Showing posts with label Jack Kirby. Show all posts
Showing posts with label Jack Kirby. Show all posts

Monday, November 5, 2012

"JACK KIRBY CONSPIRACIES"



Now available: A lecture on DVD by Kenn Thomas in the Mojave Desert
Steamshovel Press
SteamshovelPress.com

The new movie Argo tells the tale of a lesser known Iranian hostage crisis, one involving genius comics artist Jack Kirby. In this lecture, Thomas reviews other conspiracies in the life and career of the legendary Kirby. $10 from POB 210553, St. Louis, MO 63121. Checks payable to "Kenn Thomas."

Wednesday, May 30, 2012

DITKOMIC!


SteamshovelPress.com

Still can't help from being wowed by the idea that Steve Ditko, the artistic genius who gave Spiderman to every baby boomer's youth, continues to produce original comics much better than those found in the comics shops. His latest, Sixteen, includes several full page takes on "The Celebrity," a generalized caricature that surely has in part Stan Lee as its inspiration. Much as he does with Jack Kirby, Lee relies on a professed bad memory to give Ditko short shrift when it comes to the creation of Spiderman. Ditko's over that certainly, although it's something to remember now that Hollywood plans a reboot of the Spiderman movie franchise, but he has generalized a celebrity type that certainly includes Lee--who still rides Ditko and Kirby creations to fame and fortune via movie cameos and interviews. The likes of the shallow celebrity are legion in the media and they all fit on Ditko's skewer. Mad quotes fall over the pages depicting him: "We want...a new...different... change...same...better...keep...ad...why...who is...where...have to...why that... why not...who did you swipe that from.?" Sixteen also has a character called "The Madman-"-deriving inspiration perhaps from that current television hit about the advertising world set in the time of Ditko's creative zenith. Ditko long ago went down philosophical paths that went places where many of his readers can only wave to, but how can anyone not be fascinated by what this elder statesman of the comics industry still has to say? Four dollars from Robin Snyder and Steve Ditko, 3745 Canterbury Lane #81, Bellingham, WA 98225-1186. As for Stan Lee, his memory may be poor but he hasn't forgotten how they do business in the comics industry.


Wednesday, July 27, 2011

Siegel and Shuster’s Funnyman

The First Jewish Superhero From the Creators of Superman
Mel Gordon & Thomas Andrae
Review by Kenn Thomas, SteamshovelPress.com

Feral House bills Siegel and Shuster's Funnyman as the "first Jewish superhero" in this anthology that reprints certainly most of that comic book and strip. So the book should appeal to students of both popular American culture and Jewish cultural identity. Text chapters here deal with the history of Jewish humor, including analytical takes concerning self-mockery, inversion, solipsism and materialism sure to deprive the subject of some laughter, accompanied by essays on old Jewish superhero legends and the decline of the modern superhero. Siegel and Shuster created Superman, after all, the quintessential comic book super guy, and this lesser known creation - Funnyman, a crime fighting comedian named Larry Davis - demonstrates more clearly the Jewish roots of their inspiration. Authors Thomas Andrae and Mel Gordon also make a case for a connection between the creation of Funnyman and that of the state of Israel. The book is short on discussing comic books as secular culture in which Jewish tradition stews along with everything else, but in the process of directing this focus here, the authors shed some new light on Siegel and Shuster's legal struggles. They worked harder to retain the rights for Funnyman after the legendary ripping off they received from their publishers over Superman. The comic book industry has been one of those "conspiracy as usual" businesses that routinely deprived its best creators of a percentage of the licensing of their own creations. Recent lawsuits involving technicalities of the changing copyright laws have rectified this only to the smallest degree, and a similar case being fought between Jack Kirby's estate and Disney, which owns the Marvel properties Kirby created, remains a thing to be looked at for a possible victory against this type of conspiracy. Alas, no such legal drama accompanies Funnyman, a character few people know of or care about, and the book dodges any cynical remarks about comics economics and Shylock stereotypes. And while its essays may be overcooked, it does reprint an obscure and well-done piece of comics history and so is a must for the geeky bookshelf.

Tuesday, March 8, 2011

Justice for Jack Kirby


DJ Coffman
February 25, 2011
http://yirmumah.keenspot.com/2011/02/justice-for-jack-kirby

Don’t debate me here, I know the truth. Want to know what Jack Kirby himself said about the creation process of who WROTE and CREATED the things he worked on at Marvel? Listen to the words straight from his mouth in this mp3: “Jack Kirby Tells You The Truth”

Little do people know that Jack Kirby SINGLE HANDILY saved Marvel Comics and literally stopped them from closing the doors. Seriously, they were taking out the furniture when Jack showed up one day and made them stop. All Jack wanted back then was a little respect and acknowledgment and a new title from the company he saved and the NEW industry he spawned from his imagination. Marvel Comics has made BILLIONS off the back of Jack’s creations and energy, but all he saw from it was a page rate and NO contract. He didn’t even want his “fair share”

All these years later, and billions of dollars in movie money and licensing based off things Jack created, and Marvel has never dropped ONE DIME to the estate of Jack Kirby. That’s fucking sad. What’s even more sad is, the MAIN thing keeping that company going is still Jack Kirby’s creations. It’s why they never really came up with anything new… just the same characters and stories rehashed over and over again. They just bring in new Stan Lees to change the words around.

Now that DISNEY owns Marvel and has money to spare, MAYBE they’ll do the right thing. Of course we’ve heard the rumors of how evil they can be too… but here’s a BIG chance for both of these companies to step up and do the honorable thing. Wouldn’t that be an awesome story and make you believe in heroes again? Imagine if the Jack Kirby Museum had the backing of Disney Dollars???

Disney, do what’s right. Hook up these old schoolers and their estate. Walt would have loved that. Remember Walt? That guy who made you?

Fans… if you truly love these creations and love these movies and things, pay a little tribute to Jack by donating to the Jack Kirby Museum and Research Center. You can also actively help out old schoolers in need by donating to the Hero Initiative.

Do the right thing!

Saturday, August 21, 2010

Hockey puck! Jack Kirby meets… Don Rickles?


http://www.dangerousminds.net/comments/hockey_puck_jack_kirby_meets..._don_rickles/

Hockey puck! Jack Kirby meets… Don Rickles?
08.13.2010
Richard Metzger

Behold what is perhaps the most perplexing comic book cover of all time. In 1971, when Jack “King” Kirby left Marvel for DC Comics, he took over the Jimmy Olsen (“Superman’s Pal”) title. It’s hard to imagine a more dull comic franchise for the co-creator of Spider-man and the Fantastic Four to be assigned, but the story was that Kirby didn’t want to take anyone’s job when he arrived at DC, so Jimmy Olsen is what he got. And then he promptly turned it inside out, as should be obvious from this preposterous cover featuring, uh… Don Rickles??? That’s right HOCKEY PUCK, Don Rickles, who in this (and one more issue) is seen fighting off his alternate world doppelganger, “Goody Rickels.”

So weird. I mean, why Don Rickles and not… like Bob Newhart or Shelly Berman???

Friday, November 20, 2009

Zappa Meets Kirby

http://royalflushmagazine.com/2009/10/13/zappa_meets_kirby/

World’s Finest – Royal Flush 6 Exclusive!
Step inside the Fourth World as we relive that one magical day when…
FRANK ZAPPA met JACK KIRBY !
by Jeff Newelt • Illustration by Rick Veitch • Photos by Michael James Zuccaro
Tuesday, October 13th, 2009

I’ve always been a sucker for the big teamup: Superman / Shazam. Hulk / Thing. chocolate & peanut butter. So when I came across a photo of Jack Kirby and Frank Zappa embracing finally, my synapses started firing like FBI at Waco.

Were they friends? Did they hang? Play action figures together? WTF! I had to know.

For those not so in-the-know as us ubergeekanoids, Jack Kirby was the visionary artist who created The Fantastic Four, X-Men, Hulk, Thor, Silver Surfer, Captain America…the Marvel universe sprang forth from his (and writer Stan Lee’s) head. In the ’70s, Jack went solo, rocking out idiosyncratic cosmic characters – the New Gods, Omac, Forever People, Eternals, Devil Dinosaur, Kamandi, Demon, all nutty, jazzy, psychedelically mythic stuff.

Frank Zappa was a musical iconoclast and genius composer/producer/guitar player. He wove together humor, avant-garde classical guitar-rock, doo-wop, dada, jazz-fusion, and political satire, hired the badass-est musicians, and rolled with world leaders like Czech playwright/philosopher Vaclav Havel. His songs are like audio comic books, hypervisual with colorful characters and scenarios like “Camarillo Brillo,” which includes the lines “She had a snake for a pet / and an amulet / and she was breeding a dwarf / But she wasn’t done yet / She had gray-green skin / A doll with a pin / I told her she was awright / But I couldn’t come in.” Sounds just like a character out of Kirby’s Demon.

Jack and Frank, both universe builders, one music, the other, comics. But what was the connection?

Fast-forward to present day. I’m at a conference in New Mexico teaching social media to female entrepreneurs, and one lady says, “Yer not one of those comics people, are you? My husband’s one, Steve Sherman.” D’OH! Steve Sherman was one of Kirby’s fabled assistants! I reached out to Steve and turns out Jack and Frank Zappa were not only pals, but also essentially neighbors. How was this friendship kept secret so long?

A mere week later, I wind up having drinks with fellow Flusher Paul Pope and none other than Frank’s youngest son, Ahmet Zappa! We learned all about Kingdom Comics, the new graphic novel line Ahmet is helming for Disney.

Contextual rewind: Not just a comics impresario, Ahmet’s been rocking in different media since he was a wee young lad. He was lead singer/songwriter in Z, a band he formed with his brother Dweezil in the early ’90s, an actor on Roseanne and Growing Pains and in films such as Pump up the Volume and Jack Frost, and most recently hosted VH1’s But Can They Sing?

So I had to show Ahmet my Blackberry screensaver, the image I had found of his dad and Jack together, and Ahmet goes, “Whoa, I never saw that! That’s in my living room… Jack would come over and smoke cigars and Frank would smoke cigarettes, and they’d talk and talk.”

One of the things Frank and Jack had in common: the prodigious amount of cosmic goodness that extruded from their respective noggins was not the result of drugs; they both enjoyed tobaccy but only the unwacky. We had other stuff to discuss that evening, so I made Ahmet promise to reconnect ASAP to spill the magic beans on this egregiously undocumented duo. And he kept his promise.

Ahmet, one of four Zappa kids, the other three being Moon Unit (the oldest), Dweezil (second oldest), and Diva (youngest), was always into superheroes his entire life.

“I loved Spider-man; it’s the jam,” gushed Ahmet. “My dad loved comics and was the first to advertise rock n’ roll in comics, for We’re Only In It For The Money [in Fantastic Four #72, 1968, Natch!]. My mother made Dweezil and I costumes of Spider-Man and The Mighty Thor.”
The son of a gregarious rock star, Ahmet grew up meeting every celebrity musician under the sun. But it wasn’t a rocker who gave Ahmet that first feeling of being around greatness. “I was not starstruck at all by rock stars because music is its own language and my father spoke it, so we spoke it,” Ahmet explains matter-of-factly. “This totally demystified the fame or the celebrity. There was no currency for ‘oooh, that guy sold a million records, we just cared about good music. One of the most significant moments in my life is when my dad said, ‘meet Jack, he’s the guy who created all those superheroes you love.’ That blew my little mind. I thought it was awesome and weird that my dad had this friendship with this guy. It was like meeting like a real magician!”

And Jack brought some presents for the kids, but oddly, they weren’t comics. “Actually, he first came over with these Mr. Men books, you know Mr. Tickle, Mr. Impossible… I thought they were fantastic, and was like ‘did you do these too?’ Weird. Dunno why he brought those instead of his own books, but later, of course, he wound up giving us comics too. Jack gave me this Silver Surfer book. I didn’t know what to make of this silver dude on a surfboard; it didn’t make any sense but, he was super cool. This was around the time Empire came out and was HUGE [1981 –ed.], and I remember Jack confided in Frank that he felt like the stories he created helped shape the Star Wars saga, that he saw direct parallels between his characters and the movie’s story arcs.”

Of all rock stars in the world, Zappa, famously an outspoken champion of free speech and artist’s rights, was the ultimate sympathetic ear.

“He told my dad stuff like, ‘Darth Vader was Doctor Doom and the Force is the Source’ and that George Lucas ripped him off. Now this you may not know, and I was only a kid, but I remember learning at the dinner table that my dad was asked to write the music for Star Wars; he turned it down, he said he wasn’t interested. That would’ve been really strange, the lives of us Star Wars fans woulda taken a different turn and that whole score woulda sounded like Tatooine Cantina music.”

Two powerful worlds that happened to collide one special night in 1981. A friendship began and a mutual bond was formed. These two titans are now sadly no longer with us, but their spirit lives on now through their family keeping tradition alive.

The only regret, Royal Flush readers, is that we’ll never get to visit the parallel universe where Frank Zappa actually got to score Star Wars. The place called the Fourth World. ?

Friday, September 25, 2009

Comic Book Creator Seek to Recapture Copyrights

http://online.wsj.com/article/SB125349626919226359.html

Heirs of Comic Book Creator Seek to Recapture Copyrights
By LAUREN A.E. SCHUKER
SEPTEMBER 21, 2009

The heirs of late comic-book creator Jack Kirby served 45 copyright-termination notices to Marvel Entertainment Inc., Walt Disney Co. and other Hollywood studios relating to comic-book characters and stories created by Mr. Kirby, including "X-Men" and "The Fantastic Four."

Mr. Kirby's four children are seeking to recapture as early as 2014 copyrights to characters he created. Those creations and co-creations are currently owned by Marvel. But if the heirs gain control of the copyrights, they could license them without Marvel's permission, or at least secure a share of the profits generated by those characters.

The heirs served the notices under the auspices of the U.S. Copyright Act, which permits authors and their heirs to terminate old copyright grants after a long waiting period, allowing them to recapture the rights for their own use.

A spokeswoman for Disney said: "The notices involved are an attempt to terminate rights seven to 10 years from now and involve claims fully considered in the acquisition."

Disney last month agreed to acquire Marvel for $4 billion.

In a federal court lawsuit that hasn't been fully resolved, the heirs of "Superman" co-creator Jerry Siegel recently recaptured limited rights relating to the original "Superman" from Time Warner Inc.'s Warner Bros. and DC Comics.

—Ethan Smith contributed to this article.

Write to Lauren A.E. Schuker at lauren.schuker@wsj.com

Friday, August 7, 2009

FeedBack: Jack Kirby

As always, it was good to see Jack Kirby’s name in Konformist, which recently ran the abbreviated bio from Lambiek’s. Lambiek’s is the oldest comics shop in Europe, a must-see place for any visit to Amsterdam. The times I’ve been there the wares have been amazing as have the exhibits. That bio, however, was quite short and glosses over many of the major controversies in Kirby’s career, including an ongoing attempt to obscure his name.

As recently as this last Comic Con in San Diego, comics guy Stan Lee billed himself as the sole creator of all the Marvel licensing properties (Fantastic Four, Iron Man, The Hulk—all now major Hollywood box office draws) and sold the pleasure of his companionship for $300 a plate dinners. The dinners included a grab bag of autographed memorabilia. Those who know that Jack Kirby created those properties, while Lee served a minor editorial role, regard these as way over-priced barf bags. Kirby was paid a per-drawn-page rate for those creations and got no percentage for their licensing. Lee makes exaggerated claims about his involvement to gloss over the inequity and protect the corporate owned copyrights, thereby also depriving Kirby even of some measure of the celebrity he deserves.

Lee’s employers, Marvel Comics, recently produced a title called Young Allies with material reprinted from the Golden Age of comics, 1930s-40s. It included a text piece reprint from 1941 by Stan Lee, with the writer well credited but not the illustration artist. What looks like an uncredited Kirby illo accompanies another text reprint in the issue with another full Stan Lee writer credit.

Here’s an excerpt:

--In a few minutes the two lads ran into two other boys while turning a corner. "Hey look where you-all am goin'!" cried one of the boys, as he dropped a piece of watermelon out of his hand.

"Put that melon away and follow us, Whitewash," ordered Jeff. "Someone's in trouble and we've got to assist her!" "Yahoo!" yelped the darky lad. "I'se just itchin' to meet up with some trouble--providin' it ain't bigger than me, ob course!"
...

"Let's see now, who am missing?" asked Whitewash Jones. "Dere's me ob course, 'n Knucks, 'n Jeff'son, n' Tubby--"

In the new material that comprises most of this issue of Young Allies, writer Roger Stern makes Whitewash one of the Tuskegee airmen. It includes a long apology on the first page about how Golden Age comics were so poorly credited—but not a thing apologizing for the reprinted racial stereotypes. It looks like that's one credit that Lee doesn't want to take.

Kenn Thomas
Steamshovelpress.com

Saturday, August 1, 2009

Jack Kirby

From the Comiclopedia...

Jack Kirby
(Jacob Kurtzberg)
(28/8/1917 - 6/2/1994, USA)

Jack Kirby was one of the grandmasters in American comic book art, commonly nicknamed as The King. Born as Jacob Kurtzberg in New York City, he started his career in 1935 as an inbetweener on 'Popeye' and 'Betty Boop' cartoons for Max Fleischer's animation studio. He moved to the Lincoln Newspaper Syndicate in 1936, where he produced short-lived newspaper strips like 'Black Buccaneer', 'Detective Riley', Cyclone Burke', 'Abdul Jones' and 'Socko the Seadog,' which he signed with Jack Curtiss. In 1939, he briefly joined the famous Eisner-Iger comic shop. During this period, he contributed to Jumbo Comics, and drew features like 'The Lone Rider', 'Blue Bolt' and 'Blue Beetle' for companies like Novelty and Fox, using a variety of pseudonyms including Curt Davis, Fred Sande, Ted Grey, Jack Cortez and Charles Nicholas.

(Other sources say Lou Fine is Jack Cortez.)

With 'Captain America', created with his partner Joe Simon for Timely in 1941, Kirby developed his artistic style, and garnered the most fame. The character instantly became an American icon. Kirby drew him as a superhuman and soon Captain America became the country's morale-boosting anti-Nazi hero. Jack Kirby and Joe Simon collaborated until 1956, working for several publishers, like National and Harvey Comics, where they created all kinds of new titles which became the prototypes for all the 'kid gang' comic books to follow. They drew the initial episode of 'Captain Marvel Adventures' for Fawcett in 1941, and set up titles like Boy Commandos, Newsboy Legion and Boy's Ranch.

After the War, Kirby and Simon launched 'Young Romance', the first romance title, and explored the fields of crime, horror, wester and humor comics in titles like 'Fighting American', 'Police Trap', 'Bullseye' and 'In Love', mostly through Crestwood or their own comic book company Mainline. By 1956, Kirby slowly parted with Simon, cooperating only on 'The Fly' and 'Private Strong' for Archie Comics. During this time, he also produced a lot of work of National/DC and drew some issues of Classics Illustrated for Gilberton. After working with inker Wallace Wood on 'Skymasters' and on 'Challengers of the Unknown' for DC, he returned to Timely, now called Marvel, where he heralded in a new era of superhero comics with writer/editor Stan Lee.

Together with Lee, he launched the landmark 'Fantastic Four' in 1961, shortly afterwards followed by 'Thor' in 1962 and a new rendition of 'Captain America' in 1964. Kirby defined Marvel's house style and set up a great many of the company's present-day key characters. Other well-known titles he graphically initiated are 'The Incredible Hulk' (1962), 'The X-Men' (1963), and 'The Silver Surfer' (1966).

Kirby, Lee and Marvel rose to the top of the industry and many claim they completely revamped the comic book world. After a disagreement with Lee, Kirby left Marvel in 1970 to return to DC as a writer/editor/artist, where he created nearly a dozen titles, but none were as successful as his Marvel work. Among his creations for DC are 'The Fourth World' and its subtitles 'New Gods', 'Mister Miracle' and 'The Forever People, as well as 'Superman's Pal Jimmy Olsen', 'OMAC', 'Kamandi' and 'The Demon'. He also joined Joe Simon once again in a new version of 'The Sandman'.

However, by the mid-1970s, he did new work for Marvel again, including 'The Eternals', '2001: A Space Odyssey' and the 'Black Panther', featuring the first black superhero. In 1979-80, he did an adaptation of the Walt Disney movie 'The Black Hole' for the syndicated 'Walt Disney's Treasury of Classic Tales' series. He also ventured into animation, doing designs on among others 'Turbo Teen' and 'Thundarr the Barbarian'. In the 1980s Kirby drew 'Captain Victory and the Galactic Rangers' and 'Silver Star' for Pacific Comics, 'Destroyer Duck' for Eclipse Comics and 'Super Powers' for DC.

In his 50-year career, Jack Kirby produced many of the field's most successful concepts and has been responsible for more comic book sales than any other artist, writer or editor.

Sunday, October 12, 2008

Apropos to “Colbert Is A Swinger for Marvel”

FeedBack: Apropos to “Colbert Is A Swinger for Marvel”

“Marvel has always been open to daffy gimmicks like this -- hey this is the company built by Stan Lee, after all.”

Of course, one of Stan’s daffiest tricks has been to take full credit for creating Marvel comics’ central core of characters when it fact they were primarily created by Jack Kirby. Stan reaps the benefits of a megabuck entertainment corporation built on licensing Kirby’s ideas. Instead of a percentage, Kirby got a page rate. Even the image of Colbert is taken from Kirby’s drawing of Spiderman’s first appearance.

Kenn Thomas
Secret and Suppressed II, featuring Rob Sterling on the electronic Votescam, now out from Feral House!

Friday, March 28, 2008

Jack Kirby, Conspiracy Theorist

When Steamshovel Press editor Kenn Thomas speaks on “JFK to UFO” at RetroCon, his prefatory remarks will concern “Jack Kirby, Conspiracy Theorist”. Thomas looks at the famous comic book artist’s interest in parapolitics as well as the possibilities that Kirby had back channel sources within the world of covert intelligence. Richard Hoagland speculated that the secret space program gave Kirby information leading to the artist’s 1958 comic book story, “The Face On Mars”--an anomaly that did not become part of the conspiracy lexicon until the Viking probe’s Cydonia photographs of 1976. Thomas examines the history of this as well as Kirby’s prescient forecasts of American involvement in World War II and Vietnam; the use of conspiracy themes in his 1970s comics; and his documented involvement with a CIA rescue operation during the 1980 Iranian crisis. How does central intelligence shape our view of conspiracies in the popular culture? Find out at RetroCon, at the Integratron in Landers, CA, April 26 and 27.

“Not your typical UFO convention.”

Retroufo.com
Steamshovelpress.com






Ruby shoots Oswald; as envisioned by Jack Kirby; and as envisioned by Chauncey Holt, suspected mystery tramp at the grassy knoll.