Showing posts with label X-Men. Show all posts
Showing posts with label X-Men. Show all posts

Friday, November 20, 2009

Zappa Meets Kirby

http://royalflushmagazine.com/2009/10/13/zappa_meets_kirby/

World’s Finest – Royal Flush 6 Exclusive!
Step inside the Fourth World as we relive that one magical day when…
FRANK ZAPPA met JACK KIRBY !
by Jeff Newelt • Illustration by Rick Veitch • Photos by Michael James Zuccaro
Tuesday, October 13th, 2009

I’ve always been a sucker for the big teamup: Superman / Shazam. Hulk / Thing. chocolate & peanut butter. So when I came across a photo of Jack Kirby and Frank Zappa embracing finally, my synapses started firing like FBI at Waco.

Were they friends? Did they hang? Play action figures together? WTF! I had to know.

For those not so in-the-know as us ubergeekanoids, Jack Kirby was the visionary artist who created The Fantastic Four, X-Men, Hulk, Thor, Silver Surfer, Captain America…the Marvel universe sprang forth from his (and writer Stan Lee’s) head. In the ’70s, Jack went solo, rocking out idiosyncratic cosmic characters – the New Gods, Omac, Forever People, Eternals, Devil Dinosaur, Kamandi, Demon, all nutty, jazzy, psychedelically mythic stuff.

Frank Zappa was a musical iconoclast and genius composer/producer/guitar player. He wove together humor, avant-garde classical guitar-rock, doo-wop, dada, jazz-fusion, and political satire, hired the badass-est musicians, and rolled with world leaders like Czech playwright/philosopher Vaclav Havel. His songs are like audio comic books, hypervisual with colorful characters and scenarios like “Camarillo Brillo,” which includes the lines “She had a snake for a pet / and an amulet / and she was breeding a dwarf / But she wasn’t done yet / She had gray-green skin / A doll with a pin / I told her she was awright / But I couldn’t come in.” Sounds just like a character out of Kirby’s Demon.

Jack and Frank, both universe builders, one music, the other, comics. But what was the connection?

Fast-forward to present day. I’m at a conference in New Mexico teaching social media to female entrepreneurs, and one lady says, “Yer not one of those comics people, are you? My husband’s one, Steve Sherman.” D’OH! Steve Sherman was one of Kirby’s fabled assistants! I reached out to Steve and turns out Jack and Frank Zappa were not only pals, but also essentially neighbors. How was this friendship kept secret so long?

A mere week later, I wind up having drinks with fellow Flusher Paul Pope and none other than Frank’s youngest son, Ahmet Zappa! We learned all about Kingdom Comics, the new graphic novel line Ahmet is helming for Disney.

Contextual rewind: Not just a comics impresario, Ahmet’s been rocking in different media since he was a wee young lad. He was lead singer/songwriter in Z, a band he formed with his brother Dweezil in the early ’90s, an actor on Roseanne and Growing Pains and in films such as Pump up the Volume and Jack Frost, and most recently hosted VH1’s But Can They Sing?

So I had to show Ahmet my Blackberry screensaver, the image I had found of his dad and Jack together, and Ahmet goes, “Whoa, I never saw that! That’s in my living room… Jack would come over and smoke cigars and Frank would smoke cigarettes, and they’d talk and talk.”

One of the things Frank and Jack had in common: the prodigious amount of cosmic goodness that extruded from their respective noggins was not the result of drugs; they both enjoyed tobaccy but only the unwacky. We had other stuff to discuss that evening, so I made Ahmet promise to reconnect ASAP to spill the magic beans on this egregiously undocumented duo. And he kept his promise.

Ahmet, one of four Zappa kids, the other three being Moon Unit (the oldest), Dweezil (second oldest), and Diva (youngest), was always into superheroes his entire life.

“I loved Spider-man; it’s the jam,” gushed Ahmet. “My dad loved comics and was the first to advertise rock n’ roll in comics, for We’re Only In It For The Money [in Fantastic Four #72, 1968, Natch!]. My mother made Dweezil and I costumes of Spider-Man and The Mighty Thor.”
The son of a gregarious rock star, Ahmet grew up meeting every celebrity musician under the sun. But it wasn’t a rocker who gave Ahmet that first feeling of being around greatness. “I was not starstruck at all by rock stars because music is its own language and my father spoke it, so we spoke it,” Ahmet explains matter-of-factly. “This totally demystified the fame or the celebrity. There was no currency for ‘oooh, that guy sold a million records, we just cared about good music. One of the most significant moments in my life is when my dad said, ‘meet Jack, he’s the guy who created all those superheroes you love.’ That blew my little mind. I thought it was awesome and weird that my dad had this friendship with this guy. It was like meeting like a real magician!”

And Jack brought some presents for the kids, but oddly, they weren’t comics. “Actually, he first came over with these Mr. Men books, you know Mr. Tickle, Mr. Impossible… I thought they were fantastic, and was like ‘did you do these too?’ Weird. Dunno why he brought those instead of his own books, but later, of course, he wound up giving us comics too. Jack gave me this Silver Surfer book. I didn’t know what to make of this silver dude on a surfboard; it didn’t make any sense but, he was super cool. This was around the time Empire came out and was HUGE [1981 –ed.], and I remember Jack confided in Frank that he felt like the stories he created helped shape the Star Wars saga, that he saw direct parallels between his characters and the movie’s story arcs.”

Of all rock stars in the world, Zappa, famously an outspoken champion of free speech and artist’s rights, was the ultimate sympathetic ear.

“He told my dad stuff like, ‘Darth Vader was Doctor Doom and the Force is the Source’ and that George Lucas ripped him off. Now this you may not know, and I was only a kid, but I remember learning at the dinner table that my dad was asked to write the music for Star Wars; he turned it down, he said he wasn’t interested. That would’ve been really strange, the lives of us Star Wars fans woulda taken a different turn and that whole score woulda sounded like Tatooine Cantina music.”

Two powerful worlds that happened to collide one special night in 1981. A friendship began and a mutual bond was formed. These two titans are now sadly no longer with us, but their spirit lives on now through their family keeping tradition alive.

The only regret, Royal Flush readers, is that we’ll never get to visit the parallel universe where Frank Zappa actually got to score Star Wars. The place called the Fourth World. ?

Friday, September 25, 2009

Comic Book Creator Seek to Recapture Copyrights

http://online.wsj.com/article/SB125349626919226359.html

Heirs of Comic Book Creator Seek to Recapture Copyrights
By LAUREN A.E. SCHUKER
SEPTEMBER 21, 2009

The heirs of late comic-book creator Jack Kirby served 45 copyright-termination notices to Marvel Entertainment Inc., Walt Disney Co. and other Hollywood studios relating to comic-book characters and stories created by Mr. Kirby, including "X-Men" and "The Fantastic Four."

Mr. Kirby's four children are seeking to recapture as early as 2014 copyrights to characters he created. Those creations and co-creations are currently owned by Marvel. But if the heirs gain control of the copyrights, they could license them without Marvel's permission, or at least secure a share of the profits generated by those characters.

The heirs served the notices under the auspices of the U.S. Copyright Act, which permits authors and their heirs to terminate old copyright grants after a long waiting period, allowing them to recapture the rights for their own use.

A spokeswoman for Disney said: "The notices involved are an attempt to terminate rights seven to 10 years from now and involve claims fully considered in the acquisition."

Disney last month agreed to acquire Marvel for $4 billion.

In a federal court lawsuit that hasn't been fully resolved, the heirs of "Superman" co-creator Jerry Siegel recently recaptured limited rights relating to the original "Superman" from Time Warner Inc.'s Warner Bros. and DC Comics.

—Ethan Smith contributed to this article.

Write to Lauren A.E. Schuker at lauren.schuker@wsj.com

Wednesday, September 9, 2009

Disney to buy Marvel for $4 billion

http://money.cnn.com/2009/08/31/news/companies/disney_marvel/

Disney to buy Marvel for $4 billion
Walt Disney Co. will purchase the comic book company behind X-Men and Spider-Man, pending shareholder approval.
David Goldman, CNNMoney.com staff writer
August 31, 2009

NEW YORK (CNNMoney.com) -- The Walt Disney Co. announced Monday that it has agreed to purchase comic book and action hero company Marvel Entertainment for about $4 billion.

If Marvel shareholders approve the deal, they would receive $30 per share in cash and 0.745 shares of Disney for each share of Marvel that they hold.

"We believe that adding Marvel to Disney's unique portfolio of brands provides significant opportunities for long-term growth and value creation," said Disney Chief Executive Robert Iger, in a statement.

Marvel has launched a large number of action-hero movies over the past decade, including last summer's Iron Man blockbuster, which was fully financed by by the comic book company. Marvel also holds the rights to popular action hero characters like Spider-Man, the X-Men, the Fantastic Four and Thor.

"Disney is the perfect home for Marvel's fantastic library of characters given its proven ability to expand content creation and licensing businesses," said Marvel Chief Executive Ike Perlmutter. "This is an unparalleled opportunity for Marvel to build upon its vibrant brand and character properties by accessing Disney's tremendous global organization and infrastructure around the world."

Shares of Marvel soared 27% in morning trading. Shares of Disney were flat.

Saturday, August 1, 2009

Jack Kirby

From the Comiclopedia...

Jack Kirby
(Jacob Kurtzberg)
(28/8/1917 - 6/2/1994, USA)

Jack Kirby was one of the grandmasters in American comic book art, commonly nicknamed as The King. Born as Jacob Kurtzberg in New York City, he started his career in 1935 as an inbetweener on 'Popeye' and 'Betty Boop' cartoons for Max Fleischer's animation studio. He moved to the Lincoln Newspaper Syndicate in 1936, where he produced short-lived newspaper strips like 'Black Buccaneer', 'Detective Riley', Cyclone Burke', 'Abdul Jones' and 'Socko the Seadog,' which he signed with Jack Curtiss. In 1939, he briefly joined the famous Eisner-Iger comic shop. During this period, he contributed to Jumbo Comics, and drew features like 'The Lone Rider', 'Blue Bolt' and 'Blue Beetle' for companies like Novelty and Fox, using a variety of pseudonyms including Curt Davis, Fred Sande, Ted Grey, Jack Cortez and Charles Nicholas.

(Other sources say Lou Fine is Jack Cortez.)

With 'Captain America', created with his partner Joe Simon for Timely in 1941, Kirby developed his artistic style, and garnered the most fame. The character instantly became an American icon. Kirby drew him as a superhuman and soon Captain America became the country's morale-boosting anti-Nazi hero. Jack Kirby and Joe Simon collaborated until 1956, working for several publishers, like National and Harvey Comics, where they created all kinds of new titles which became the prototypes for all the 'kid gang' comic books to follow. They drew the initial episode of 'Captain Marvel Adventures' for Fawcett in 1941, and set up titles like Boy Commandos, Newsboy Legion and Boy's Ranch.

After the War, Kirby and Simon launched 'Young Romance', the first romance title, and explored the fields of crime, horror, wester and humor comics in titles like 'Fighting American', 'Police Trap', 'Bullseye' and 'In Love', mostly through Crestwood or their own comic book company Mainline. By 1956, Kirby slowly parted with Simon, cooperating only on 'The Fly' and 'Private Strong' for Archie Comics. During this time, he also produced a lot of work of National/DC and drew some issues of Classics Illustrated for Gilberton. After working with inker Wallace Wood on 'Skymasters' and on 'Challengers of the Unknown' for DC, he returned to Timely, now called Marvel, where he heralded in a new era of superhero comics with writer/editor Stan Lee.

Together with Lee, he launched the landmark 'Fantastic Four' in 1961, shortly afterwards followed by 'Thor' in 1962 and a new rendition of 'Captain America' in 1964. Kirby defined Marvel's house style and set up a great many of the company's present-day key characters. Other well-known titles he graphically initiated are 'The Incredible Hulk' (1962), 'The X-Men' (1963), and 'The Silver Surfer' (1966).

Kirby, Lee and Marvel rose to the top of the industry and many claim they completely revamped the comic book world. After a disagreement with Lee, Kirby left Marvel in 1970 to return to DC as a writer/editor/artist, where he created nearly a dozen titles, but none were as successful as his Marvel work. Among his creations for DC are 'The Fourth World' and its subtitles 'New Gods', 'Mister Miracle' and 'The Forever People, as well as 'Superman's Pal Jimmy Olsen', 'OMAC', 'Kamandi' and 'The Demon'. He also joined Joe Simon once again in a new version of 'The Sandman'.

However, by the mid-1970s, he did new work for Marvel again, including 'The Eternals', '2001: A Space Odyssey' and the 'Black Panther', featuring the first black superhero. In 1979-80, he did an adaptation of the Walt Disney movie 'The Black Hole' for the syndicated 'Walt Disney's Treasury of Classic Tales' series. He also ventured into animation, doing designs on among others 'Turbo Teen' and 'Thundarr the Barbarian'. In the 1980s Kirby drew 'Captain Victory and the Galactic Rangers' and 'Silver Star' for Pacific Comics, 'Destroyer Duck' for Eclipse Comics and 'Super Powers' for DC.

In his 50-year career, Jack Kirby produced many of the field's most successful concepts and has been responsible for more comic book sales than any other artist, writer or editor.

Sunday, January 18, 2009

First gay superhero is oooh-perman

http://www.thescottishsun.co.uk/scotsol/homepage/article2128530.ece

First gay superhero is oooh-perman
1-14-9

SPIDER-MAN creator Stan Lee is to unveil the world’s first gay superhero.

High school basketball star Thom Creed hides his developing superpowers along with his sexuality.

Former Marvel Comics boss Stan, 86 — who also created the Hulk and the X-Men — will unleash the character in an hour-long TV drama being shot in the US.

If it’s a hit there it will cross to the UK.

TV execs hope it will rival the huge success of shows likes Heroes.

Lee developed the idea of a gay character from the award-winning novel Hero by Perry Moore.

A TV insider said: “It was only a matter of time before we had our first gay superhero. And if there is one man who can make him a success it is Stan Lee.

“There’s a real buzz among comic book fans.”

Sunday, October 12, 2008

Marvel assembles cartoon "Avengers"

http://www.reuters.com/article/televisionNews/idUSTRE49725V20081008

Marvel assembles cartoon "Avengers"
Wed Oct 8, 2008 2:40am EDT
By Borys Kit

LOS ANGELES (Hollywood Reporter) - The cry of "Avengers assemble" will soon be coming from the television.

Marvel Animation, the cartoon division of Marvel Entertainment, is beginning production on "The Avengers: Earth's Mightiest Heroes," which will be available for broadcast in 2011.

"Avengers," based on the long-running comic, features some of the company's most popular characters, including Iron Man, Captain America, Thor, Giant Man, and the comely Wasp, who fight forces of evil that no single hero stands a chance against.

The series' broadcast debut will come in time for the theatrical release of Marvel's live-action movies "The First Avenger: Captain America" and "The Avengers." Marvel has released two direct-to-DVD animated features based on the Avengers characters: 2006's "Ultimate Avengers" and "Ultimate Avengers II."

Marvel Animation is in the midst of a big push in the toon sector. Its all-new series "Wolverine and the X-Men" and "Iron Man: Armored Adventures" debut on Nicktoons in 2009. Also coming is "Marvel Super Hero Squad and the Black Panther."