Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts
Saturday, November 17, 2012
15 Potential Directors for the New 'Star Wars' Films
Could it be J.J. Abrams? Matthew Vaughn? "Harry Potter" helmer David Yates? With all of Hollywood likely to want the job, here are some real choice options.
10/31/2012 by Jordan Zakarin
http://www.hollywoodreporter.com/news/new-star-wars-movies-director-384731
Now that the shock that Disney is buying Lucasfilm and producing three new Star Wars films -- news that froze some megafans like Han Solo in carbonite -- has worn off, it's time to look at the future of the franchise with clear eyes. The fact that creator George Lucas will not direct the films and that Kathleen Kennedy will produce them opens up a wide world of possibilities.
Those possibilities, of course, all depend on who takes the helm for the films. Will they be family-friendly? Gritty? Extra nerdy? Hard to say, but here are some potential leading contenders (in our fanboy imaginations, anyway) to take over the legendary sci-fi canon.
J.J. Abrams
He's already revived one iconic space-based franchise, in Star Trek, and is wrapping work on its sequel. Would he do another? Well, he always was more of a Star Wars fan growing up. Abrams is the current king of TV sci-fi, having launched such shows as Alias and Lost, and has had other big-screen successes as director of Mission: Impossible III and producer of Cloverfield and Mission: Impossible IV -- Ghost Protocol. He also has worked with Kennedy's longtime partner, Steven Spielberg, on their '80s-style monster film, Super 8, which came out in summer 2011.
Jon Favreau
A lifelong fan of the force who had a voice role in the Clone Wars animated series, Favreau has major cred with Disney and geeks for his work in launching the critically beloved Iron Man franchise. Mixing grit with humor and gadgets, the series helped launch the current Marvel cinematic universe; there would be no Avengers without Iron Man. Oh, and he produced Avengers, too. Although Cowboys & Aliens didn't really hit, it did provide him with the chance to work with a Star Wars legend in Harrison Ford. He's set to direct an adaptation of Jersey Boys, though, presumably, a chance to direct Star Wars films would be too good to pass up.
Joe Johnston
Another Marvel vet, Johnston directed its Captain America to strong critical and commercial success. He has worked with Kennedy on Jurassic Park III, which he directed, and has had a career-long relationship Lucas, as he provided character designs and special effects to the original Star Wars films. He did the same for Raiders of the Lost Ark, winning an Oscar. He's also written a Star Wars book.
Christopher Nolan
The man that's redefining the modern comic book franchise, Nolan might be wary to get involved in another geeky venture with a classic predetermined story. But he will be out of his DC duties soon -- he's producing Man of Steel but not Justice League -- and aside from exec producing cinematographer Wally Pfister's directorial debut, he doesn't seem to have much on his docket.
Matthew Vaughn
His X-Men prequel First Class was adored by fans of the series (and did relatively well financially), and his genre-busting Kick-Ass was a fan favorite with a sequel on the way. He's shown he can do grit, with Layer Cake and Lock, Stock and Two Smoking Barrels. He was at one point in talks to direct Thor for Disney, so he at least knows its executives.
David Yates
The man who took over and finished the Harry Potter series, Yates has proved that he can handle a beloved franchise, elevate its content and make big money in the process. His Potter films were at the same time dark and family-friendly enough, a difficult line to balance. Yates also has had considerable success in TV work, both in the U.K. and U.S.
Alfonso Cuaron
Another Harry Potter director (Prisoner of Azkaban), Cuaron has his own space drama, Gravity, coming out next year. Sure, that's a bit different than Star Wars -- this film will have Sandra Bullock and George Clooney drifting through space -- but it's sci-fi nonetheless. He also produced Pan's Labyrinth, which had monsters galore, and his Children of Men and Y Tu Mama Tambien proved he can add plenty of edginess to his scripts.
Zack Snyder
A bit of a polarizing figure in the fan community, Snyder made the hits 300 and remake of Dawn of the Dead but also the maligned Sucker Punch and the divisive Watchmen. He's behind the new Superman film, which will either send him to the next level or sink his bonafides. Like most directors of his generation, he's also a huge Star Wars fan.
Josh Trank
An up-and-coming director, Trank had a surprise hit with last year's Chronicle, a fresh take on the sci-fi genre with a small budget and dark subject matter. Practical special effects in the film, about high school students who gain special powers from toxic waste, were strong, and the project won him the new Fantastic Four job. That might get in the way of the Star Wars project, however.
Duncan Jones
His breakout indie hit was, fittingly, titled Moon, so you know he's got a thing for space (also, having David Bowie -- Ziggy Stardust himself -- for a father probably helped nurture that). His second film, Source Code, showed a more Hollywood aesthetic though still dealt with high concepts and special effects. He obviously never has worked with a budget like the one Star Wars commanded, but he's young and talented and has been considered for genre work, including Man of Steel and Dredd.
Brad Bird
A two-time Oscar winner for his work with Pixar, Bird made the transition to live action with aplomb as director of the megahit Mission: Impossible IV -- Ghost Protocol. His Pixar work means he's a trusted Disney hand, and his M:I creds means he can handle someone else's franchise. He's got preproduction on the period film 1906 under way, but hey, this is Star Wars.
Drew Goddard
Another lifetime Star Wars fan, Goddard co-wrote and directed the long-delayed hit Cabin in the Woods, showing he can helm a genre film with humor and serious monsters. His co-writer on that film just happens to be Joss Whedon, who is now the go-to guy at Disney/Marvel; he's long been a Whedon apprentice, having written on Buffy and other TV shows. He's also working with Spielberg, as writer of Robopocalypse, so he's got connections with some very influential people in the Disney-Kennedy spheres.
Seth MacFarlane
Yes, really. The Family Guy animation king is a lifelong Star Wars nut -- he has made several special Star Wars episodes of Family Guy -- and busted out into live-action film with the megahit Ted. Sure, he's raunchy, but one has to assume he'd respect the material. And being Oscar host can't hurt his recognition factor, right?
Guillermo del Toro
A man with his iron in many, many fires, del Toro is a master at monster films and sci-fi. But is he too offbeat for this mainstream franchise? He nearly directed The Hobbit, but that fell through because of scheduling. He produces a ton of films and has Pacific Rim on the way, but if he could strike a balance between his own interests and the franchise's requirements, he'd be a big hit with fans.
George Miller
The oldest guy on this list but a real option. He's rebooting his own Mad Max film, was an option on Justice League for DC and directed both Happy Feet movies and the sequel to Babe, the film about the talking pig.
Trail to Episodes VII, VIII & IX
The Long, Winding, and Shapeshifting Trail to Episodes VII, VIII & IX
J.W. Rinzler | October 30, 2012
http://starwarsblog.starwars.com/index.php/2012/10/30/the-long-winding-and-shapeshifting-trail-to-episodes-vii-viii-ix/
The long conjectured third Star Wars trilogy has kept fans guessing for decades, and may even have a few numerologists working on their mysteries. George Lucas’ shifting feelings about future Star Wars trilogies have consistently clouded the picture. Given the difficulties associated with the birth of Star Wars in 1977, it’s no wonder that Lucas’s ideas kaleidoscoped. When trying to get such a big undertaking up and running and out the door, visions of the future are understandably hazy. But, as of October 30, 2012, Episodes VII, VIII and IX have been announced as real and soon to be tangible — but they’ve existed as gossamer spirits for nearly 40 years.
On December 29, 1975, in conversation with Alan Dean Foster per the novelization of Star Wars, Lucas mentioned the prequel trilogy along with what would become Episodes V and VI: “I want to have Luke kiss the Princess in the second book. In the third book, I want the story just about the soap opera of the Skywalker family, which ends with the destruction of the Empire. Then someday I want to do the back story of Kenobi as a young man – a story of the Jedi and how the Emperor eventually takes over and turns the whole thing from a Republic into an Empire, and tricks all the Jedi and kills them. The whole battle where Luke’s father gets killed. That would be impossible to do, but it’s great to dream about.”
As Lucas came to terms with Twentieth Century-Fox during the making of Star Wars, he secured the legal rights to his sequels, though they remained undefined at the time. On location for the first phase of principal photography in Tunisia in March 1976, Lucas began a long tradition of talking with close collaborators, voicing his ideas for these other episodes and trilogies, much as Walt Disney would do of his projects.
“You know, when I first did this, it was four trilogies,” Mark Hamill recalled in 2004, speaking of their conversation in 1976. “Twelve movies! Out on the desert, any time between setups… lots of free time. And George was talking about this whole thing… ‘Um, how’d you like to be in Episode IX?’ ‘When is that going to be?’ ‘2011.’ […] I said, ‘Well, what do you want me to do?’ He said, ‘You’ll just be like a cameo. You’ll be like Obi-Wan handing the lightsaber down to the next new hope.’”
In 1978, a Time magazine article reported that the Star Wars Corporation (a subsidiary Lucas had formed for Star Wars) would be producing “Star Wars II [Empire], and then, count them, 10 other planned sequels.” At that time Lucas consistently mentioned 12 films and even created a barebones outline to that effect.
In it, the original trilogy occupied Episodes VI, VII, and VIII; a Clone Wars trilogy took up Episodes II, III, and IV, while Episode I was a “prelude,” Episodes IX through XI were simply left blank – and Episode XII was the “conclusion.”
In 1979, however, Lucas said in an interview on the set of Empire, “The first script was one of six original stories I had written in the form of two trilogies. After the success of Star Wars, I added another trilogy. So now there are nine stories. The original two trilogies were conceived of as six films of which the first film was number four.”
While in postproduction in early 1980, Lucas used to kick back from time to time with ILM manager Jim Bloom and muse about the bigger story. “The first trilogy is about the young Ben Kenobi and the early life of Luke’s father when Luke is a little boy,” Lucas said. “This trilogy takes place some 20 years before the second trilogy, which includes Star Wars and Empire. About a year or two passes between each story of the trilogy and about 20 years between the trilogies. The entire saga spans about 55 years. I’m still left with three trilogies of nine films. At two hours each, that’s about eighteen hours of film!”
While Empire was originally part of a 12-film plan, by the time it was released, the number had clearly been reduced to nine. “The prequel stories exist — where Darth Vader came from, the whole story about Darth and Ben Kenobi — and it all takes place before Luke was born,” Lucas explained at the time. “The other one — what happens to Luke afterward — is much more ethereal. I have a tiny notebook full of notes on that. If I’m really ambitious, I could proceed to figure out what would have happened to Luke.”
Lucas mentioned these notebooks — or one big book — to me, a few years ago. I asked if I could see it, but he declined. My feeling is that this big book or these notebooks are private, though Lucas has occasionally sent me via an assistant miscellaneous handwritten notes from the period 1976-1983 to help in the writing of the making-of books.
But two years later while filming Jedi, for many reasons, Lucas was burning out, tired of the whole enterprise: “I’m only doing this because I started it and now I have to finish it,” he adds. “The next trilogy will be all someone else’s vision.”
As of today, Lucas has given his new co-chairman Kathleen Kennedy several ideas and is really going into semi-retirement. Now, in a relatively short time, compared to the decades of speculation, fans will learn the secrets of Episodes VII, VIII and IX. Star Wars has risen again!
Lucasfilm executive editor J. W. Rinzler is the author of The Making of Star Wars and The Complete Making of Indiana Jones. He is now writing The Making of Return of the Jedi (and really looking forward to finishing it) for a fall 2013 release. You can visit jwrinzler.com for more info.
Disney's 'Star Wars' Could Last 100 Years
George Lucas Says Disney's 'Star Wars' Could Last 100 Years
Lucas says talks are already underway with writers for the upcoming 2015 seventh film, with two more planned after that.
Gil Kaufman
Oct 31 2012
http://www.mtv.com/news/articles/1696485/disney-george-lucas-star-wars-film.jhtml
At this point, we don't know much about what the seventh "Star Wars" film will be about, but we certainly have some ideas about what we do and don't? want to see.
Along with fans, we were thrown into a frenzy on Tuesday when it was announced that Disney had purchased George Lucas' Lucasfilm for more than $4 billion. The deal will not only bring Luke, Leia, Chewbacca, Han and the gang into the Mouse house, but it will also serve to re-boot one of the most popular and highest-grossing film franchises of all time.
After five-decade career in filmmaking, in a YouTube video explaining the deal, Lucas said he's been contemplating retirement for a while and now seemed like the right time to hand over the keys to the Jedi kingdom.
"Obviously I've been talking about retiring for several years now," he said. "I wanted to get into sort of another stage of life where I'm not in the film business anymore, where I don't have to run a corporation. It occurred to me one day that the perfect person to run the company was [Lucasfilm co-chair] Kathy [Kennedy]. It's just such a perfect fit, and I felt that I really wanted to put the company somewhere in a larger entity that would protect it. Disney is a huge corporation; they have all kinds of capabilities and facilities. There's a lot of strength to be gained by this."
Pointing to the success Disney has had with Marvel and Pixar, Kennedy said the family-friendly company with its legendary theme parks and merchandising power was the logical choice for Lucasfilm.
The good news for fans is that they will not only get an episode seven, but, in fact, an entire new trilogy. "I always said I wasn't going to do any more, and that's true, I'm not going to do any more," said Lucas, who will not write or direct the upcoming films, but whose iconic imprint will be all over them. "But that doesn't mean I'm unwilling to turn it over to Kathy [Kennedy] to do more. I have story treatments of 7, 8 and 9 and a bunch of other movies, and obviously, we have hundreds of books and comics and everything you could possibly imagine. So I sort of moved that treasure trove of stories and various things to Kathy, and I have complete confidence that she's gonna take them and make great movies."
Kennedy revealed that meetings have already begun with prospective writers for the new movies. "I'm doing this so that the films will have a longer life," Lucas said. "So more fans and people can enjoy them in the future. It's a very big universe I've created and there's a lot of stories sitting in there."
In a separate video announcing the deal, Disney CEO Bob Iger had nothing but praise for Lucas' vision for the "Star Wars" universe, which he noted now includes 17,000 characters inhabiting several thousand planets spanning 20,000 years. "George Lucas is a true visionary and an innovative, epic storyteller who has defined modern filmmaking with unforgettable characters and amazing stories," said Iger.
The pact will also spin off new TV shows, games and theme park attractions and Iger said the company fully understands the responsibility that comes with stewardship of such iconic, beloved characters. In the same video, Lucas said he's been a fan of Disney all his life and that the deal will allow him to move into more philanthropic efforts as well as work on more experimental films that don't fit into the Lucasfilm universe.
"It was a perfect match of two companies that are constructed similarly," Lucas said. "It will give me a chance to go off and explore my own interests [and] at the same time feel completely confident that Disney will take good care of the franchise that I've built."
The best news of all? "We have a large group of ideas and characters and books and all kinds of things," Lucas said. "We could go on making 'Star Wars' for the next 100 years."
Lucas says talks are already underway with writers for the upcoming 2015 seventh film, with two more planned after that.
Gil Kaufman
Oct 31 2012
http://www.mtv.com/news/articles/1696485/disney-george-lucas-star-wars-film.jhtml
At this point, we don't know much about what the seventh "Star Wars" film will be about, but we certainly have some ideas about what we do and don't? want to see.
Along with fans, we were thrown into a frenzy on Tuesday when it was announced that Disney had purchased George Lucas' Lucasfilm for more than $4 billion. The deal will not only bring Luke, Leia, Chewbacca, Han and the gang into the Mouse house, but it will also serve to re-boot one of the most popular and highest-grossing film franchises of all time.
After five-decade career in filmmaking, in a YouTube video explaining the deal, Lucas said he's been contemplating retirement for a while and now seemed like the right time to hand over the keys to the Jedi kingdom.
"Obviously I've been talking about retiring for several years now," he said. "I wanted to get into sort of another stage of life where I'm not in the film business anymore, where I don't have to run a corporation. It occurred to me one day that the perfect person to run the company was [Lucasfilm co-chair] Kathy [Kennedy]. It's just such a perfect fit, and I felt that I really wanted to put the company somewhere in a larger entity that would protect it. Disney is a huge corporation; they have all kinds of capabilities and facilities. There's a lot of strength to be gained by this."
Pointing to the success Disney has had with Marvel and Pixar, Kennedy said the family-friendly company with its legendary theme parks and merchandising power was the logical choice for Lucasfilm.
The good news for fans is that they will not only get an episode seven, but, in fact, an entire new trilogy. "I always said I wasn't going to do any more, and that's true, I'm not going to do any more," said Lucas, who will not write or direct the upcoming films, but whose iconic imprint will be all over them. "But that doesn't mean I'm unwilling to turn it over to Kathy [Kennedy] to do more. I have story treatments of 7, 8 and 9 and a bunch of other movies, and obviously, we have hundreds of books and comics and everything you could possibly imagine. So I sort of moved that treasure trove of stories and various things to Kathy, and I have complete confidence that she's gonna take them and make great movies."
Kennedy revealed that meetings have already begun with prospective writers for the new movies. "I'm doing this so that the films will have a longer life," Lucas said. "So more fans and people can enjoy them in the future. It's a very big universe I've created and there's a lot of stories sitting in there."
In a separate video announcing the deal, Disney CEO Bob Iger had nothing but praise for Lucas' vision for the "Star Wars" universe, which he noted now includes 17,000 characters inhabiting several thousand planets spanning 20,000 years. "George Lucas is a true visionary and an innovative, epic storyteller who has defined modern filmmaking with unforgettable characters and amazing stories," said Iger.
The pact will also spin off new TV shows, games and theme park attractions and Iger said the company fully understands the responsibility that comes with stewardship of such iconic, beloved characters. In the same video, Lucas said he's been a fan of Disney all his life and that the deal will allow him to move into more philanthropic efforts as well as work on more experimental films that don't fit into the Lucasfilm universe.
"It was a perfect match of two companies that are constructed similarly," Lucas said. "It will give me a chance to go off and explore my own interests [and] at the same time feel completely confident that Disney will take good care of the franchise that I've built."
The best news of all? "We have a large group of ideas and characters and books and all kinds of things," Lucas said. "We could go on making 'Star Wars' for the next 100 years."
Disney buying 'Star Wars' maker Lucasfilm
Disney buying 'Star Wars' maker Lucasfilm for $4.05 billion
Brandon Bailey
bbailey@mercurynews.com
10/30/2012
http://www.mercurynews.com/movies-dvd/ci_21891588/disney-lucasfilm-buying-star-wars-maker-george-lucas
Vowing to breathe new life into filmmaker George Lucas's beloved "Star Wars" franchise, The Walt Disney Co. said Tuesday that it will pay $4.05 billion to buy San Francisco-based Lucasfilm and the rights to produce future installments in one of the world's most lucrative film sagas.
Disney CEO Robert Iger, who called the series "one of the greatest family entertainment franchises of all time," said his company plans to release the first of at least three more "Star Wars" films in 2015, with an additional sequel coming every two to three years after that.
Lucas had previously said he would make no more "Star Wars" films, and he recently announced plans to ease into retirement after naming a successor to run his production company. Disney said he will serve as "creative consultant" on the upcoming films.
"I've always believed that 'Star Wars' could live beyond me, and I thought it was important to set up the transition during my lifetime," the 68-year-old film pioneer said in a statement released by both companies.
The deal will add to Burbank-based Disney's already significant presence in the Bay Area, where the media conglomerate also owns Emeryville-based Pixar Studios -- itself an early spinoff from Lucas' company. Disney said it has no plans to move employees of Lucasfilm or its subsidiaries, including the celebrated special-effects division known as Industrial Light & Magic, from their current locations.
Lucasfilm has been headquartered at San Francisco's Letterman Digital Arts Center since 2005, but the company also has operations in Singapore and at two campuses in Marin County, where Lucas moved from Hollywood to the property he renamed Skywalker Ranch in 1978.
The privately held Lucasfilm employed about 1,700 people as of last year, according to an analysis by the research firm PrivCo, which estimates it had $1.5 billion in revenue in 2011.
In addition to new films, Disney plans to create new toys, consumer products, TV spinoffs and theme park tie-ins from the "Star Wars" series, which the company will add to a growing stable of iconic characters that already includes Disney's Snow White and the Little Mermaid, Pixar's Buzz Lightyear and Nemo, and Marvel's Iron Man and the Mighty Thor.
"If you look at the films that work these days, it's these big-branded characters that do really well," said Michael Corty, who follows Disney for Morningstar. "So this is in their wheelhouse."
Lucas also produced such hits as the Indiana Jones films starring Harrison Ford, but Iger told analysts Tuesday that Paramount has certain rights to that series that make it unlikely Disney would seek to revive it.
"We're going to concentrate on the 'Star Wars' franchise," said Iger, who added that as part of the deal, Disney is acquiring an "extensive and detailed treatment" or story outline for the next three films in the series.
While the later "Star Wars" installments were panned by some critics and fans, the last sequel in the series ranked as the top-grossing film of 2005. "We believe there is substantial pent-up demand" for more installments, Iger told analysts.
The six "Star Wars" feature films produced by Lucas have earned a combined $4.4 billion in box office revenue. Disney Chief Financial Officer Jay Rasulo said he estimated each of the last three films could have averaged $1.5 billion after adjusting for inflation and the increase in potential for revenue from overseas and other sources.
Toys and other products tied to the "Star Wars" brand will bring Lucasfilm about $215 million in revenue this year, Rasulo added, but he said Disney believes it can make even more money in foreign markets and through additional tie-ins at theme parks and elsewhere.
"We like Star Wars' potential on television, as well," Iger told analysts, adding that Disney may create a related series for its new cable channel aimed at boys.
Though best known for its films, Disney is a diverse conglomerate that also owns television networks ESPN and ABC, vacation resorts and retail stores. It reported $1.8 billion in profit for its most recent quarter, up 30 percent from a year earlier.
Some analysts trace the current strength of Disney's film division to its $7.4 billion purchase of Pixar, which was an early spinout from Lucasfilm before it was taken over by Apple (AAPL) co-founder Steve Jobs.
"Their movie business before Pixar was kind of struggling," said Morningstar's Corty. "Disney needed an injection of creativity and Pixar helped with that."
Disney's latest deal will mean additional wealth for Lucas, whose personal fortune was estimated at $3.3 billion by Forbes earlier this year.
As sole owner of Lucasfilm, he will receive slightly more than $2 billion in cash and about $2 billion worth of stock in Disney -- making him the second-largest individual shareholder in the company.
The filmmaker had announced plans to retire earlier this year, when he named veteran producer Kathleen Kennedy as co-chair and his eventual successor as head of Lucasfilm. Disney said Kennedy will now run the operation as a division of Walt Disney Studios.
Lucas had recently abandoned plans to build a new studio on a third Marin property known as Grady Ranch, after neighbors opposed the project. A spokeswoman for Lucas said he will retain ownership of the current Lucasfilm campuses, including the sites in San Francisco and Marin, with the understanding that Lucasfilm will continue operating on the sites.
Contact Brandon Bailey at 408-920-5022; follow him at Twitter.com/BrandonBailey.
1971: George Lucas founds company as he releases "THX 1138," his first feature film.
1975: Special-effects studio Industrial Light & Magic and sound-effects company Sprocket Systems, which later becomes Skywalker Sound, founded.
1977: "Star Wars," the first film in a blockbuster trilogy, released.
1978: Lucas purchases 2,500-acre ranch in Marin County that later becomes Skywalker Ranch, home of some of Lucasfilm's production studios.
1979: Lucas hires Ed Catmull to head Lucasfilm's new computer division, which later creates the Pixar Image Computer.
1982: New video game division, Lucasfilm Games, later renamed LucasArts, launched.
1983: THX division, focusing on in-theater sound, founded.
1984: Computer division, using new Pixar Image Computer, releases first short film, which featured contributions from John Lasseter.
1985: Lucasfilm moves to Skywalker Ranch.
1986: Lucas sells Pixar to Steve Jobs.
1997: Original "Star Wars" trilogy re-released.
1999: Release of "Star Wars: The Phantom Menace," kicking off new trilogy.
2003: Lucasfilm Animation established.
2005: Lucasfilm moves into new offices in the former Presidio military base in San Francisco.
2006: Disney buys Pixar from Jobs.
2008: "Star Wars: The Clone Wars," first full-length animated film, released. TV series of the same name debuts.
2012: Disney buys Lucasfilm.
Source: Lucasfilm, Pixar, staff research
Monday, January 30, 2012
Dawn of the Jedi
To see more photos and read the full article:
http://io9.com/5877147/an-exclusive-sneak-peek-of-dawn-of-the-jedi-the-mysterious-new-star-wars-comic
Think you know everything about the Jedi? Next month, a brand new series will explore some of the earliest eras in Star Wars history.
Courtesy of Dark Horse, here's an exclusive preview of Star Wars: Dawn of the Jedi:
On the planet Tython, in the center of the galaxy, an order of warrior monks strives to maintain peace and to balance the mysterious power known as the Force. But a stranger is coming—one who will destroy both peace and balance, and open the galaxy to exploration and conquest. This is where it all begins!
Dawn of the Jedi #1 hits stores Wednesday, February 15
Friday, December 23, 2011
Significa 12-23-11
Pat Robertson: You know you're out of touch when you think of Mac & Cheese as exotic ethnic food...
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YouTube Movie of Week: Labyrinth (1986)
Part 1 of 8:
http://www.youtube.com/watch?v=Vcq5Ac1-YC0
(All eight parts can be found on this page)
From the Retropedia via Archive.org:
Masterminded by Muppeteer Jim Henson and Star Wars creator George Lucas, Labyrinth combined live actors, puppetry and special effects in an elaborate fantasy. While not officially a sequel to Henson's The Dark Crystal, Labyrinth had the same look and feel, and it stirred up the same kind of religious fan fervor.
The film begins as a teenage girl named Sarah babysits her younger brother Toby. A naïve girl who indulges herself in fantasies and daydreams, Sarah dislikes always having to be responsible for her kid brother. In a moment of annoyance, she wishes the Goblin King would steal him away forever. She is horrified when her terrible wish actually comes true, and she plunges into the labyrinth in order to save poor Toby.
Jareth, the Goblin King, watches Sarah with great interest as she navigates her way through the treacherous, complicated maze. She is assisted in her quest by many strange characters, including the gruff dwarf Hoggle, the miniature but brave Sir Didymus and the gentle giant Ludo. Sarah's adventures in the labyrinth cause her to become a wiser and more compassionate person, as she matures from a self-indulgent child to a young, intelligent woman.
The film provided many memorable moments of stunning images, including a dark tunnel crowded with thousands of white Helping Hands, the odious Bog of Eternal Stench, Jareth's staircase kingdom (based on the drawings of M.C. Escher) and of course, the mysterious labyrinth itself.
David Bowie's performance as Jareth also made a striking impression. His Goblin King had a truly magnetic presence that made one understand why Sarah would find herself unwillingly attracted to him. The former Ziggy Stardust also wrote and performed five original songs for the film's soundtrack.
It's very easy to fall under the spell of a movie like Labyrinth, because it taps into our ideas about dreams and illusions. The film also boasted innovative puppetry creations for the numerous creatures that populated its fantasy world, making it an even more mesmerizing and unique moviegoing experience.
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Lame Album of the Year: Lou Reed & Metallica's Lulu
There are a lot of people who think the alleged musical collaboration of Reed & Metallica is the worst album of the year. That's saying a lot in the time of Justin Bieber & Big Time Rush. In any case, count The Konformist in on this bandwagon. For more Lulu haterade, check out DangerousMinds.net:
http://www.dangerousminds.net/comments/lou_reed_and_metallicas_lulu_truth_in_advertising
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Awesome Quotes
"I think there's a lot to be said for keeping your own counsel. It's not about being afraid to be public with your emotions or about who you are and what you stand for. But if you sell it off it's gone. You can't buy it back — you can't buy your privacy back. Ooh I want to be alone. Fuck you. We've been in your living room. We were at your birth. You filmed it for us and showed us the placenta and now you want some privacy?
Look at the Kardashians, they're worth millions. I don't think they were that badly off to begin with but now look at them. You see that and you think 'what, you mean all I have to do is behave like a fucking idiot on television and then you'll pay me millions.' I'm not judging it — well, I am obviously."
Daniel Craig, via Gawker.com
"If the American people ever allow private banks to control the issue of their currency, first by inflation, then by deflation, the banks and corporations that will grow up around the banks will deprive the people of all property - until their children wake-up homeless on the continent their fathers conquered.”
Thomas Jefferson
“That Cain’s candidacy was taken seriously for longer than a nano-second in a time of genuine crisis for the country raises fundamental questions about the health of the political process and the Republican party.”
Steve Schmidt, campaign manager for Arizona Sen. John McCain’s 2008 presidential bid
(Credit to DangerousMinds.net for this one...)
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Killer Eyes
Full Article:
http://news.discovery.com/animals/superpredator-eyes-111207.html
The world's first superpredator was a giant crustacean with enormous eyes and a razor sharp mouth, according to a new study in the journal Nature.
The over 3-foot-long marine predator sat at the top of Earth's first food chain, say scientists from the South Australian Museum and the University of Adelaide. They found fossils for the crustacean, named Anomalocaris, at Kangaroo Island, South Australia.
The exceptionally well-preserved fossil eyes for this Cambrian Period crusher reveal the predator had acute vision that would rival or even exceed that of most living insects and crustaceans.
The University of New England's John Paterson, who led the study, and his colleagues explain that Anomalocaris held the #1 spot in the earliest food chain due to its large body size, formidable grasping claws at the front of its head, and a circular mouth with razor-sharp serrations...
*
Kool Websites
Kerouac.com
The Beat Museum
540 Broadway (at Columbus)
San Francisco, CA 94133
is the ultimate source for all your Beat Generation needs:
Email us at info@kerouac.com
or call us at 1-800-Ker-ouac (1-800-537-6822) or 1-831-372-4911.
http://www.salamanderandsons.com/
Salamander and Sons publishes the finest esoteric, occult and arcane books, with an emphasis on alchemical, Hermetic, and alchemystical works, along with texts qabalistic, philosophical, magic(k)al, mystical, and mythological in nature, written by adepts, sages and scholars both ancient and modern.
Salamander and Sons titles are available from our secure online shop and at all good bookstores.
Salamander and Sons titles are distributed in the USA, UK and Europe by Weiser Antiquarian Books (Maine, USA)...
http://www.pimsleurapproach.com/
Learn a Language in 10 Days with Pimsleur
The World Leader in Audio-Based Language Learning
Use the Pimsleur Approach to speak a new language in only 10 days! Pimsleur courses took over 40 years to develop and perfect. Just sit back and listen while the audio does the work for you. Each CD has been scientifically sequenced to rapidly lock language material into your brain after just one listen. You'll absorb your new language effortlessly without any reading, writing or computer use.
All of our courses come with a 30 Day, 100% Money Back Guarantee. If you're not absolutely thrilled with your new ability to learn a language and speak comfortably, simply return your course within 30 days for a full refund.
http://www.xylitolusa.com/
Xylitol is an all natural sweetener that looks and tastes like sugar. Xylitol is naturally occurring in many fruits and vegetables.
Once extracted and processed it yields a white, crystalline granule that can be used in any recipe that calls for sugar. It’s good for your teeth, stabilizes insulin levels, promotes good health and has no negative side effects.
*
Stoner Cooking
Hot & Spicy Party Mix
http://www.tabasco.com/taste_tent/recipes/recipe.cfm?id=300&name=Hot_Spicy_Party_Mix
1/4 cup butter or margarine, melted
1 tablespoon Worcestershire sauce
2 to 3 teaspoons Original TABASCO® brand Pepper Sauce
1 1/4 teaspoons seasoned salt
8 cups of your favorite Chex® brand cereals (corn, rice and/or wheat)
1 cup mixed nuts
1 cup pretzels
1 cup bite-size cheese crackers
Combine butter, Worcestershire sauce, TABASCO® Sauce, and seasoned salt in a small bowl and mix well. Pour cereals, nuts, pretzels and cheese crackers into a large plastic zip-top bag. Pour butter mixture over cereal mixture inside Zipper Bag. Seal top of bag securely. Shake bag until all pieces are evenly coated.
To prepare in microwave oven:
Pour contents of bag into a large microwave-safe bowl. Microwave on high 5 to 6 minutes, stirring thoroughly every 2 minutes and scraping sides and bottom of bowl. Spread on absorbent paper to cool. Store in airtight container.
To prepare in conventional oven:
Pour contents of bag into an open roasting pan. Bake in a 250°F oven for 1 hour, stirring every 15 minutes. Cool and store as directed above.
Makes 11 cups.
Note: Due to differences in microwave ovens, cooking time may need adjustment. These directions were developed using 625- to 700-watt ovens.
Nutritional information per serving: 242 calories, 5g protein, 29g carbohydrate, 12g fat, 1mg cholesterol, 655mg sodium
Homemade Ketchup
Christy Pooschke
Friday, December 02, 2011
http://www.naturalnews.com/034294_ketchup_recipes.html
HEALTHFUL INGREDIENTS:
Apple Cider Vinegar (Raw & Unfiltered)
Typical commercial ketchup contains white vinegar that is distilled from corn. This type of vinegar is inflammatory and offers no real health benefit. Apple cider vinegar that is raw, organic and unfiltered is a much better choice because it actually contributes to health in many ways - eases heartburn, joint pain and joint stiffness; improves skin complexion and bowel function; breaks down fat to aid in weight loss; etc. You may need to shop at a natural food store to find this type of vinegar because it is usually not sold in the regular vinegar aisle at most grocers. Be sure to carefully scrutinize the ingredients label before making your purchase because many products on the market are labeled as "apple cider flavored vinegar," and this is not the same thing! Such varieties are actually made from white vinegar (which is made from corn, not apples), and artificial flavors and colors are added to make them look and taste similar to apple cider vinegar!
Raw Honey
Unlike the refined sugar and high fructose corn syrup in most store-bought ketchup, raw honey is a sweetener that actually contributes to your health. Raw honey is full of vitamins and minerals, and it contains high levels of antioxidants. Refined sweeteners are inflammatory and should be strictly avoided (especially when you are ill). Raw honey actually reduces the inflammation associated with many conditions (e.g., allergies, infections). Raw honey is also antibacterial, so it's great to have around the house for dressing wounds, as well. Make sure you purchase honey that is truly raw because heating (i.e., pasteurizing) honey destroys its natural health benefits! Raw honey is most likely found at your local farmers market, natural food store or health section of your regular grocer. Most honey you find in the baking aisle of your regular grocer is heated (i.e., pasteurized) and pourable. In contrast, raw honey has not been heated and is generally thicker, less clear; it must be scooped out of the container rather than squeezed or poured.
Allspice
Allspice is a dried spice that helps control appetite, offers mild pain relief, aids digestion, regulates blood sugar and increases relaxation. It is also loaded with antioxidants, and it has antimicrobial properties that may protect foods from harmful bacteria.
Cloves
Cloves are another healthful spice. They can reduce heartburn, relieve nausea, aid in digestion and ease joint and toothache pain. Cloves are anti-inflammatory and anti-bacterial, and they also contain high levels of antioxidants to neutralize free radicals!
HOMEMADE KETCHUP RECIPE:
6 ounces tomato paste (choose a brand that contains only "tomatoes")
3/4 cup water
2 TBSP raw, unfiltered apple cider vinegar
2 TBSP raw honey
1/2 tsp sea salt
1/4 tsp onion granules (or 1/8 tsp onion powder)
2 pinches ground allspice
2 pinches ground cloves
In a medium saucepan, stir all ingredients together with a whisk. Bring the mixture to a boil and stir. Cover the pan, and then simmer on low heat for about 20 minutes, stirring occasionally. Let the ketchup cool, and store it in a covered container in the refrigerator. This recipe also freezes well if you prefer to make larger batches and store it for later convenience.
At GroceryGeek.com, Christy Pooschke shows consumers how to reduce their reliance on processed food. Check out her blog to learn how to shop for and prepare additive-free, natural foods. You'll love the free recipes, shopping tips and videos! Christy is also the author of an "Additive-Free" Cookbook & Grocery Shopping Guide, and she offers personalized consultations, as well!
Christy's passion for eating REAL food was sparked in 2007 when she eliminated her Fibromyalgia symptoms through diet and lifestyle changes. Until this time, she had been ingesting a Standard American Diet of boxed dinners, soda pop, candy and fast food; and she was very ill.
Since regaining her health with an additive-free diet, Christy has been on a mission to educate others about the dangers lurking in their cabinets and to help them achieve maximum health by reducing their reliance on processed foods.
In her free time, Christy operates Completely Nourished, Inc., a non-profit organization she founded to educate folks about natural foods, natural health and natural living. Check out the resources, recipes and online community available at http://www.completelynourished.org/. It's free!
*
Konformist Book Club: Armand Ptolemy and the Golden Aleph
Mark Jeffrey
Kindle Price: $0.99 includes free wireless delivery via Amazon Whispernet
ARMAND PTOLEMY is a thriller: think Indiana Jones meets Dan Brown -- with synchronicity machines, the iChing melded with difference engines and 'pseudo time travel' thrown in for good measure.
Geomancy: the art of making stone float with sound. The hacker collective 'Anonymous'. Secret societies …
This is the world of ARMAND PTOLEMY, a new action-adventure hero. Facing an enemy armed with the Golden Aleph -- a mystical device that allows its wielder to see holographically into every point in time and space, Ptolemy must use every trick of his Oxford-educated mind and circus-trained body to succeed.
But how do you fight an enemy that knows your every move … even before you do?
When Armand Ptolemy is called to investigate strange tremors plaguing an old wing of the New York public library, he finds himself enmeshed in a series of events that began in 1912. Yet Ptolemy himself is rumored to be from the past himself -- and the world's Elite lust after the secret of how he seemingly jumped forward over one hundred years in time. Most keenly interested in this secret is Octavio Veerspike, head of the Veerspike banking dynasty.
When the Commission -- a secret society of the world's most powerful people -- suddenly call a conclave in the tropics, Ptolemy has to figure out what they're up to, and fast.
But the Elites have other ideas. Putting into a motion the capstone of a hundred-years old plan, the Commission wants Ptolemy out of the way. And with the Golden Aleph giving them very potent powers of prediction, they just may succeed ...
Author Mark Jeffrey (@markjeffrey on Twitter) is perhaps best known for his best-selling young adult novel MAX QUICK: THE POCKET AND THE PENDANT (HarperCollins, 2011). First podcast as an online audiobook, the book received over 2.6 million downloads. Later, it was picked up by HarperCollins and re-published in hardcover in May, 2011. More information can be found at maxquickseries.com
MAX QUICK: THE TWO TRAVELERS is currently available as a podcast audiobook. Mark Jeffrey is currently working on MAX QUICK: THE BANE OF THE BONDSMAN as well as ARMAND PTOLEMY AND THE GEOMANCER. More information on Armand Ptolemy can be found at armandptolemy.com
Praise for MAX QUICK:
“A wildly imaginative romp through the vagaries of time, Max Quick leads the reader on a high–speed tour of ancient myths, alien kingdoms and some books you can really throw yourself into. Terrific adventure at breakneck speed.” (Richard Newsome, author of The Billionaire’s Curse )
“An imaginative addition to the middle-grade speculative adventure canon.” (Bulletin of the Center for Children’s Books )
“Max Quick has the answers to life’s biggest questions. The world stands still the moment you enter this book. It’s a fabulous, fleet-footed adventure story that goes by in a whoosh.” (Kristin Miller, New York Times bestselling author of The Eternal Ones and the Kiki Strike series )
“A fresh, fun and fascinating idea deftly brought to life. With all its deeply–felt adventure, Max Quick should quickly captivate young readers.” (James Jennewein and Tom S. Parker, authors of the RuneWarriors Trilogy )
“This fast-paced adventure…will keep readers turning the pages. The incorporation of figures from Sumerian mythology adds an interesting element that may appeal to fans of Rick Riordan’s “Percy Jackson” series.” (School Library Journal )
“Riveting. The Pocket and the Pendant is not what you expect, no matter what you expect.” (Scott Sigler, New York Times bestselling author )
“Jeffrey’s descriptions of how time has stopped will stop readers in their own tracks. Plenty of action-adventure appeal.” (Booklist )
Mark has been named on of ‘50 to Watch’ by Variety Magazine, selected as one of the “Digital Coast 50' by the Silicon Alley Reporter, and one of the “Heroes of Multimedia” by Entertainment Weekly.
Format: Kindle Edition
File Size: 273 KB
Simultaneous Device Usage: Unlimited
Sold by: Amazon Digital Services
Language: English
ASIN: B0067Y3K9Q
Amazon URL:
http://www.amazon.com/dp/B0067Y3K9Q/thekonformist
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GODS OF THE ANCIENT WORLD
a new TV series starting this week on THE ENIGMA CHANNEL - filmed entirely on location inside the Great Pyramid, at LUXOR and the house of HOWARD CARTER... GODS OF THE ANCIENT WORLD presents never before seen images of chambers carved with images of Reptilian-Amphibian-Humanoids - known in the Egyptian Creation Myths as the OGDOAD...
MESSAGE FROM BRITISH AUTHOR CHRIS EVERARD:
"Hello, I would like to thank everyone for the concern about my safety during my recent expedition to Egypt. For part of the trip we had a machine-gun armed escort - and whilst the BBC are currently portraying a violent and dangerous atmosphere, our recent expedition to Egypt was safe, full of fun - and we also discovered and filmed never-before-seen carvings, artefacts and statues which prove beyond all doubt that the Pharaohs of ancient Egypt were ingesting HASHISH, TOBACCO, COCAINE and OPIUM. Our most recent expedition also uncovered archaeological evidence that the Pharaohs were involved in HUMAN SACRIFICE and we also interviewed Egyptologists on camer who stated that MAGICAL SPELLS had been employed to assist the moving of huge stone blocks, obelisks and statues.
I would like to thank everyone for ordering my new book STONE AGE PSYCHEDELIA - I've invested 17 years of research and many thousands of pounds into the research for my book - revealing the secret hallucinogenic magic of the ancient people of Egypt and south America. I thank all of you for postig great reviews of my new book - and look forward to broadcasting a new TV Series on THE ENIGMA CHANNEL called GODS OF THE ANCIENT WORLD. If you are stumped for a Christmas gift, then my advice is that the best gift is the gift of KNOWLEDGE."
STONE AGE PSYCHEDELIA contains 300+ Pages of previously unpublished research. This book is NOT a compilation of previously published articles - STONE AGE PSYCHEDELIA is 100% fresh research.
You can order direct via the Enigma Channel Cyberstore:
http://www.enigmatv.net/shop
*
Try the best natural sweeteners
Dr. David Jockers
Sunday, December 04, 2011
http://www.naturalnews.com/034317_natural_sweeteners_raw_honey.html
(NaturalNews) Sweet foods were a rare delicacy for our ancient ancestors. Today, we have an unlimited supply of sugary foods and beverages at our disposal. Natural sweeteners can be used effectively in moderation to provide the sweetness that most people crave. Here are the best natural sweeteners ranked in order based on low glycemic index and additional health benefits.
Every living creature is designed to run off of a simple sugar called glucose. It is the primary unit in the study of metabolism. However, there are certainly dangers involved with consuming too much glucose. Those dangers mostly involve elevated blood sugar and insulin, which trigger fat accumulation, cellular inflammation and insulin resistance.
Fructose is another simple sugar that is found in nature within fruits, honey, and plant/tree nectar. This is metabolized differently than glucose and can cause even more hazardous effects when consumed in excess.
Safe Natural Sweeteners in Order
Stevia: Stevia is processed from the leaf of the stevia plant, which is native to South America. This herb derivative has no effect on blood sugar, insulin signaling and triglyceride formation. It develops most of its sweetness from glycosides called stevioside and rebaudioside. These compounds are 250-300 times sweeter than sucrose, which makes them have the ability to withstand heat and have longer shelf life.
Studies have even shown the stevia leaf to have beneficial effects at improving cellular insulin sensitivity and at reducing the risk of type II diabetes and high blood pressure.
Lo Han Extract: A fruit plant that grows native in Southern China/Northern Thailand. Lo Han has a very low glycemic index and low sugar content. It gets the majority of its sweetness from a glycoside nutrient called mogrosides. These mogrosides are 300 times sweeter than sugar and act as anti-oxidants that have shown abilities to inhibit cancer cell formation. This is a wonderful sweetener but can be hard to find and expensive.
Coconut Nectar: This is a very low glycemic liquid sweetener derived from the liquid sap of the coconut blossoms. The glycemic index is 35 making it one of the lowest of natural sweeteners. Also, the fructose levels are very low at 10%, and it contains a wide variety of anti-oxidants, minerals and other nutrients that enhance blood sugar stability. It is challenging to get and quite expensive.
Organic, Raw Honey: This superfood does have an effect on blood sugar and contains approximately 53% fructose, so one should only consume this in moderation. Honey contains a wide array of trace minerals such as calcium, iron, zinc, potassium, phosphorous, magnesium, copper, chromium, manganese and selenium. These nutrients are critical for healthy cellular insulin sensitivity and blood sugar balance.
Raw honey is also extremely rich in anti-oxidants and natural enzymes. Honey contains flavonoid anti-oxidants such as pinocembrin and pinostrobin that help reduce oxidative stress in the body and promote better enzyme activity.
Organic Blackstrap Molasses: Molasses is a byproduct of the processing of sugar. It does have an effect on glycemic index and must only be consumed in moderation. Blackstrap molasses is a very rich source of iron, copper, manganese, potassium, magnesium and selenium.
Sugar Alcohols: These include xylitol, glycerol, sorbitol, maltitol, mannitol, and erythritol. Sugar alcohol is supposed to just pass through the body unrecognized. This causes no blood sugar imbalances and is considered a safe sweetener. However, many individuals have reported significant gastrointestinal distress that includes cramping, bloating, gas & diarrhea.
About the author:
Dr. David Jockers owns and operates Exodus Health Center in Kennesaw, Ga. He is a Maximized Living doctor. His expertise is in weight loss, customized nutrition & exercise, & structural corrective chiropractic care.
For more information go to:
http://www.exodushc.com/
To find a Maximized Living doctor near you go to:
http://www.maximizedliving.com/
Dr. Jockers is also available for long distance phone consultations to help you beat disease and reach your health goals.
*
YouTube Movie of Week: Labyrinth (1986)
Part 1 of 8:
http://www.youtube.com/watch?v=Vcq5Ac1-YC0
(All eight parts can be found on this page)
From the Retropedia via Archive.org:
Masterminded by Muppeteer Jim Henson and Star Wars creator George Lucas, Labyrinth combined live actors, puppetry and special effects in an elaborate fantasy. While not officially a sequel to Henson's The Dark Crystal, Labyrinth had the same look and feel, and it stirred up the same kind of religious fan fervor.
The film begins as a teenage girl named Sarah babysits her younger brother Toby. A naïve girl who indulges herself in fantasies and daydreams, Sarah dislikes always having to be responsible for her kid brother. In a moment of annoyance, she wishes the Goblin King would steal him away forever. She is horrified when her terrible wish actually comes true, and she plunges into the labyrinth in order to save poor Toby.
Jareth, the Goblin King, watches Sarah with great interest as she navigates her way through the treacherous, complicated maze. She is assisted in her quest by many strange characters, including the gruff dwarf Hoggle, the miniature but brave Sir Didymus and the gentle giant Ludo. Sarah's adventures in the labyrinth cause her to become a wiser and more compassionate person, as she matures from a self-indulgent child to a young, intelligent woman.
The film provided many memorable moments of stunning images, including a dark tunnel crowded with thousands of white Helping Hands, the odious Bog of Eternal Stench, Jareth's staircase kingdom (based on the drawings of M.C. Escher) and of course, the mysterious labyrinth itself.
David Bowie's performance as Jareth also made a striking impression. His Goblin King had a truly magnetic presence that made one understand why Sarah would find herself unwillingly attracted to him. The former Ziggy Stardust also wrote and performed five original songs for the film's soundtrack.
It's very easy to fall under the spell of a movie like Labyrinth, because it taps into our ideas about dreams and illusions. The film also boasted innovative puppetry creations for the numerous creatures that populated its fantasy world, making it an even more mesmerizing and unique moviegoing experience.
*
Lame Album of the Year: Lou Reed & Metallica's Lulu
There are a lot of people who think the alleged musical collaboration of Reed & Metallica is the worst album of the year. That's saying a lot in the time of Justin Bieber & Big Time Rush. In any case, count The Konformist in on this bandwagon. For more Lulu haterade, check out DangerousMinds.net:
http://www.dangerousminds.net/comments/lou_reed_and_metallicas_lulu_truth_in_advertising
*
Awesome Quotes
"I think there's a lot to be said for keeping your own counsel. It's not about being afraid to be public with your emotions or about who you are and what you stand for. But if you sell it off it's gone. You can't buy it back — you can't buy your privacy back. Ooh I want to be alone. Fuck you. We've been in your living room. We were at your birth. You filmed it for us and showed us the placenta and now you want some privacy?
Look at the Kardashians, they're worth millions. I don't think they were that badly off to begin with but now look at them. You see that and you think 'what, you mean all I have to do is behave like a fucking idiot on television and then you'll pay me millions.' I'm not judging it — well, I am obviously."
Daniel Craig, via Gawker.com
"If the American people ever allow private banks to control the issue of their currency, first by inflation, then by deflation, the banks and corporations that will grow up around the banks will deprive the people of all property - until their children wake-up homeless on the continent their fathers conquered.”
Thomas Jefferson
“That Cain’s candidacy was taken seriously for longer than a nano-second in a time of genuine crisis for the country raises fundamental questions about the health of the political process and the Republican party.”
Steve Schmidt, campaign manager for Arizona Sen. John McCain’s 2008 presidential bid
(Credit to DangerousMinds.net for this one...)
*
Killer Eyes
Full Article:
http://news.discovery.com/animals/superpredator-eyes-111207.html
The world's first superpredator was a giant crustacean with enormous eyes and a razor sharp mouth, according to a new study in the journal Nature.
The over 3-foot-long marine predator sat at the top of Earth's first food chain, say scientists from the South Australian Museum and the University of Adelaide. They found fossils for the crustacean, named Anomalocaris, at Kangaroo Island, South Australia.
The exceptionally well-preserved fossil eyes for this Cambrian Period crusher reveal the predator had acute vision that would rival or even exceed that of most living insects and crustaceans.
The University of New England's John Paterson, who led the study, and his colleagues explain that Anomalocaris held the #1 spot in the earliest food chain due to its large body size, formidable grasping claws at the front of its head, and a circular mouth with razor-sharp serrations...
*
Kool Websites
Kerouac.com
The Beat Museum
540 Broadway (at Columbus)
San Francisco, CA 94133
is the ultimate source for all your Beat Generation needs:
Email us at info@kerouac.com
or call us at 1-800-Ker-ouac (1-800-537-6822) or 1-831-372-4911.
http://www.salamanderandsons.com/
Salamander and Sons publishes the finest esoteric, occult and arcane books, with an emphasis on alchemical, Hermetic, and alchemystical works, along with texts qabalistic, philosophical, magic(k)al, mystical, and mythological in nature, written by adepts, sages and scholars both ancient and modern.
Salamander and Sons titles are available from our secure online shop and at all good bookstores.
Salamander and Sons titles are distributed in the USA, UK and Europe by Weiser Antiquarian Books (Maine, USA)...
http://www.pimsleurapproach.com/
Learn a Language in 10 Days with Pimsleur
The World Leader in Audio-Based Language Learning
Use the Pimsleur Approach to speak a new language in only 10 days! Pimsleur courses took over 40 years to develop and perfect. Just sit back and listen while the audio does the work for you. Each CD has been scientifically sequenced to rapidly lock language material into your brain after just one listen. You'll absorb your new language effortlessly without any reading, writing or computer use.
All of our courses come with a 30 Day, 100% Money Back Guarantee. If you're not absolutely thrilled with your new ability to learn a language and speak comfortably, simply return your course within 30 days for a full refund.
http://www.xylitolusa.com/
Xylitol is an all natural sweetener that looks and tastes like sugar. Xylitol is naturally occurring in many fruits and vegetables.
Once extracted and processed it yields a white, crystalline granule that can be used in any recipe that calls for sugar. It’s good for your teeth, stabilizes insulin levels, promotes good health and has no negative side effects.
*
Stoner Cooking
Hot & Spicy Party Mix
http://www.tabasco.com/taste_tent/recipes/recipe.cfm?id=300&name=Hot_Spicy_Party_Mix
1/4 cup butter or margarine, melted
1 tablespoon Worcestershire sauce
2 to 3 teaspoons Original TABASCO® brand Pepper Sauce
1 1/4 teaspoons seasoned salt
8 cups of your favorite Chex® brand cereals (corn, rice and/or wheat)
1 cup mixed nuts
1 cup pretzels
1 cup bite-size cheese crackers
Combine butter, Worcestershire sauce, TABASCO® Sauce, and seasoned salt in a small bowl and mix well. Pour cereals, nuts, pretzels and cheese crackers into a large plastic zip-top bag. Pour butter mixture over cereal mixture inside Zipper Bag. Seal top of bag securely. Shake bag until all pieces are evenly coated.
To prepare in microwave oven:
Pour contents of bag into a large microwave-safe bowl. Microwave on high 5 to 6 minutes, stirring thoroughly every 2 minutes and scraping sides and bottom of bowl. Spread on absorbent paper to cool. Store in airtight container.
To prepare in conventional oven:
Pour contents of bag into an open roasting pan. Bake in a 250°F oven for 1 hour, stirring every 15 minutes. Cool and store as directed above.
Makes 11 cups.
Note: Due to differences in microwave ovens, cooking time may need adjustment. These directions were developed using 625- to 700-watt ovens.
Nutritional information per serving: 242 calories, 5g protein, 29g carbohydrate, 12g fat, 1mg cholesterol, 655mg sodium
Homemade Ketchup
Christy Pooschke
Friday, December 02, 2011
http://www.naturalnews.com/034294_ketchup_recipes.html
HEALTHFUL INGREDIENTS:
Apple Cider Vinegar (Raw & Unfiltered)
Typical commercial ketchup contains white vinegar that is distilled from corn. This type of vinegar is inflammatory and offers no real health benefit. Apple cider vinegar that is raw, organic and unfiltered is a much better choice because it actually contributes to health in many ways - eases heartburn, joint pain and joint stiffness; improves skin complexion and bowel function; breaks down fat to aid in weight loss; etc. You may need to shop at a natural food store to find this type of vinegar because it is usually not sold in the regular vinegar aisle at most grocers. Be sure to carefully scrutinize the ingredients label before making your purchase because many products on the market are labeled as "apple cider flavored vinegar," and this is not the same thing! Such varieties are actually made from white vinegar (which is made from corn, not apples), and artificial flavors and colors are added to make them look and taste similar to apple cider vinegar!
Raw Honey
Unlike the refined sugar and high fructose corn syrup in most store-bought ketchup, raw honey is a sweetener that actually contributes to your health. Raw honey is full of vitamins and minerals, and it contains high levels of antioxidants. Refined sweeteners are inflammatory and should be strictly avoided (especially when you are ill). Raw honey actually reduces the inflammation associated with many conditions (e.g., allergies, infections). Raw honey is also antibacterial, so it's great to have around the house for dressing wounds, as well. Make sure you purchase honey that is truly raw because heating (i.e., pasteurizing) honey destroys its natural health benefits! Raw honey is most likely found at your local farmers market, natural food store or health section of your regular grocer. Most honey you find in the baking aisle of your regular grocer is heated (i.e., pasteurized) and pourable. In contrast, raw honey has not been heated and is generally thicker, less clear; it must be scooped out of the container rather than squeezed or poured.
Allspice
Allspice is a dried spice that helps control appetite, offers mild pain relief, aids digestion, regulates blood sugar and increases relaxation. It is also loaded with antioxidants, and it has antimicrobial properties that may protect foods from harmful bacteria.
Cloves
Cloves are another healthful spice. They can reduce heartburn, relieve nausea, aid in digestion and ease joint and toothache pain. Cloves are anti-inflammatory and anti-bacterial, and they also contain high levels of antioxidants to neutralize free radicals!
HOMEMADE KETCHUP RECIPE:
6 ounces tomato paste (choose a brand that contains only "tomatoes")
3/4 cup water
2 TBSP raw, unfiltered apple cider vinegar
2 TBSP raw honey
1/2 tsp sea salt
1/4 tsp onion granules (or 1/8 tsp onion powder)
2 pinches ground allspice
2 pinches ground cloves
In a medium saucepan, stir all ingredients together with a whisk. Bring the mixture to a boil and stir. Cover the pan, and then simmer on low heat for about 20 minutes, stirring occasionally. Let the ketchup cool, and store it in a covered container in the refrigerator. This recipe also freezes well if you prefer to make larger batches and store it for later convenience.
At GroceryGeek.com, Christy Pooschke shows consumers how to reduce their reliance on processed food. Check out her blog to learn how to shop for and prepare additive-free, natural foods. You'll love the free recipes, shopping tips and videos! Christy is also the author of an "Additive-Free" Cookbook & Grocery Shopping Guide, and she offers personalized consultations, as well!
Christy's passion for eating REAL food was sparked in 2007 when she eliminated her Fibromyalgia symptoms through diet and lifestyle changes. Until this time, she had been ingesting a Standard American Diet of boxed dinners, soda pop, candy and fast food; and she was very ill.
Since regaining her health with an additive-free diet, Christy has been on a mission to educate others about the dangers lurking in their cabinets and to help them achieve maximum health by reducing their reliance on processed foods.
In her free time, Christy operates Completely Nourished, Inc., a non-profit organization she founded to educate folks about natural foods, natural health and natural living. Check out the resources, recipes and online community available at http://www.completelynourished.org/. It's free!
*
Konformist Book Club: Armand Ptolemy and the Golden Aleph
Mark Jeffrey
Kindle Price: $0.99 includes free wireless delivery via Amazon Whispernet
ARMAND PTOLEMY is a thriller: think Indiana Jones meets Dan Brown -- with synchronicity machines, the iChing melded with difference engines and 'pseudo time travel' thrown in for good measure.
Geomancy: the art of making stone float with sound. The hacker collective 'Anonymous'. Secret societies …
This is the world of ARMAND PTOLEMY, a new action-adventure hero. Facing an enemy armed with the Golden Aleph -- a mystical device that allows its wielder to see holographically into every point in time and space, Ptolemy must use every trick of his Oxford-educated mind and circus-trained body to succeed.
But how do you fight an enemy that knows your every move … even before you do?
When Armand Ptolemy is called to investigate strange tremors plaguing an old wing of the New York public library, he finds himself enmeshed in a series of events that began in 1912. Yet Ptolemy himself is rumored to be from the past himself -- and the world's Elite lust after the secret of how he seemingly jumped forward over one hundred years in time. Most keenly interested in this secret is Octavio Veerspike, head of the Veerspike banking dynasty.
When the Commission -- a secret society of the world's most powerful people -- suddenly call a conclave in the tropics, Ptolemy has to figure out what they're up to, and fast.
But the Elites have other ideas. Putting into a motion the capstone of a hundred-years old plan, the Commission wants Ptolemy out of the way. And with the Golden Aleph giving them very potent powers of prediction, they just may succeed ...
Author Mark Jeffrey (@markjeffrey on Twitter) is perhaps best known for his best-selling young adult novel MAX QUICK: THE POCKET AND THE PENDANT (HarperCollins, 2011). First podcast as an online audiobook, the book received over 2.6 million downloads. Later, it was picked up by HarperCollins and re-published in hardcover in May, 2011. More information can be found at maxquickseries.com
MAX QUICK: THE TWO TRAVELERS is currently available as a podcast audiobook. Mark Jeffrey is currently working on MAX QUICK: THE BANE OF THE BONDSMAN as well as ARMAND PTOLEMY AND THE GEOMANCER. More information on Armand Ptolemy can be found at armandptolemy.com
Praise for MAX QUICK:
“A wildly imaginative romp through the vagaries of time, Max Quick leads the reader on a high–speed tour of ancient myths, alien kingdoms and some books you can really throw yourself into. Terrific adventure at breakneck speed.” (Richard Newsome, author of The Billionaire’s Curse )
“An imaginative addition to the middle-grade speculative adventure canon.” (Bulletin of the Center for Children’s Books )
“Max Quick has the answers to life’s biggest questions. The world stands still the moment you enter this book. It’s a fabulous, fleet-footed adventure story that goes by in a whoosh.” (Kristin Miller, New York Times bestselling author of The Eternal Ones and the Kiki Strike series )
“A fresh, fun and fascinating idea deftly brought to life. With all its deeply–felt adventure, Max Quick should quickly captivate young readers.” (James Jennewein and Tom S. Parker, authors of the RuneWarriors Trilogy )
“This fast-paced adventure…will keep readers turning the pages. The incorporation of figures from Sumerian mythology adds an interesting element that may appeal to fans of Rick Riordan’s “Percy Jackson” series.” (School Library Journal )
“Riveting. The Pocket and the Pendant is not what you expect, no matter what you expect.” (Scott Sigler, New York Times bestselling author )
“Jeffrey’s descriptions of how time has stopped will stop readers in their own tracks. Plenty of action-adventure appeal.” (Booklist )
Mark has been named on of ‘50 to Watch’ by Variety Magazine, selected as one of the “Digital Coast 50' by the Silicon Alley Reporter, and one of the “Heroes of Multimedia” by Entertainment Weekly.
Format: Kindle Edition
File Size: 273 KB
Simultaneous Device Usage: Unlimited
Sold by: Amazon Digital Services
Language: English
ASIN: B0067Y3K9Q
Amazon URL:
http://www.amazon.com/dp/B0067Y3K9Q/thekonformist
*
GODS OF THE ANCIENT WORLD
a new TV series starting this week on THE ENIGMA CHANNEL - filmed entirely on location inside the Great Pyramid, at LUXOR and the house of HOWARD CARTER... GODS OF THE ANCIENT WORLD presents never before seen images of chambers carved with images of Reptilian-Amphibian-Humanoids - known in the Egyptian Creation Myths as the OGDOAD...
MESSAGE FROM BRITISH AUTHOR CHRIS EVERARD:
"Hello, I would like to thank everyone for the concern about my safety during my recent expedition to Egypt. For part of the trip we had a machine-gun armed escort - and whilst the BBC are currently portraying a violent and dangerous atmosphere, our recent expedition to Egypt was safe, full of fun - and we also discovered and filmed never-before-seen carvings, artefacts and statues which prove beyond all doubt that the Pharaohs of ancient Egypt were ingesting HASHISH, TOBACCO, COCAINE and OPIUM. Our most recent expedition also uncovered archaeological evidence that the Pharaohs were involved in HUMAN SACRIFICE and we also interviewed Egyptologists on camer who stated that MAGICAL SPELLS had been employed to assist the moving of huge stone blocks, obelisks and statues.
I would like to thank everyone for ordering my new book STONE AGE PSYCHEDELIA - I've invested 17 years of research and many thousands of pounds into the research for my book - revealing the secret hallucinogenic magic of the ancient people of Egypt and south America. I thank all of you for postig great reviews of my new book - and look forward to broadcasting a new TV Series on THE ENIGMA CHANNEL called GODS OF THE ANCIENT WORLD. If you are stumped for a Christmas gift, then my advice is that the best gift is the gift of KNOWLEDGE."
STONE AGE PSYCHEDELIA contains 300+ Pages of previously unpublished research. This book is NOT a compilation of previously published articles - STONE AGE PSYCHEDELIA is 100% fresh research.
You can order direct via the Enigma Channel Cyberstore:
http://www.enigmatv.net/shop
*
Try the best natural sweeteners
Dr. David Jockers
Sunday, December 04, 2011
http://www.naturalnews.com/034317_natural_sweeteners_raw_honey.html
(NaturalNews) Sweet foods were a rare delicacy for our ancient ancestors. Today, we have an unlimited supply of sugary foods and beverages at our disposal. Natural sweeteners can be used effectively in moderation to provide the sweetness that most people crave. Here are the best natural sweeteners ranked in order based on low glycemic index and additional health benefits.
Every living creature is designed to run off of a simple sugar called glucose. It is the primary unit in the study of metabolism. However, there are certainly dangers involved with consuming too much glucose. Those dangers mostly involve elevated blood sugar and insulin, which trigger fat accumulation, cellular inflammation and insulin resistance.
Fructose is another simple sugar that is found in nature within fruits, honey, and plant/tree nectar. This is metabolized differently than glucose and can cause even more hazardous effects when consumed in excess.
Safe Natural Sweeteners in Order
Stevia: Stevia is processed from the leaf of the stevia plant, which is native to South America. This herb derivative has no effect on blood sugar, insulin signaling and triglyceride formation. It develops most of its sweetness from glycosides called stevioside and rebaudioside. These compounds are 250-300 times sweeter than sucrose, which makes them have the ability to withstand heat and have longer shelf life.
Studies have even shown the stevia leaf to have beneficial effects at improving cellular insulin sensitivity and at reducing the risk of type II diabetes and high blood pressure.
Lo Han Extract: A fruit plant that grows native in Southern China/Northern Thailand. Lo Han has a very low glycemic index and low sugar content. It gets the majority of its sweetness from a glycoside nutrient called mogrosides. These mogrosides are 300 times sweeter than sugar and act as anti-oxidants that have shown abilities to inhibit cancer cell formation. This is a wonderful sweetener but can be hard to find and expensive.
Coconut Nectar: This is a very low glycemic liquid sweetener derived from the liquid sap of the coconut blossoms. The glycemic index is 35 making it one of the lowest of natural sweeteners. Also, the fructose levels are very low at 10%, and it contains a wide variety of anti-oxidants, minerals and other nutrients that enhance blood sugar stability. It is challenging to get and quite expensive.
Organic, Raw Honey: This superfood does have an effect on blood sugar and contains approximately 53% fructose, so one should only consume this in moderation. Honey contains a wide array of trace minerals such as calcium, iron, zinc, potassium, phosphorous, magnesium, copper, chromium, manganese and selenium. These nutrients are critical for healthy cellular insulin sensitivity and blood sugar balance.
Raw honey is also extremely rich in anti-oxidants and natural enzymes. Honey contains flavonoid anti-oxidants such as pinocembrin and pinostrobin that help reduce oxidative stress in the body and promote better enzyme activity.
Organic Blackstrap Molasses: Molasses is a byproduct of the processing of sugar. It does have an effect on glycemic index and must only be consumed in moderation. Blackstrap molasses is a very rich source of iron, copper, manganese, potassium, magnesium and selenium.
Sugar Alcohols: These include xylitol, glycerol, sorbitol, maltitol, mannitol, and erythritol. Sugar alcohol is supposed to just pass through the body unrecognized. This causes no blood sugar imbalances and is considered a safe sweetener. However, many individuals have reported significant gastrointestinal distress that includes cramping, bloating, gas & diarrhea.
About the author:
Dr. David Jockers owns and operates Exodus Health Center in Kennesaw, Ga. He is a Maximized Living doctor. His expertise is in weight loss, customized nutrition & exercise, & structural corrective chiropractic care.
For more information go to:
http://www.exodushc.com/
To find a Maximized Living doctor near you go to:
http://www.maximizedliving.com/
Dr. Jockers is also available for long distance phone consultations to help you beat disease and reach your health goals.
George Takei Asks Star Trek, Star Wars Fans to Fight Against ‘Twilight’
George Takei Asks Star Trek, Star Wars Fans to Unite in Fight Against ‘Twilight’
Michael Söze
December 13, 2011
Actor/Comedian George Takei is calling on all “Star Wars” and “Star Trek” fans to band against a common enemy: The “Twilight” saga.
“What’s needed today, now, more than ever, is ‘Star Peace’ for there is an ominous, mutual threat to all science fiction. It’s called ‘Twilight’. And it is really, really bad,” said the 74-year-old who is most known for playing Hikaru Sulu on the original “Star Trek” TV series.
Takei’s call for peace among sci-fi lovers comes after videos of William Shatner and Carrie Fisher went viral with the former deriding “Star Wars” and the latter taking digs at “Star Trek.”
”Gone is any sense of heroism, camaraderie, or epic battle. In its place we have vampires that sparkle, moan and go to high school,” Takei continued. “Now I’m not above mixing in a little sex appeal to spice up the fantasy, but sci-fi fans be warned, there are no great stories, characters or profound life lessons to be found in Twilight. No, in Twilight the only message that rings through loud and clear is: ‘Does my boyfriend like me?’”
Full Article:
http://www.inquisitr.com/168050/george-takei-broker-of-star-peace-video
Michael Söze
December 13, 2011
Actor/Comedian George Takei is calling on all “Star Wars” and “Star Trek” fans to band against a common enemy: The “Twilight” saga.
“What’s needed today, now, more than ever, is ‘Star Peace’ for there is an ominous, mutual threat to all science fiction. It’s called ‘Twilight’. And it is really, really bad,” said the 74-year-old who is most known for playing Hikaru Sulu on the original “Star Trek” TV series.
Takei’s call for peace among sci-fi lovers comes after videos of William Shatner and Carrie Fisher went viral with the former deriding “Star Wars” and the latter taking digs at “Star Trek.”
”Gone is any sense of heroism, camaraderie, or epic battle. In its place we have vampires that sparkle, moan and go to high school,” Takei continued. “Now I’m not above mixing in a little sex appeal to spice up the fantasy, but sci-fi fans be warned, there are no great stories, characters or profound life lessons to be found in Twilight. No, in Twilight the only message that rings through loud and clear is: ‘Does my boyfriend like me?’”
Full Article:
http://www.inquisitr.com/168050/george-takei-broker-of-star-peace-video
Friday, November 18, 2011
Saturday, November 5, 2011
RIP: Boba Fett
From Dark Horse Comics, via YardSellr.com:
Established Star Wars writer Tom Taylor is back with another stunning Blood Ties series to be released in April 2012.
“Boba Fett is dead. The most infamous hunter in the galaxy has been hunted. He’s lying, broken, on the desert floor. He’s more blaster-holes than man. It’s the ultimate ending. However, this is just the start of our story. With the fall of Fett broadcast across the galaxy, someone rises to avenge him. But who would care about the death of a man like Fett? Bounty hunters aren’t exactly known for their enduring, close friendships but even a man like Boba Fett has family… and now a Blood Tie demands blood.”
http://yardsellr.com/blog/2011/10/boba-fett-is-dead-new-star-war-series-from-dark-horse
Thursday, September 29, 2011
Why the First 'Star Wars' Is Still the Best 'Star Wars'
Colin Fleming
Sep 14 2011
Fan favorite Empire Strikes Back may thrill, but A New Hope beats it because for the way it transports viewers to another world
http://www.theatlantic.com/entertainment/archive/2011/09/why-the-first-star-wars-is-still-the-best-star-wars/245128
Just as Friday's Blu-Ray release of all six Star Wars films affords fans another chance to bemoan George Lucas's meddlesome ways, it also grants us an opportunity to reassess what's what—and what's best—in the Star Wars universe.
The accepted history goes something like this: The three prequel films are largely rubbish, redeemed only in rare instances, like when Darth Maul appears in The Phantom Menace, or when Anakin/eventual-Darth Vader goes bad in Revenge of the Sith. The original three films, of course, are where it's at. Star Wars, which was later given the subtitle A New Hope, gets plaudits for kicking off the journey and blowing minds in '77. Return of the Jedi, six years later, capped it in Wagnerian style, but also featured the Ewoks, kid-pleasing fuzzballs that embarrassed sci-fi zealots everywhere. The second film—The Empire Strikes Back—has aged the best with the fans, and it remains arguably the most popular of all the Star Wars offerings.
Wherever you turn, Empire does well for itself. Time cited it as a prime example of a sequel that outpaces its predecessor—even if that predecessor is the lone Star Wars representative on AFI's list of the top 100 American movies. And according to Rotten Tomatoes, critics lean towards Empire above all others. It's easy to see why. Empire has always had what you might call movie bling: Think the ice planet of Hoth, AT-ATs, the pop culture hit that was Yoda, lady-loving Lando—"works every time," indeed, baby—and, of course,"I am your father," which may be the most iconic declarative sentence of the 1980s.
And as much as we enjoy being thrilled by on-screen action, there's nothing like feeling as though you've been rendered invisible and inserted into a film. But Star Wars: A New Hope is better. Unrivaled in its ability to bridge the gap between the people who are sitting in their seats watching the movie and the characters that are dashing about in it, it's film as a congruous journey. Empire, conversely, doesn't have Hope's cohesion, even though its plot, essentially, is that the rebels run away, and assorted incidents, adventures, and anecdotes accrue with great rapidity.
Maybe that frantic pacing is why Empire resonates so much with many of the younger Star Wars fans. There's nothing stately about it. It's action upon action upon action. If you're watching Empire, you've probably already seen the first film, and you've bought into its universe. You know that Han Solo is the galaxy's master of Robert Mitchum-type bad-assery, so it's OK for the filmmakers to give him a few killer lines—like his response to Leia just before getting frozen in carbonite—and turn him loose. The film's emotional resonance—and its cultural resonance, too, really—hinges on its crescendo moments, which are familiar even to people who haven't seen the film: those moments parodied, discussed, and referenced time and again. If you want a popcorn flick that shows what's both good and bad about the mega-blockbuster movie experience, Empire is for you.
But if you look at a film as a film and not as part of a phenomenon, A New Hope is the galactic gold standard. It's the one movie out of the six Star Wars movies that you can put alongside The Searchers, Bride of Frankenstein, or The Wizard of Oz as an American film masterpiece. There's a lot of talk in it, but that dialogue is not deployed merely for exposition, as it often is in the Star Wars films, but rather for fostering a feeling of place and community within the picture. Its overall look is rougher, with less chrome and gloss, and more dirt and ash. But that griminess lends the film a mood that—despite the triumphant climax—infiltrates you, rather than pumps you up. And there's a beguiling innocence in the film-making that might be unmatched in the medium's history. You get full on visual derring-do, balls-to-the-wall-style, almost as if Lucas and his crew had been granted one chance to do a movie and one chance only. In other words: If anyone wants to try some crazy idea, now would be the time.
There are plenty of gutsy cinematic moments. The heartrending shot of Luke staring toward the horizon with the two suns overhead is a perfect example of how an internal emotion like longing can be made visual. We're talking distances: a boy far removed from what he wants to be, and celestial bodies far removed from where he is presently standing.
But the film reveals its characters' personalities in more subtle ways, as well. People hang out a lot in A New Hope. Luke and C-3PO get to know each other in a glorified tool shed; Luke and Ben bond in the latter's hut; space chess and early Jedi training occur simultaneously as our plucky band travels from one spot of adventure to the next. We understand these individuals because Lucas had the courage to simply show them together, during their downtime. Viewed in relation to the rest of the franchise—especially the prequels—New Hope's restraint seems radical.
Lucas was well-versed in the old serials, and when you consider all of the transitional wipes and the occasional faux-camp spirit of Star Wars, it's obvious that the film was pitched as an extension of something like The Secret of Treasure Island or Captain Marvel. But Star Wars goes where serials like that never could. Serials rely on spectacle as spectacle; A New Hope uses spectacle to create meaning. Its loud, splashy moments turn to foster quiet, personal scenes. After Darth Vader strikes down Obi-Wan Kenobi, we see Leia consoling Luke in a hushed, almost maternal manner that pulls the viewer into the screen as we note each gesture, each word. You start to feel like you're riding along with these characters, invested in a way that you weren't previously.
Granted, it doesn't hurt that A New Hope starts with a shot to rival the crane sequence at the beginning of Orson Welles' Touch of Evil or the view down the tower stairs in Alfred Hitchcock's Vertigo. No matter how many times I see it, I can't get over how big that Imperial ship looks as it passes over us in our collective, movie-watching consciousness. That's one of the film's many go-for-broke shots. So is the scene when the Millennium Falcon first blasts into hyperdrive and traverses the infinite vastness of space in a few manic seconds as the stars turn into streams of light. Many of these shots are very fluid, with a nimble camera—or, at least, a camera that wants to get up and guide us, Beatrice-like, through this strange new world.
On the other hand, I have a sense of wandering on my own as I watch Empire and Jedi—even though the latter's opening act, set on Tatooine, makes for a great mini-movie. And as much as we enjoy being thrilled by on-screen action, and pulling for one side over another, there is nothing like feeling as though you've been rendered invisible and inserted into a film, relegated to stand just out of view, but privy to every breath and whisper. That's what movie magic really is, and few films put it on display better than the first Star Wars.
Sep 14 2011
Fan favorite Empire Strikes Back may thrill, but A New Hope beats it because for the way it transports viewers to another world
http://www.theatlantic.com/entertainment/archive/2011/09/why-the-first-star-wars-is-still-the-best-star-wars/245128
Just as Friday's Blu-Ray release of all six Star Wars films affords fans another chance to bemoan George Lucas's meddlesome ways, it also grants us an opportunity to reassess what's what—and what's best—in the Star Wars universe.
The accepted history goes something like this: The three prequel films are largely rubbish, redeemed only in rare instances, like when Darth Maul appears in The Phantom Menace, or when Anakin/eventual-Darth Vader goes bad in Revenge of the Sith. The original three films, of course, are where it's at. Star Wars, which was later given the subtitle A New Hope, gets plaudits for kicking off the journey and blowing minds in '77. Return of the Jedi, six years later, capped it in Wagnerian style, but also featured the Ewoks, kid-pleasing fuzzballs that embarrassed sci-fi zealots everywhere. The second film—The Empire Strikes Back—has aged the best with the fans, and it remains arguably the most popular of all the Star Wars offerings.
Wherever you turn, Empire does well for itself. Time cited it as a prime example of a sequel that outpaces its predecessor—even if that predecessor is the lone Star Wars representative on AFI's list of the top 100 American movies. And according to Rotten Tomatoes, critics lean towards Empire above all others. It's easy to see why. Empire has always had what you might call movie bling: Think the ice planet of Hoth, AT-ATs, the pop culture hit that was Yoda, lady-loving Lando—"works every time," indeed, baby—and, of course,"I am your father," which may be the most iconic declarative sentence of the 1980s.
And as much as we enjoy being thrilled by on-screen action, there's nothing like feeling as though you've been rendered invisible and inserted into a film. But Star Wars: A New Hope is better. Unrivaled in its ability to bridge the gap between the people who are sitting in their seats watching the movie and the characters that are dashing about in it, it's film as a congruous journey. Empire, conversely, doesn't have Hope's cohesion, even though its plot, essentially, is that the rebels run away, and assorted incidents, adventures, and anecdotes accrue with great rapidity.
Maybe that frantic pacing is why Empire resonates so much with many of the younger Star Wars fans. There's nothing stately about it. It's action upon action upon action. If you're watching Empire, you've probably already seen the first film, and you've bought into its universe. You know that Han Solo is the galaxy's master of Robert Mitchum-type bad-assery, so it's OK for the filmmakers to give him a few killer lines—like his response to Leia just before getting frozen in carbonite—and turn him loose. The film's emotional resonance—and its cultural resonance, too, really—hinges on its crescendo moments, which are familiar even to people who haven't seen the film: those moments parodied, discussed, and referenced time and again. If you want a popcorn flick that shows what's both good and bad about the mega-blockbuster movie experience, Empire is for you.
But if you look at a film as a film and not as part of a phenomenon, A New Hope is the galactic gold standard. It's the one movie out of the six Star Wars movies that you can put alongside The Searchers, Bride of Frankenstein, or The Wizard of Oz as an American film masterpiece. There's a lot of talk in it, but that dialogue is not deployed merely for exposition, as it often is in the Star Wars films, but rather for fostering a feeling of place and community within the picture. Its overall look is rougher, with less chrome and gloss, and more dirt and ash. But that griminess lends the film a mood that—despite the triumphant climax—infiltrates you, rather than pumps you up. And there's a beguiling innocence in the film-making that might be unmatched in the medium's history. You get full on visual derring-do, balls-to-the-wall-style, almost as if Lucas and his crew had been granted one chance to do a movie and one chance only. In other words: If anyone wants to try some crazy idea, now would be the time.
There are plenty of gutsy cinematic moments. The heartrending shot of Luke staring toward the horizon with the two suns overhead is a perfect example of how an internal emotion like longing can be made visual. We're talking distances: a boy far removed from what he wants to be, and celestial bodies far removed from where he is presently standing.
But the film reveals its characters' personalities in more subtle ways, as well. People hang out a lot in A New Hope. Luke and C-3PO get to know each other in a glorified tool shed; Luke and Ben bond in the latter's hut; space chess and early Jedi training occur simultaneously as our plucky band travels from one spot of adventure to the next. We understand these individuals because Lucas had the courage to simply show them together, during their downtime. Viewed in relation to the rest of the franchise—especially the prequels—New Hope's restraint seems radical.
Lucas was well-versed in the old serials, and when you consider all of the transitional wipes and the occasional faux-camp spirit of Star Wars, it's obvious that the film was pitched as an extension of something like The Secret of Treasure Island or Captain Marvel. But Star Wars goes where serials like that never could. Serials rely on spectacle as spectacle; A New Hope uses spectacle to create meaning. Its loud, splashy moments turn to foster quiet, personal scenes. After Darth Vader strikes down Obi-Wan Kenobi, we see Leia consoling Luke in a hushed, almost maternal manner that pulls the viewer into the screen as we note each gesture, each word. You start to feel like you're riding along with these characters, invested in a way that you weren't previously.
Granted, it doesn't hurt that A New Hope starts with a shot to rival the crane sequence at the beginning of Orson Welles' Touch of Evil or the view down the tower stairs in Alfred Hitchcock's Vertigo. No matter how many times I see it, I can't get over how big that Imperial ship looks as it passes over us in our collective, movie-watching consciousness. That's one of the film's many go-for-broke shots. So is the scene when the Millennium Falcon first blasts into hyperdrive and traverses the infinite vastness of space in a few manic seconds as the stars turn into streams of light. Many of these shots are very fluid, with a nimble camera—or, at least, a camera that wants to get up and guide us, Beatrice-like, through this strange new world.
On the other hand, I have a sense of wandering on my own as I watch Empire and Jedi—even though the latter's opening act, set on Tatooine, makes for a great mini-movie. And as much as we enjoy being thrilled by on-screen action, and pulling for one side over another, there is nothing like feeling as though you've been rendered invisible and inserted into a film, relegated to stand just out of view, but privy to every breath and whisper. That's what movie magic really is, and few films put it on display better than the first Star Wars.
Saturday, September 24, 2011
Tattoine Found...
From FoxNews.com
A young Luke Skywalker stares out over the dusty planet Tatooine in this film still from the movie, "Star Wars."
A planet orbiting a dual star system is just like the dusty 'Star Wars' home world of Luke Skywalker, according to a research team from Carnegie Mellon. And while many planets have been suspected of having two suns, this newfound planet is the first “circumbinary" planet confirmed by astronomers.
“This is the first definitive case,” Alan Boss, one of the researchers who made the discovery, told FoxNews.com.
“People in the past have thought they saw instances like this. But there are other ways of explaining them. This is the first one where it’s absolutely, quantitatively sure that this is what the explanation is.”
But if it were possible to live on the planet, Boss says the sunsets and sunrises would be spectacular.
“It would change from day to day because the stars orbit around themselves every 41 days,” Boss told FoxNews.com. “So every time you look at them, they’re going to be in a different configuration in the sky. Sometimes they would be close together, sometimes they’ll be far apart. And when sunrises and sunsets occur, sometimes they’ll be quite widely spaced in time and sometimes they’ll go up and down almost simultaneously.”
The planet's discovery was an unintentional consequence of the prime mission of NASA’s spacecraft Kepler. Launched in 2009, Kepler’s goal has been to survey portions of the galaxy in search of Earth-sized planets orbiting stars like the one in our solar system...
Star Wars Come True? Tatooine-Like Planet Discovered
Loren Grush
September 15, 2011
http://www.foxnews.com/scitech/2011/09/15/star-wars-come-true-tatooine-like-planet-discovered
A young Luke Skywalker stares out over the dusty planet Tatooine in this film still from the movie, "Star Wars."
A planet orbiting a dual star system is just like the dusty 'Star Wars' home world of Luke Skywalker, according to a research team from Carnegie Mellon. And while many planets have been suspected of having two suns, this newfound planet is the first “circumbinary" planet confirmed by astronomers.
“This is the first definitive case,” Alan Boss, one of the researchers who made the discovery, told FoxNews.com.
“People in the past have thought they saw instances like this. But there are other ways of explaining them. This is the first one where it’s absolutely, quantitatively sure that this is what the explanation is.”
But if it were possible to live on the planet, Boss says the sunsets and sunrises would be spectacular.
“It would change from day to day because the stars orbit around themselves every 41 days,” Boss told FoxNews.com. “So every time you look at them, they’re going to be in a different configuration in the sky. Sometimes they would be close together, sometimes they’ll be far apart. And when sunrises and sunsets occur, sometimes they’ll be quite widely spaced in time and sometimes they’ll go up and down almost simultaneously.”
The planet's discovery was an unintentional consequence of the prime mission of NASA’s spacecraft Kepler. Launched in 2009, Kepler’s goal has been to survey portions of the galaxy in search of Earth-sized planets orbiting stars like the one in our solar system...
Star Wars Come True? Tatooine-Like Planet Discovered
Loren Grush
September 15, 2011
http://www.foxnews.com/scitech/2011/09/15/star-wars-come-true-tatooine-like-planet-discovered
Sunday, January 23, 2011
Holograms: The Future Is Soon?
Two recent stories from the London Telegraph indicate holographic technology may be a big thing on the horizon. One, a report on how holographic images may soon be able to be sent via telecommunications in real time: just like in the Star Wars movies. Meanwhile, Apple has patents to produce holographic images over movie, television and computer screens without the need for special glasses...
Star Wars 3D holograms 'close to reality'
Richard Alleyne
03 Nov 2010
http://www.telegraph.co.uk/science/8107899/Star-Wars-3D-holograms-close-to-reality.html
Apple patent reveals plans for holographic display
Richard Gray
26 Dec 2010
http://www.telegraph.co.uk/technology/apple/8224930/Apple-patent-reveals-plans-for-holographic-display.html
Star Wars 3D holograms 'close to reality'
Richard Alleyne
03 Nov 2010
http://www.telegraph.co.uk/science/8107899/Star-Wars-3D-holograms-close-to-reality.html
Apple patent reveals plans for holographic display
Richard Gray
26 Dec 2010
http://www.telegraph.co.uk/technology/apple/8224930/Apple-patent-reveals-plans-for-holographic-display.html
Wednesday, December 1, 2010
Top 10 Movie Plot Holes You Probably Never Noticed Before
http://www.wired.com/geekdad/2010/11/top-10-movie-plot-holes-you-probably-never-noticed-before/
Top 10 Movie Plot Holes You Probably Never Noticed Before
Matt Blum
November 16, 2010
It’s a rare movie that has no plot holes at all. Even movies nearly everyone likes, like Star Wars (I speak of Episode IV, in case that’s unclear), are occasionally rife with them. Of course, for many geeks — myself included — part of the fun of seeing a movie is identifying and discussing its plot holes afterward.
Here, then, are ten plot holes from geeky movies that, in my judgment, are ones that are easy to miss — even though some of them seem pretty obvious once you think about them. Please feel free to add your own favorite plot holes in the comments, and check out the first and second lists of plot holes (AKA “unanswered questions”) we’ve published on GeekDad before. (Note: The list below contains spoilers for the movies listed, out of necessity.)
10. The Matrix - The machines are keeping humans alive for their body heat, right? But they also have nuclear fusion reactors, and (while I haven’t run the numbers) I’d be willing to bet that a single fusion reactor would generate more net energy in an hour than all the humans on today’s Earth would in a day. Plus, fusion reactors are considerably less likely to try to escape, so it’s pretty clear the only reason the humans are still around is so the movie can exist. Oh, and while we’re at it, how come the simulated world everyone’s living in still has computers? Wouldn’t it be much smarter to remove the computers, thus significantly reducing the likelihood of someone like Neo making an appearance?
9. Jurassic Park – The scientists clone dinosaurs from the DNA in the blood in a preserved prehistoric mosquito. The problem is that blood cells in many animals (humans included) don’t carry DNA, and when they do they don’t carry nearly enough that the frog DNA they use to fill in the gaps wouldn’t dominate the bits of dinosaur DNA. Plus, of course, they would have no way to determine which DNA strands came from which dinosaur — and which from the mosquito itself!
8. Spider-Man 2 - Doctor Octavius is trying to find Spider-Man, and Harry suggests he talk to his good buddy Peter Parker, because Pete is always taking photos of Spider-Man. Doc Ock promptly finds Peter and Mary Jane at a coffee shop, and introduces himself by throwing a car at them through the window, which would certainly have killed them if Peter hadn’t been Spider-Man, sensed the danger, and pulled himself and MJ to the floor. But Doc Ock has no idea that Peter is Spider-Man, so why would he try to kill the person he wants help from?
7. Superman & Superman II – It’s just astonishing how Superman conveniently acquires new powers whenever his already-impressive selection of powers is inadequate to the task. In the first film, Lois Lane dies in the massive earthquake caused by the nuclear missile hitting the San Andreas fault. Superman, understandably distraught, suddenly and miraculously not only has the ability to turn back time by flying around the Earth really fast a lot of times, but somehow knows that he has that ability, despite it never having been mentioned previously. Then, at the end of the second film, the same thing happens again — only this time it’s an amnesia kiss. How exactly is he supposed to be able to remove the memory that Clark Kent is Superman, while leaving other memories intact? It’s never explained at all.
6. Star Trek II & Star Trek III - At the end of STII, the Genesis device creates a planet out of the Mutara nebula and the USS Reliant, right? And that’s fine as far as it goes, because scientists do in fact think that planets form out of nebulae. There’s just one tiny little question, though: Where did the sun for the planet to orbit come from? It sure wasn’t there before the device detonated, and if the device could create a star from a nebula, you’d think Carol Marcus would’ve mentioned it.
5. Batman Begins – Ra’s al Ghul (AKA Ducard) and the Scarecrow use the microwave emitter they stole from Wayne Enterprises to vaporize all the water in Gotham City, thus making people inhale the toxin contained therein. A creative idea, to be sure, except that human beings are 60-75% water (depending on age and other factors). So everybody in Gotham should be boiled to death in their own tissues.
4. Star Wars Episode III: Revenge of the Sith – The final, climactic battle between Obi-Wan and Anakin rages all over and around the river of lava on Mustafar. Then it ends when Obi-Wan leaps onto the bank and tells Anakin he’s lost because Obi-Wan has the high ground. He turns out to be right, as Anakin leaps into Obi-Wans flashing lightsaber. Seriously, though, how does being on high ground matter when you’re both wizards who can levitate objects with your minds, leap incredibly high, and move astonishingly fast?
3. The Princess Bride – When the Brute Squad is cleaning up the Thieves’ Forest, Fezzik finds Inigo and nurses him back to sobriety. He tells him about Vizzini’s death and, more importantly, about “the existence of Count Rugen, the six-fingered man.” That’s great, except… how does Fezzik know Rugen is the six-fingered man? We see Westley notice Rugen’s extra digit, but he’s knocked out and taken directly to the Pit of Despair, so he clearly had no chance to tell Fezzik. And even if Fezzik had seen Rugen, is it really likely he’d have noticed? Fezzik isn’t that bright or that observant. (Incidentally, I looked this bit up in the book, and it doesn’t explain how Fezzik knew, either.)
2. Harry Potter and the Goblet of Fire - This is a problem in the book as well, but it’s in the movie so it counts. Barty Crouch, Jr., disguised as Mad-Eye Moody, arranges for the Triwizard Cup to be a portkey to take Harry to the graveyard in Little Hangleton so that he can be used to bring Voldemort back to life and then killed. He’s in the guise of a teacher at the school, so he had any number of opportunities to make a portkey out of, well, pretty much anything that he could be sure Harry would touch — Harry’s schoolbooks, his shoes, whatever. It’s been argued that Voldemort wanted to keep his existence a secret and make it look like Harry perished during the task, but really, having Harry just disappear without a trace wouldn’t be any more suspicious. And, incidentally, why did he make the cup a two-way portkey? It’s been established that most portkeys are one-use, one-way only. Why not make this portkey one of those, so that Harry had no way to escape?
1. Star Wars Episode V: The Empire Strikes Back – Once Luke starts to figure out that the silly-acting, funny-looking little creature he’s with is in fact Yoda, Yoda’s mood changes. He criticizes Luke (legitimately, it must be said) and argues that Luke shouldn’t be trained to be a Jedi. Obi-Wan has to argue with him to get him to change his mind. Really, though, what choice does Yoda have? He either trains Luke or… what? The Empire wins? Good plan, Jedi Master.
Top 10 Movie Plot Holes You Probably Never Noticed Before
Matt Blum
November 16, 2010
It’s a rare movie that has no plot holes at all. Even movies nearly everyone likes, like Star Wars (I speak of Episode IV, in case that’s unclear), are occasionally rife with them. Of course, for many geeks — myself included — part of the fun of seeing a movie is identifying and discussing its plot holes afterward.
Here, then, are ten plot holes from geeky movies that, in my judgment, are ones that are easy to miss — even though some of them seem pretty obvious once you think about them. Please feel free to add your own favorite plot holes in the comments, and check out the first and second lists of plot holes (AKA “unanswered questions”) we’ve published on GeekDad before. (Note: The list below contains spoilers for the movies listed, out of necessity.)
10. The Matrix - The machines are keeping humans alive for their body heat, right? But they also have nuclear fusion reactors, and (while I haven’t run the numbers) I’d be willing to bet that a single fusion reactor would generate more net energy in an hour than all the humans on today’s Earth would in a day. Plus, fusion reactors are considerably less likely to try to escape, so it’s pretty clear the only reason the humans are still around is so the movie can exist. Oh, and while we’re at it, how come the simulated world everyone’s living in still has computers? Wouldn’t it be much smarter to remove the computers, thus significantly reducing the likelihood of someone like Neo making an appearance?
9. Jurassic Park – The scientists clone dinosaurs from the DNA in the blood in a preserved prehistoric mosquito. The problem is that blood cells in many animals (humans included) don’t carry DNA, and when they do they don’t carry nearly enough that the frog DNA they use to fill in the gaps wouldn’t dominate the bits of dinosaur DNA. Plus, of course, they would have no way to determine which DNA strands came from which dinosaur — and which from the mosquito itself!
8. Spider-Man 2 - Doctor Octavius is trying to find Spider-Man, and Harry suggests he talk to his good buddy Peter Parker, because Pete is always taking photos of Spider-Man. Doc Ock promptly finds Peter and Mary Jane at a coffee shop, and introduces himself by throwing a car at them through the window, which would certainly have killed them if Peter hadn’t been Spider-Man, sensed the danger, and pulled himself and MJ to the floor. But Doc Ock has no idea that Peter is Spider-Man, so why would he try to kill the person he wants help from?
7. Superman & Superman II – It’s just astonishing how Superman conveniently acquires new powers whenever his already-impressive selection of powers is inadequate to the task. In the first film, Lois Lane dies in the massive earthquake caused by the nuclear missile hitting the San Andreas fault. Superman, understandably distraught, suddenly and miraculously not only has the ability to turn back time by flying around the Earth really fast a lot of times, but somehow knows that he has that ability, despite it never having been mentioned previously. Then, at the end of the second film, the same thing happens again — only this time it’s an amnesia kiss. How exactly is he supposed to be able to remove the memory that Clark Kent is Superman, while leaving other memories intact? It’s never explained at all.
6. Star Trek II & Star Trek III - At the end of STII, the Genesis device creates a planet out of the Mutara nebula and the USS Reliant, right? And that’s fine as far as it goes, because scientists do in fact think that planets form out of nebulae. There’s just one tiny little question, though: Where did the sun for the planet to orbit come from? It sure wasn’t there before the device detonated, and if the device could create a star from a nebula, you’d think Carol Marcus would’ve mentioned it.
5. Batman Begins – Ra’s al Ghul (AKA Ducard) and the Scarecrow use the microwave emitter they stole from Wayne Enterprises to vaporize all the water in Gotham City, thus making people inhale the toxin contained therein. A creative idea, to be sure, except that human beings are 60-75% water (depending on age and other factors). So everybody in Gotham should be boiled to death in their own tissues.
4. Star Wars Episode III: Revenge of the Sith – The final, climactic battle between Obi-Wan and Anakin rages all over and around the river of lava on Mustafar. Then it ends when Obi-Wan leaps onto the bank and tells Anakin he’s lost because Obi-Wan has the high ground. He turns out to be right, as Anakin leaps into Obi-Wans flashing lightsaber. Seriously, though, how does being on high ground matter when you’re both wizards who can levitate objects with your minds, leap incredibly high, and move astonishingly fast?
3. The Princess Bride – When the Brute Squad is cleaning up the Thieves’ Forest, Fezzik finds Inigo and nurses him back to sobriety. He tells him about Vizzini’s death and, more importantly, about “the existence of Count Rugen, the six-fingered man.” That’s great, except… how does Fezzik know Rugen is the six-fingered man? We see Westley notice Rugen’s extra digit, but he’s knocked out and taken directly to the Pit of Despair, so he clearly had no chance to tell Fezzik. And even if Fezzik had seen Rugen, is it really likely he’d have noticed? Fezzik isn’t that bright or that observant. (Incidentally, I looked this bit up in the book, and it doesn’t explain how Fezzik knew, either.)
2. Harry Potter and the Goblet of Fire - This is a problem in the book as well, but it’s in the movie so it counts. Barty Crouch, Jr., disguised as Mad-Eye Moody, arranges for the Triwizard Cup to be a portkey to take Harry to the graveyard in Little Hangleton so that he can be used to bring Voldemort back to life and then killed. He’s in the guise of a teacher at the school, so he had any number of opportunities to make a portkey out of, well, pretty much anything that he could be sure Harry would touch — Harry’s schoolbooks, his shoes, whatever. It’s been argued that Voldemort wanted to keep his existence a secret and make it look like Harry perished during the task, but really, having Harry just disappear without a trace wouldn’t be any more suspicious. And, incidentally, why did he make the cup a two-way portkey? It’s been established that most portkeys are one-use, one-way only. Why not make this portkey one of those, so that Harry had no way to escape?
1. Star Wars Episode V: The Empire Strikes Back – Once Luke starts to figure out that the silly-acting, funny-looking little creature he’s with is in fact Yoda, Yoda’s mood changes. He criticizes Luke (legitimately, it must be said) and argues that Luke shouldn’t be trained to be a Jedi. Obi-Wan has to argue with him to get him to change his mind. Really, though, what choice does Yoda have? He either trains Luke or… what? The Empire wins? Good plan, Jedi Master.
Friday, November 26, 2010
'Harry Potter' poised to pass 'Star Wars' as biggest franchise
http://www.usatoday.com/life/movies/news/2010-11-17-potterboxoffice17_ST_N.htm
'Harry Potter' poised to pass 'Star Wars' as biggest franchise
11-17-10
Scott Bowles, USA TODAY
LOS ANGELES — Harry Potter is near the end of his cinematic journey, but not before he casts more magic on the box office.
With the two-part Potter farewell —Harry Potter and the Deathly Hallows, Part 1 opens Friday, with Part 2 following July 15 — almost here, analysts expect the boy wizard to anchor the highest-grossing film franchise of all time.
And Part 2 doesn't even open until next summer.
"This is one of the greatest box office franchises in movie history," says Brandon Gray, president of Box Office Mojo. "It's phenomenal they could maintain this level of business six movies in. That's nearly unheard of."
Analysts expect that Part 1 not only will enjoy the biggest debut in the series' history, but also propel the planned eight-film odyssey past Star Wars to become the highest-grossing franchise ever.
The George Lucas saga is king of the series heap, having raked in $1.9 billion domestically over six movies. But most observers say that by the end of Hallows' first-half run, the franchise — already at $1.7 billion — will force Star Wars down a peg.
"What's amazing to see is how consistent each film has been," says Jeff Bock of industry tracker Exhibitor Relations. "That's not just in quality, but also in terms of ticket sales."
Indeed, each series installment has averaged $285 million — steadiness matched only by Star Wars. According to Box Office Mojo, even James Bond is no match: Over 23 movies, 007 has earned $1.6 billion. Star Trek's 11 multiplex installments have beamed up $1 billion.
Analysts also expect Hallows to shatter the franchise's opening weekend record, which belongs to Harry Potter and the Goblet of Fire, which bowed to $103 million in 2005. Projections this weekend range from a $115 million to $125 million debut.
And that should come with less marketing muscle than other franchises require, Bock says.
"The books were so huge, you really don't have to tell people another Potter movie is coming," he says.
"Typically, when is book is off-the-charts successful — I think Girl With the Dragon Tattoo will be huge — you get a big series along with it, because the fan base is going to turn out for both."
Gray says distributor Warner Bros. and filmmakers have relied on more than just the bespectacled wizard's name to lure fans.
"You have to credit them for not just riding the wave of the books," Gray says. "If people didn't like the movies, people wouldn't be standing in line overnight to get in."
'Harry Potter' poised to pass 'Star Wars' as biggest franchise
11-17-10
Scott Bowles, USA TODAY
LOS ANGELES — Harry Potter is near the end of his cinematic journey, but not before he casts more magic on the box office.
With the two-part Potter farewell —Harry Potter and the Deathly Hallows, Part 1 opens Friday, with Part 2 following July 15 — almost here, analysts expect the boy wizard to anchor the highest-grossing film franchise of all time.
And Part 2 doesn't even open until next summer.
"This is one of the greatest box office franchises in movie history," says Brandon Gray, president of Box Office Mojo. "It's phenomenal they could maintain this level of business six movies in. That's nearly unheard of."
Analysts expect that Part 1 not only will enjoy the biggest debut in the series' history, but also propel the planned eight-film odyssey past Star Wars to become the highest-grossing franchise ever.
The George Lucas saga is king of the series heap, having raked in $1.9 billion domestically over six movies. But most observers say that by the end of Hallows' first-half run, the franchise — already at $1.7 billion — will force Star Wars down a peg.
"What's amazing to see is how consistent each film has been," says Jeff Bock of industry tracker Exhibitor Relations. "That's not just in quality, but also in terms of ticket sales."
Indeed, each series installment has averaged $285 million — steadiness matched only by Star Wars. According to Box Office Mojo, even James Bond is no match: Over 23 movies, 007 has earned $1.6 billion. Star Trek's 11 multiplex installments have beamed up $1 billion.
Analysts also expect Hallows to shatter the franchise's opening weekend record, which belongs to Harry Potter and the Goblet of Fire, which bowed to $103 million in 2005. Projections this weekend range from a $115 million to $125 million debut.
And that should come with less marketing muscle than other franchises require, Bock says.
"The books were so huge, you really don't have to tell people another Potter movie is coming," he says.
"Typically, when is book is off-the-charts successful — I think Girl With the Dragon Tattoo will be huge — you get a big series along with it, because the fan base is going to turn out for both."
Gray says distributor Warner Bros. and filmmakers have relied on more than just the bespectacled wizard's name to lure fans.
"You have to credit them for not just riding the wave of the books," Gray says. "If people didn't like the movies, people wouldn't be standing in line overnight to get in."
Tuesday, October 19, 2010
10 Things You Didn’t Know About The Empire Strikes Back
http://www.wired.com/underwire/2010/10/10-things-empire-strikes-back
10 Things You Didn’t Know About The Empire Strikes Back
October 12, 2010
Charlie Jane Anders, io9
Categories: Books and Comics, movies, sci-fi
Here’s a slightly different version of the battle between Luke Skywalker and Darth Vader at the end of Star Wars: The Empire Strikes Back. It’s just one of many revelations in a new making-of book.
The Making of Star Wars: The Empire Strikes Back by J.W. Rinzler comes out today, and it’s not just essential for fans of the classic film. It’s also a must-read for anybody who’s interested in the creative process, because it goes into excruciating detail, on a day-to-day basis, on the troubled genesis of an amazing film.
You get inside the heads of everybody involved with it, and you see how much pain went into every frame of this movie. In particular, there’s a 17-page section in which you get a transcript of director Irvin Kershner and the actors — especially Harrison Ford — agonize over every second of the crucial carbonite freezing chamber scene, trying to get as much emotional truth and reality out of it as possible. This was on set, after the screenplay had already been revised several times, and every moment of that sequence gets rehashed and debated until it’s (arguably) perfect. There’s tons and tons of eye-popping concept art, including tons of versions of the Luke/Vader fight.
What Rinzler’s book drives home is that Empire Strikes Back was as groundbreaking and daring, in its own way, as the original Star Wars. The film went way over schedule and massively over budget, and almost ran out of money a bunch of times. Everybody became sick on set, Mark Hamill broke his thumb doing one stunt, and there was an accident with the bacta tank that could have killed Hamill if he’d been inside. Also, the movie’s second unit director and its first screenwriter both died during the process.
You see how George Lucas put together ESB at the same time that he was building his business empire, including Lucasfilm and the more mature version of Industrial Light & Magic. Lucas was creating his team and fighting for creative freedom, even as he was stepping back from writing and directing — and a big part of this movie’s brilliance stems from Lucas’ drive to finance the film himself, keeping 20th Century Fox out of the loop creatively. (And if Empire had failed, Lucas would have been broke, despite the first film’s huge profits.)
What comes through, in every interview and behind-the-scenes detail, is the determination of everyone involved to make The Empire Strikes Back bigger and better than the original Star Wars. In spite of huge, almost insurmountable difficulties, the determination to create something better comes through clearly.
In addition to the concept art, there are also a ton of set photos, including things like a cast being made of Harrison Ford for the “frozen in carbonite” Han Solo, and Darth Vader and Boba Fett out for a stroll. And there are tons and tons of pieces of script pages and scribbled notes. You get a real sense of what it would have been like to be inside this madhouse of creativity and seat-of-the-pants improvisation. More concept art shows the evolution of the tauntaun, which started out as a kind of weird lizard.
10 Things You Probably Didn’t Know About Star Wars: The Empire Strikes Back
1. Yoda was originally named Buffy. No, really. In Lucas’ earliest outlines for the sequel, Luke meets a supernatural entity named Buffy, or Bunden Debannen. Here’s how Lucas described it:
Buffy very old — three or four thousand years. Kiber crystal in sword? Buffy shows Luke? Buffy the guardian. “Feel not think.”
And Lucas concludes by saying Luke will become the chosen one, “the human Buffy.” In later drafts, he thought of Yoda as a kind of small frog, and Yoda had a full name: Minch Yoda.
In the earliest script draft, Minch has the immortal line: “Skywalker. Skywalker. And why do you come to walk my sky, with the sword of a Jedi knight?… I remember another Skywalker.”
2. Lucas considered having a scene where Luke’s face gets injured. Mark Hamill was injured in a car accident in 1977, and his face had to be reconstructed — so for a while, Lucas planned on including a sequence where Luke’s face is damaged, and we see it getting patched up by a droid. This got as far as filming — there’s a set picture showing the droid bandaging Luke’s face — but was cut out of the movie.
3. Luke’s journey to becoming a Jedi Knight would have had a lot more bumps. One idea that got tossed around a lot in the early stages of planning ESB was the notion that Luke’s lightsaber had a crystal hidden in the hilt, with secret encrypted information on it — including the coordinates of Minch Yoda’s planet. And Luke would have been “humiliated” when he couldn’t use the Force to stop an attack by a bunch of ice monsters on the rebel’s Hoth base. (With Han telling Luke, “You’re not a Jedi knight, and you never will be.”) Meanwhile, Darth Vader senses that Luke used the force to destroy the Death Star and there’s a new wannabe Jedi in town — so Vader uses telepathy to choke Luke in his spacecraft, nearly killing him — except that R2-D2 jumps the ship into hyperspace and takes it to Yoda’s planet.
4. We could have visited other planets. Possibly including a “water planet,” with an underwater city, and a “city planet,” with the whole planet built over. And at one point, Lucas considered having a visit to the Wookiee home world (some of which ended up in the Christmas special), and Ralph McQuarrie did some concept art of a young Chewbacca. (Also, Lando Calrissian’s home would have been the planet Hoth — not the ice world, but another planet named Hoth — and there might have been a whole alien race living there. And in one early draft, Lando was a clone warrior, one of the many clans of clone fighters left over from the wars.)
5. Darth Vader would have had a castle. And it would have been an evil fortress — in some versions, it’s surrounded by lava, and full of gargoyles who are Vader’s pets.
6. Vader wasn’t Luke’s father at first. In Leigh Brackett’s first script draft, Luke meets his real dad, who says he sent away Luke and his secret sister for their own safety. (Luke’s sister has been training to be a Jedi knight in secret, just as Luke has.) And Papa Skywalker administers the oath of a Jedi Knight to Luke, in which Ben, Minch, Anakin and Luke cross lightsabers, and Luke swears to “dedicate my life to the cause of freedom and justice.”
7. The Luke-Leia-Han love triangle is a much bigger deal in earlier drafts of the script. It’s at the root of Luke’s struggles for self-respect and his humiliations. When Darth Vader is trying to win Luke over to the Dark Side in the second draft, written by Lucas himself, Vader says, “You’re in love with Leia. You don’t want to lose her to Han Solo…. But you will, if you lack the courage to use the strength that’s in you. A strength as great as mine, Luke.” And then at the end, Leia flat-out tells Luke that he’s not the one she loves, because she’s into Han. Also in this version, Han doesn’t get frozen in carbonite — instead, he just flies off to take care of business, leaving Luke and Leia watching the Millennium Falcon disappear.
8. The film posed unique challenges for special effects and model work. Darth Vader had a new Star Destroyer, which was supposed to be 16 miles long! And they built a full-size Millennium Falcon, which was 65 feet wide and 80 feet long. Also, ILM had to start a new stop-motion animation department just to make the Imperial Walkers and tauntauns work. (They tried a man-in-a-suit tauntaun, with “hilarious if not film-worthy results.”) And then there’s the challenge of Yoda — as we reported the other day, they considered everything from a monkey in a mask to a small child or little person to play the Jedi sage, before deciding to go with Frank Oz’s puppetry.
9. Stanley Kubrick nearly killed the movie. Empire was sharing studio space with The Shining, and there was a huge fire that burned down Stage 3 at Elstree Studios, destroying The Shining’s sets. That meant that Empire had to give up some of its own studio space, and The Shining went way over schedule, especially as Kubrick used the delay as an excuse to rethink his own movie. “Timewise, it is doubtful the picture will recover,” one crewmember wrote at the time.
10. Miss Piggy had a cameo in one of Yoda’s first scenes in rehearsal. When Mark Hamill first met Frank Oz, he asked him to do a brief Miss Piggy cameo during rehearsals on set, as a practical joke — but when the time came much later, it caught even Hamill off-guard. During one scene, Yoda tells Luke to follow his feelings. Luke protests that he has followed his feelings — and suddenly, Frank Oz whips out a Miss Piggy puppet, saying, “Feelings? You want feelings? Get behind the couch and I’ll show you feelings, punk. What is this hole? I’ve been booked into dumps before, but never like this. Get me my agent on the phone!”
Send an email to Charlie Jane Anders, the author of this post, at charliejane@io9.com.
Tags: George Lucas, io9, Mark Hamill, Star Wars, The Empire Strikes Back
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