavery.
4. Abraham Lincoln went to war to end slavery.
5. The South couldn't have made it long as a slave society.

Here's Loewen on myth #1:

Confederate states did claim the right to secede, but no state claimed to be seceding for that right. In fact, Confederates opposed states' rights -- that is, the right of Northern states not to support slavery.

On Dec. 24, 1860, delegates at South Carolina's secession convention adopted a "Declaration of the Immediate Causes Which Induce and Justify the Secession of South Carolina from the Federal Union." It noted "an increasing hostility on the part of the non-slaveholding States to the institution of slavery" and protested that Northern states had failed to "fulfill their constitutional obligations" by interfering with the return of fugitive slaves to bondage. Slavery, not states' rights, birthed the Civil War.

South Carolina was further upset that New York no longer allowed "slavery transit." In the past, if Charleston gentry wanted to spend August in the Hamptons, they could bring their cook along. No longer -- and South Carolina's delegates were outraged. In addition, they objected that New England states let black men vote and tolerated abolitionist societies. According to South Carolina, states should not have the right to let their citizens assemble and speak freely when what they said threatened slavery.

Other seceding states echoed South Carolina. "Our position is thoroughly identified with the institution of slavery -- the greatest material interest of the world," proclaimed Mississippi in its own secession declaration, passed Jan. 9, 1861. "Its labor supplies the product which constitutes by far the largest and most important portions of the commerce of the earth... A blow at slavery is a blow at commerce and civilization."

The South's opposition to states' rights is not surprising. Until the Civil War, Southern presidents and lawmakers had dominated the federal government. The people in power in Washington always oppose states' rights. Doing so preserves their own.

Five myths about why the South seceded
James W. Loewen
Sunday, January 9, 2011
http://www.washingtonpost.com/wp-dyn/content/article/2011/01/07/AR2011010703178_pf.html