Showing posts with label Education. Show all posts
Showing posts with label Education. Show all posts

Wednesday, April 6, 2011

The 50 books every child should read

Wednesday, 23 March 2011
http://www.independent.co.uk/arts-entertainment/books/news/the-50-books-every-child-should-read-2250138.html

Education Secretary Michael Gove says that children aged 11 should be reading 50 books a year to improve literacy standards.

We asked three of Britain's leading children's authors and two of our in-house book experts to each pick 10 books, suitable for Year 7 students.

The authors chose books that have brought them huge joy, while expressing their outrage at the "great big contradiction" of Mr Gove's claim to wish to improve literacy while closing libraries across the country.

Mr Gove made his comments after observing a school in Harlem, New York, which sets pupils a "50-book challenge" over a year.

Philip Pullman

* Alice's Adventures in Wonderland and Through the Looking Glass by Lewis Carroll. Indispensable. The great classic beginning of English children's literature.

* Pinocchio by Carlo Collodi. What effortless invention looks like.

* Emil and the Detectives by Erich Kastner. A great political story: democracy in action.

* Swallows and Amazons by Arthur Ransome. As clear and pure as Mozart.

* Black Hearts in Battersea by Joan Aiken. If Ransome was Mozart, Aiken was Rossini. Unforced effervescence.

* The Owl Service by Alan Garner. Showed how children's literature could sound dark and troubling chords.

* The Phantom Tollbooth by Norton Juster. Superb wit and vigorous invention.

* Moominsummer Madness by Tove Jansson. Any of the Moomin books would supply the same strange light Nordic magic.

* A Hundred Million Francs by Paul Berna. A particular favourite of mine, as much for Richard Kennedy's delicate illustrations (in the English edition) as for the story.

* The Castafiore Emerald by Hergé. Three generations of this family have loved Tintin. Perfect timing, perfect narrative tact and command, blissfully funny.

Michael Morpurgo

* The Star of Kazan by Eva Ibbotson.

The heroine is blessed with such wonderful friends who help her through the twists and turns of this incredible journey.

* A Christmas Carol by Charles Dickens. The first few pages were so engaging, Marley's ghostly face on the knocker of Scrooge's door still gives me the shivers.

* Just William books by Richmal Crompton. These are a must for every child.

* The Happy Prince by Oscar Wilde. This was the first story, I think, that ever made me cry and it still has the power to make me cry.

* The Elephant's Child From The Just So Stories by Rudyard Kipling. The story my mother used to read me most often, because I asked for it again and again. I loved the sheer fun of it, the music and the rhythm of the words. It was subversive too. Still my favourite story.

* Treasure Island by R.L. Stevenson This was the first real book I read for myself. I lived this book as I read it.

* The Old Man and the Sea by Ernest Hemingway. A classic tale of man versus nature. I wish I'd written this.

* The Man Who Planted Trees by Jean Giono. A book for children from 8 to 80. I love the humanity of this story and how one man's efforts can change the future for so many.

* The Singing Tree by Kate Seredy The story of two children who go to find their father who has been listed missing in the trenches of the First World War.

* The Secret Garden by Frances Hodgson-Burnett. I love this story of a girl's life being changed by nature.

Katy Guest, literary editor for The Independent on Sunday

* Refugee Boy by Benjamin Zephaniah. Story of a young Ethiopian boy, whose parents abandon him in London to save his life.

* Finn Family Moomintroll (and the other Moomin books) by Tove Jansson.

A fantasy series for small children that introduces bigger ones to ideas of adventure, dealing with fear, understanding character and tolerating difference.

* Diary of a Wimpy Kid by Jeff Kinney. It's rude, it's funny and it will chime with every 11-year-old who's ever started a new school.

* I Capture the Castle by Dodie Smith. Written for a teenage audience but fun at any age.

* The Hobbit and The Lord of the Rings by JRR Tolkein. Be warned, these tales of hobbits, elves and Middle Earth are dangerously addictive.

* The Tygrine Cat (and The Tygrine Cat on the Run) by Inbali Iserles. If your parents keep going on at you to read Tarka the Otter, The Sheep-Pig and other animal fantasies, do – they're great books – also try Iserles' stories about a cat seeking his destiny.

* Carry On, Jeeves by PG Wodehouse. A grown-up book – but not that grown-up.

* When Hitler Stole Pink Rabbit by Judith Kerr. Judith Kerr's semi-autobiographical story of a family fleeing the Nazis in 1933.

* Moving Pictures by Terry Pratchett. Elaborate mythological imagery and a background based in real science. If you like this, the Discworld series offers plenty more.

* The Story of Tracy Beaker by Jacqueline Wilson. The pinnacle of the wonderful Jacqueline Wilson's brilliant and enormous output.

John Walsh, author and Independent columnist

* The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle. Irresistible puzzle-solving tales of the chilly Victorian master-sleuth and his dim medical sidekick.

* The Curious Incident of the Dog in the Night-Time by Mark Haddon. Age-transcending tale, both funny and sad.

* Mistress Masham's Repose by TH White. Magical story of 10-year-old Maria, living in a derelict stately home, shy, lonely and under threat from both her governess and her rascally guardian.

* Little Women by Louisa May Alcott. Inexplicably evergreen, trend and taste-defying 1868 classic.

* How to be Topp by Geoffrey Willams and Ronald Searle. Side-splitting satire on skool, oiks, teechers, fules, bulies, swots.

* Stormbreaker by Anthony Horowitz. First of the action-packed adventures with 14-year-old Alex Rider.

* Private Peaceful by Michael Morpurgo. "Dulce et Decorum Est" for pre-teens.

* Artemis Fowl by Eoin Colfer. Lively, amoral, wildly imaginative debut (six more followed) about the money-grabbing master-criminal Artemis, 12. The author called it "Die Hard with fairies".

* The Silver Sword by Ian Serraillier. Inspiring wartime story of the Balicki family in Warsaw.

* Animal Farm by George Orwell. Smart 11-year-olds won't need any pre-knowledge of Marx, Lenin, Trotsky and 1917 to appreciate this brilliantly-told fable.

Michael Rosen

* Skellig by David Almond. Brings magical realism to working-class North-east England.

* Red Cherry Red by Jackie Kay. A book of poems that reaches deep into our hidden thoughts but also talks in a joyous voice exploring the everyday.

* Talkin Turkeys by Benjamin Zephaniah. A book of poems that demands to be read aloud, performed and thought about.

* Greek myths by Geraldine McCaughrean. Superheroes battle with demons, gods intervene in our pleasures and fears – a bit like the spectres in our minds going through daily life, really – beautifully retold here.

* People Might Hear You by Robin Klein. A profound, suspenseful story about sects, freedom and the rights of all young people – especially girls.

* Noughts and Crosses by Malorie Blackman. A book that dared to go where no one thought you could with young audiences because it raises tough stuff to do with race.

* Einstein's Underpants and How They Saved the World by Anthony McGowan. A crazy adventure set amongst the kids you don't want to know but who this book makes you really, really care about.

* After the First Death by Robert Cormier. Cormier is never afraid of handling how the personal meets the political all within the framework of a thriller.

* The London Eye Mystery by Siobhan Dowd. A book that allows difference to be part of the plot and not a point in itself.

* Beano Annual. A cornucopia of nutty, bad, silly ideas, tricks, situations and plots.

Thursday, August 12, 2010

Here I stand

Erica Goldson

Comment: The following speech was delivered by the class valedictorian Erica Goldson during the graduation ceremony at Coxsackie-Athens High School on June 25, 2010

There is a story of a young, but earnest Zen student who approached his teacher, and asked the Master, “If I work very hard and diligently, how long will it take for me to find Zen? The Master thought about this, then replied, “Ten years . .” ?The student then said, “But what if I work very, very hard and really apply myself to learn fast — How long then?” Replied the Master, “Well, twenty years.” “But, if I really, really work at it, how long then?” asked the student. “Thirty years,” replied the Master. “But, I do not understand,” said the disappointed student. “At each time that I say I will work harder, you say it will take me longer. Why do you say that?” ?Replied the Master, “When you have one eye on the goal, you only have one eye on the path.”

This is the dilemma I’ve faced within the American education system. We are so focused on a goal, whether it be passing a test, or graduating as first in the class. However, in this way, we do not really learn. We do whatever it takes to achieve our original objective.

Some of you may be thinking, “Well, if you pass a test, or become valedictorian, didn’t you learn something? Well, yes, you learned something, but not all that you could have. Perhaps, you only learned how to memorize names, places, and dates to later on forget in order to clear your mind for the next test. School is not all that it can be. Right now, it is a place for most people to determine that their goal is to get out as soon as possible.

I am now accomplishing that goal. I am graduating. I should look at this as a positive experience, especially being at the top of my class. However, in retrospect, I cannot say that I am any more intelligent than my peers. I can attest that I am only the best at doing what I am told and working the system. Yet, here I stand, and I am supposed to be proud that I have completed this period of indoctrination. I will leave in the fall to go on to the next phase expected of me, in order to receive a paper document that certifies that I am capable of work. But I contest that I am a human being, a thinker, an adventurer – not a worker. A worker is someone who is trapped within repetition – a slave of the system set up before him. But now, I have successfully shown that I was the best slave. I did what I was told to the extreme. While others sat in class and doodled to later become great artists, I sat in class to take notes and become a great test-taker. While others would come to class without their homework done because they were reading about an interest of theirs, I never missed an assignment. While others were creating music and writing lyrics, I decided to do extra credit, even though I never needed it. So, I wonder, why did I even want this position? Sure, I earned it, but what will come of it? When I leave educational institutionalism, will I be successful or forever lost? I have no clue about what I want to do with my life; I have no interests because I saw every subject of study as work, and I excelled at every subject just for the purpose of excelling, not learning. And quite frankly, now I’m scared.

John Taylor Gatto, a retired school teacher and activist critical of compulsory schooling, asserts, “We could encourage the best qualities of youthfulness – curiosity, adventure, resilience, the capacity for surprising insight simply by being more flexible about time, texts, and tests, by introducing kids into truly competent adults, and by giving each student what autonomy he or she needs in order to take a risk every now and then. But we don’t do that.” Between these cinderblock walls, we are all expected to be the same. We are trained to ace every standardized test, and those who deviate and see light through a different lens are worthless to the scheme of public education, and therefore viewed with contempt.

H. L. Mencken wrote in The American Mercury for April 1924 that the aim of public education is not “to fill the young of the species with knowledge and awaken their intelligence. … Nothing could be further from the truth. The aim … is simply to reduce as many individuals as possible to the same safe level, to breed and train a standardized citizenry, to put down dissent and originality. That is its aim in the United States.”

Comment: The full passage reads: “The aim of public education is not to spread enlightenment at all; it is simply to reduce as many individuals as possible to the same safe level, to breed and train a standardized citizenry, to down dissent and originality. That is its aim in the United States, whatever pretensions of politicians, pedagogues other such mountebanks, and that is its aim everywhere else.”

To illustrate this idea, doesn’t it perturb you to learn about the idea of “critical thinking.” Is there really such a thing as “uncritically thinking?” To think is to process information in order to form an opinion. But if we are not critical when processing this information, are we really thinking? Or are we mindlessly accepting other opinions as truth?

This was happening to me, and if it wasn’t for the rare occurrence of an avant-garde tenth grade English teacher, Donna Bryan, who allowed me to open my mind and ask questions before accepting textbook doctrine, I would have been doomed. I am now enlightened, but my mind still feels disabled. I must retrain myself and constantly remember how insane this ostensibly sane place really is.

And now here I am in a world guided by fear, a world suppressing the uniqueness that lies inside each of us, a world where we can either acquiesce to the inhuman nonsense of corporatism and materialism or insist on change. We are not enlivened by an educational system that clandestinely sets us up for jobs that could be automated, for work that need not be done, for enslavement without fervency for meaningful achievement. We have no choices in life when money is our motivational force. Our motivational force ought to be passion, but this is lost from the moment we step into a system that trains us, rather than inspires us.

We are more than robotic bookshelves, conditioned to blurt out facts we were taught in school. We are all very special, every human on this planet is so special, so aren’t we all deserving of something better, of using our minds for innovation, rather than memorization, for creativity, rather than futile activity, for rumination rather than stagnation? We are not here to get a degree, to then get a job, so we can consume industry-approved placation after placation. There is more, and more still.

The saddest part is that the majority of students don’t have the opportunity to reflect as I did. The majority of students are put through the same brainwashing techniques in order to create a complacent labor force working in the interests of large corporations and secretive government, and worst of all, they are completely unaware of it. I will never be able to turn back these 18 years. I can’t run away to another country with an education system meant to enlighten rather than condition. This part of my life is over, and I want to make sure that no other child will have his or her potential suppressed by powers meant to exploit and control. We are human beings. We are thinkers, dreamers, explorers, artists, writers, engineers. We are anything we want to be – but only if we have an educational system that supports us rather than holds us down. A tree can grow, but only if its roots are given a healthy foundation.

For those of you out there that must continue to sit in desks and yield to the authoritarian ideologies of instructors, do not be disheartened. You still have the opportunity to stand up, ask questions, be critical, and create your own perspective. Demand a setting that will provide you with intellectual capabilities that allow you to expand your mind instead of directing it. Demand that you be interested in class. Demand that the excuse, “You have to learn this for the test” is not good enough for you. Education is an excellent tool, if used properly, but focus more on learning rather than getting good grades.

For those of you that work within the system that I am condemning, I do not mean to insult; I intend to motivate. You have the power to change the incompetencies of this system. I know that you did not become a teacher or administrator to see your students bored. You cannot accept the authority of the governing bodies that tell you what to teach, how to teach it, and that you will be punished if you do not comply. Our potential is at stake.

For those of you that are now leaving this establishment, I say, do not forget what went on in these classrooms. Do not abandon those that come after you. We are the new future and we are not going to let tradition stand. We will break down the walls of corruption to let a garden of knowledge grow throughout America. Once educated properly, we will have the power to do anything, and best of all, we will only use that power for good, for we will be cultivated and wise. We will not accept anything at face value. We will ask questions, and we will demand truth.

So, here I stand. I am not standing here as valedictorian by myself. I was molded by my environment, by all of my peers who are sitting here watching me. I couldn’t have accomplished this without all of you. It was all of you who truly made me the person I am today. It was all of you who were my competition, yet my backbone. In that way, we are all valedictorians.

I am now supposed to say farewell to this institution, those who maintain it, and those who stand with me and behind me, but I hope this farewell is more of a “see you later” when we are all working together to rear a pedagogic movement. But first, let’s go get those pieces of paper that tell us that we’re smart enough to do so!