Clive Owen's 'International' Appeal

http://www.washingtonpost.com/wp-dyn/content/article/2009/02/12/AR2009021200874.html

Clive Owen's 'International' Appeal
Friday, February 13, 2009; WE31

If "The International" were an article of clothing, it would be a steel-gray cashmere sweater. If it were a place, it would be the first-class lounge of a major metropolitan airport. If it were weather, it would be a wintry mix of drizzle with the occasional flurry.

And if this sleek, stylish thriller were a person, well, it would be Clive Owen, who happens to carry "The International" on his strong and handsome shoulders with the unflappable cool that still makes some of us rue the day he wasn't cast as James Bond. Owen plays Interpol agent Lou Salinger, a gruff, obsessed loner who for years has been on the trail of a corrupt bank (based on the real-life Bank of Credit and Commerce International). Now he's working with the Manhattan district attorney's office, specifically a comely assistant D.A. named Ella Whitman, played in an unobjectionable if undistinguished performance by Naomi Watts.

Directed by Tom Tykwer ("Run Lola Run") with sober forthrightness, "The International" is in many ways a throwback to the monochrome urban thrillers of the 1970s, with the added and topical twist of having a diabolical financial institution at its center. Garbled at times (I'm still confused by a scene at a flower stand in Milan), the movie still hums along with attractive, smooth efficiency. The compulsively watchable Owen makes for an ideal leading man of both action and angst. The film's eye-popping set piece, a shootout at the Guggenheim Museum, is an extravagantly choreographed valentine to philistines everywhere.

-- Ann Hornaday

The International R, 116 minutes Contains violence and profanity. Area theaters.

Clive Owen takes on bank in 'International'

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/02/13/PKAU15NCHR.DTL

Clive Owen takes on bank in 'International'
Delfin Vigil, Chronicle Staff Writer
Friday, February 13, 2009

A true action film will get only as much respect as its lead actor's skills and reputation can give it. Even then, it's only a matter of time before that good action film will be reclassified as a suspense or thriller.

"The International" could be a case in point. Directed by Tom Tykwer ("Run, Lola, Run") it stars Clive Owen as an Interpol agent taking on a Goliath-size global bank and exposing its corrupt practices via lots of action, suspense and thrills. True to its title, "The International" was filmed in five countries and two continents and co-stars Naomi Watts. We checked in with Owen, the film's unconventional action hero with extra passport stamps, who spoke to us by phone from Los Angeles.

Q: What made you want to take on the lead role in "The International"?

A: It was a combination of reading the script and speaking with the director, Tom Tykwer. It reminded me of one of those '70s paranoid thrillers. It was well researched and still a great, sweeping and entertaining thriller.

Q: What excited you about playing agent Louis Salinger?

A: He's somebody who is obviously angry, passionate, obsessive and hotheaded. He's also morally outraged. I was attracted to a character who was like a dog with a bone - refusing to let go. He's also very fallible. He's not an obvious heroic character. He's a bit of a mess in his own life. His obsession with justice is at all cost of everything else in his life. There's something to admire about the commitment of a man willing to go to any lengths.

Q: The villain in "The International" isn't a person, but rather the institution of a bank. Did the timeliness of this occur to you at the time of filming?

A: No. It certainly felt like a relevant story. But there was no way we could have realized that we'd be in this position with all that's happened since. The big questions of the movie are: "Is this huge corporation behaving appropriately? It is it handling our money properly? Is it an institution we can trust?" These are all questions everybody is suddenly asking now about these huge global banks and the like. It's incredibly timely.

Q: It's not quite in the "Syriana" territory, but "The International" has a slightly complex story line. Did it take a few readings before you completely understood the subject matter?

A: Certainly, some of the intricacies of the way a bank works had to be read carefully. But the story was quite clear and full of well-written ideas. It doesn't get bogged down in factual stuff.

Q: Were you at all surprised in learning how villainous a bank can be?

A: Banks are involved in conflicts around the world, because where there's money involved, so will be the banks. There is a ridiculous amount of guns across the world, and every one of them is bought and sold. Banks somehow have to be a part of that. It's money. One of the most telling things is how keen banks are to control debt. With debt comes power and control.

Q: Is the energy of a film influenced when the set moves around as much as "The International" does?

A: Definitely. With a whole new country comes a whole new crew and a totally different environment. The Grand Bazaar in Istanbul, the Guggenheim in New York, taking over the main square of Milan for two weeks. Environment is a big part of this movie, not only in terms of the countries we visit, but also the architecture. There are lots of great images of small human beings set against epic modern architecture, which embodies this faceless corporation that you can't connect with.

Q: Action films are like guitar solos. If they go on too long and go over the top, it can leave people rolling their eyes. As the lead actor, how do you keep the tone in check?

A: Ha, ha! That's very true. Ultimately, it's the director's job. He's directing, choreographing and setting the tone. When suddenly we've gone to this epic shootout in the Guggenheim, I'm trying to put people in that situation for real. I could run around posing and trying to look cool with a gun in my hand, or I can do what I think Salinger, an Interpol agent, would do. He'd be absolutely terrified. So you're witnessing it on that level and not watching me as an actor in a movie. It's no different from doing a dialogue scene.

The International (R) opened this weekend at Bay Area theaters.

To see a trailer for "The International," go to links.sfgate.com/ZGAW.

E-mail Delfin Vigil at dvigil@sfchronicle.com.

This article appeared on page R - 20 of the San Francisco Chronicle