Showing posts with label Walter Cronkite. Show all posts
Showing posts with label Walter Cronkite. Show all posts

Saturday, July 25, 2009

How 'That's the way it is' became Cronkite's tag line

http://www.cnn.com/2009/US/07/18/cronkite.thats.the.way.it.is/

How 'That's the way it is' became Cronkite's tag line
Story Highlights
Legendary anchorman butted heads with CBS executives, producer says
"That's the way it is" was born after boss hated Cronkite's first sign-off
Anchor didn't like mixing news with opinion or commercial interests
He didn't even want to promote stories coming the next day, producer says
Sat July 18, 2009

(CNN) -- Throughout his career as a television anchorman, Walter Cronkite had a few memorable run-ins with other powerful figures at CBS News, one of his producers told CNN.

Walter Cronkite occasionally butted heads with executives at CBS News, his former producer says.

Sanford "Sandy" Socolow, who worked at CBS News for 32 years, more than four of them as Cronkite's producer, said Cronkite ran into trouble soon after he took over for Douglas Edwards in the "CBS Evening News" anchor chair.

"The first night up, he ended the show by saying, I'm paraphrasing, 'That's the news. Be sure to check your local newspapers tomorrow to get all the details on the headlines we are delivering to you.'"

That didn't fly.

"The suits -- as we used to call them -- went crazy," Socolow told CNN, referring to CBS executives. "From their perspective, Cronkite was sending people to read newspapers instead of watching the news. There was a storm."

CBS News President Richard Salant met with Cronkite, who initially resisted, then agreed to change his sign-off, Socolow said.

"In the absence of anything else, he came up with 'That's the way it is.'"

But that too ruffled feathers, Socolow said.

"Salant's attitude was, 'We're not telling them that's the way it is. We can't do that in 15 minutes,' which was the length of the show in those days. 'That's not the way it is.'"

Still, Cronkite persisted and that's the way it was from then on.

In 1960, in an attempt to emulate the success of NBC's "Huntley-Brinkley Report," CBS tried to make Cronkite and fellow broadcast legend Edward R. Murrow co-anchors at the Democratic National Convention in Los Angeles.

But "it just didn't work out," said Socolow, who was then producing for Cronkite. "There wasn't a particular chemistry there."

Though the two men were cordial, and it was Murrow who had brought Cronkite to CBS, "they were never drinking buddies," Socolow said.

In 1968, Cronkite returned from a visit to Vietnam disillusioned with America's role there. He told Salant what he thought but said he did not want to report his personal opinion on air, Socolow said. Only "after much haggling" did he agree to do so, and not on the regular newscast but on a 10 p.m. special.

"To say that we are closer to victory today is to believe, in the face of the evidence, the optimists who have been wrong in the past," Cronkite told his audience. "To suggest we are on the edge of defeat is to yield to unreasonable pessimism. To say that we are mired in stalemate seems the only realistic, yet unsatisfactory conclusion. ... It is increasingly clear to this reporter that the only rational way out then will be to negotiate, not as victors, but as an honorable people who lived up to their pledge to defend democracy, and did the best they could."

Cronkite's reluctance to reveal his personal opinions about world events during a newscast was matched by his enthusiasm for keeping newscasts free of the influence of commercial interests. Watch the Cronkite Journalism School dean reflect on his legacy »

"He was a purist," Socolow said. "And, a lot of people would say, to a fault, if there can be a fault in such a definition."

For example, he said, around the time of the 1979 Three Mile Island accident, in which a nuclear plant's core partially melted, the movie "China Syndrome" was released with a similar theme.

"I was so knocked out to its proximity to the events of the day, I arranged a screening for the entire staff of the 'Evening News,'" Socolow said.

Though Cronkite did not attend, "the next day, I go into him and say, 'You know this is really uncanny that this movie should be so close to the bone, and it's just stunning, a stunning coincidence, and I think we could make a story out of it.'

"He shouted at me, 'I'm not in the goddamn business of selling movie tickets.'"

Cronkite even disliked promoting pieces that were slated to run in the next day's newscast, Socolow said. "His attitude being, 'For God's sake, we don't know what tomorrow's news is going to be. How the hell can we take time away from reporting today's news by promoting a story for tomorrow?'"

Cronkite departed from the anchor chair voluntarily, Socolow said. "He wanted to retire as undefeated champ, and he made his views known."

But Salant, who was also planning to retire shortly, did not want to be the guy who oversaw Cronkite's exit.

"His ratings on the day he left the 'Evening News' were bigger than all three network newscasts together today," Socolow said. "He had an average rating of 27 million to 29 million viewers."

Salant pleaded with Cronkite to stay so that the decision on how to replace him would fall to someone else.

That someone else was Bill Leonard. "On the first day Leonard was in the saddle, Cronkite said, 'Listen, I want to go out as undefeated champion,'" Socolow said.

At the same time, then-correspondent Dan Rather's contract was ending and he was being courted by ABC News, Socolow said.

"The idea of losing Cronkite was enough to make people gag," he said. "On the other hand, there was the chance they'd lose Rather. What finally happened is Leonard took the opportunity to sign Rather to a contract that was so rich to keep him out of [ABC executive] Roone Arledge's hands that it had to go up to [CBS founder and Chairman] Bill Paley to get an OK on the contract."

But Cronkite's departure did not go as he had planned, according to his producer.

"The script on his last night said something like, unlike old soldiers who never die, he'll be back every once in a while on an irregular basis when something strikes his fancy -- a handshake deal he had with Bill Leonard," Socolow said. "A very loose deal."

But Leonard left the top job soon after, replaced by Van Gordon Sauter, who -- "in cahoots, I think you would have to say, with Dan Rather -- decided they did not want Cronkite on the air, for whatever reason."

After he left the anchor chair, Cronkite worked on occasional science and environment pieces on television, but after a few years he rarely appeared on CBS.

And That's the Way It Is, Sadly, Tonight...

http://www.brycezabel.com/newsviews/2009/07/walters-gone-1.html

And That's the Way It Is, Sadly, Tonight...
Bryce Zabel
July 17, 2009

How sad that the "way it is" tonight is that Walter Cronkite is no longer with us. Even sadder that he didn't make it three more days so he could have appreciated just how much we appreciated him all over again as we talked about the 40th anniversary of the Apollo 11 moon landing and how he was our worldwide tour guide.

In 2003, when I was Chairman/CEO of the Academy of Television Arts & Sciences I had the rare honor of being able to introduce Walter Cronkite on the "live" primetime telecast. Everyone knew who he was -- that wasn't my job -- we brought him out by remembering his great work as a war correspondent and tying it in with the death of David Bloom. It went like this:

...I’m talking about the most personal news coverage ever seen during the Iraq war.

For the first time, on a mass scale, reporters – many of them TV reporters – were embedded with combat units, travelling with the soldiers, facing the same dangers, and reporting back home, often in real time, over satellites. We lost some of our own, too, including NBC’s David Bloom.

It was the immediacy of the TV pictures that made news by covering news. But there have been other brave reporters over the years, sending their coverage from the front lines to the home front, but none of them have been as distinguished through their careers in television as our next guest.

Ladies and gentlemen, please help me welcome one of America’s original embedded reporters going back to World War II – Mister Walter Cronkite!

I'm still blown away that I got to make that introduction to so famous a man as Walter Cronkite. He was 86 years old that year, frail, and his voice faltered a bit from what it had been in its prime, but he walked out there strong, made his speech and every single person in the audience paid rapt attention. It was Walter Cronkite and he had earned that level of respect from everybody there.

So we're sorry to see Walter go... He had a great life. He made ours better. He was so infinitely cool, even to the end.

Friday, March 28, 2008

WAR MADE EASY

WAR MADE EASY: How Presidents and Pundits Keep Spinning Us to Death
Disinfo.com

In the critically-acclaimed and highly compelling film, WAR MADE EASY, a disturbing 50-year pattern of government deception is uncovered. Narrated by actor and activist Sean Penn, and based on the book by nationally-renowned media columnist Norman Solomon, this documentary is a scathing indictment of five decades of U.S. media coverage of American-led military interventions, and the pro-war spoon-feeding by both journalists and politicans to the American public. Marking the fifth anniversary of the war in Iraq, this film hailed by critics — called “a superb form of visual investigation” by noted author Howard Zinn — is more timely than ever for its release on DVD from The Disinformation Company.

How Presidents and Pundits Keep Spinning Us to Death

Giving special attention to parallels between Vietnam and Iraq, WAR MADE EASY sets government spin and media collusion from the present, alongside virtually identical patterns from the past, guided by Solomon’s meticulous research and tough-minded analysis. Rare footage of political leaders and journalists from the past includes Presidents Lyndon Johnson and Richard Nixon, Defense Secretary Robert McNamara and news correspondents Walter Cronkite and Morley Safer. According to Solomon, whose work has been praised by The Los Angeles Times as “brutally persuasive,” the positive attention the film has received may indicate a new willingness to counter years of pro-war media spin and government deception. “These deep patterns of ongoing ‘perception management’ must be demystified and decoded if we're going to move beyond the horrors of perpetual war,” he said. “The way War Made Easy is being embraced could be an important step in that direction.”

An Official Selection of 2007’s International Documentary Film Festival in Amsterdam and the 2007 Montreal and Vancouver International Film Festivals, WAR MADE EASY, directed by Loretta Alper and Jeremy Earp, is an invaluable introduction to war propaganda and public relations that transcends partisan politics, and raises serious questions about the role of journalism and political communication in our society.

Available for interview: Norman Solomon

Solomon is a nationally syndicated columnist on media and politics, as well as the founder and executive director of the Institute for Public Accuracy, a national consortium of policy researchers and analysts. He has been writing the weekly “Media Beat” column since 1992. The book on which the film was based, War Made Easy: How Presidents and Pundits Keep Spinning Us to Death, was published in 2005 and The Los Angeles Times called it “a must-read for those who would like greater context with their bitter morning coffee, or to arm themselves for the debates about Iraq that are still to come.” His latest book is Made Love, Got War: Close Encounters with America's Warfare State (October 2007).

About The Disinformation Company

The Disinformation Company Ltd is active in documentary production, book publishing and home entertainment. It is most widely recognized for its publishing and distribution efforts on subjects not usually covered by the traditional media. Recent DVD exclusives from The Disinformation Company include the best-selling Robert Greenwald documentaries Wal-Mart: The High Cost of Low Price, Outfoxed: Rupert Murdoch's War on Journalism, Uncovered: The Whole Truth About the Iraq War, and Unconstitutional: The War on our Civil Liberties, as well as Robert Baer’s The Cult of the Suicide Bomber, and Greg Palast’s Bush Family Fortunes.