Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Sunday, January 20, 2013

Thought Samsung’s 85-inch Ultra HDTV was huge?



Chris Davies
Jan 8th 2013
http://www.slashgear.com/thought-samsungs-85-inch-ultra-hd-tv-was-huge-wait-til-you-see-the-110-incher-08264153

Samsung’s Ultra HD TV reveal at CES yesterday was certainly impressive, but the company only brought out its “smallest” set to show on stage – there’s a 110-inch behemoth waiting in the wings. Having joked that the larger model – which sits at the top of a three set line-up, with a 95-incher in-between – wouldn’t fit through the doors of the conference hall where it held its opening presentation, Samsung saved the largest Ultra HD for an eye-searing display on its stand.

The set has the same specifications as the 85-inch model we got up close with yesterday, namely 4k resolution and an array of speakers embedded in the easel-style stand. It’s far more dominating, however, somehow making the smaller version look almost practical.

That “practicality” is an illusion, of course; Samsung isn’t talking specific pricing at this stage, but it has conceded that mainstream Ultra HD is probably five years out right now. Since it will take roughly the same sort of time for 4k content to proliferate, that’s plenty of time for people to save up.

CES is definitely shaping up to be the show with Ultra HD as its theme, and Samsung has some competition for the 4k crown. Keep up with all the show news at our CES 2013 Hub.

Samsung and its rivals show off the future of TVs

Edward C. Baig
January 7, 2013
http://www.usatoday.com/story/tech/columnist/baig/2013/01/07/baig-samsung-ces-2013/1813595

Tech titans Amazon, Apple, Google and Facebook rarely come out of hiding at the annual International CES. And after years on center stage, Microsoft has pretty much applied for the CES equivalent of the witness protection program.

So with apologies to a formidable list of consumer electronics show stalwarts that includes LG, Panasonic, Sharp, Sony and Toshiba, Samsung is arguably the biggest of the Big Cheese consumer electronics mainstays left exhibiting at these proceedings.

Above all else, CES is still about televisions. Samsung, as much as any of its rivals, serves as a proxy for where the industry hopes to take you. The path leads to Ultra High-Definition models that boast four times the pixel count of today's 1080p HDTVs. Gee, it was only a few years ago that you cozied up to the thin — and yes, affordable — HDTV that now graces your living room.

Make no mistake, Samsung's upcoming 85-inch flagship UN85S9 UHD TV takes your breath away. It's just that you may have to take out a small mortgage to own this stunning TV, not that you can even buy it yet. Samsung isn't saying what it will cost or when precisely it will go on sale, but says the model will ship this year. I should also point out that there's precious little content out there to take advantage of all those extra pixels — a familiar chicken and egg scenario that slowed the launch of early HDTVs.

The splashy cutting-edge sets are expected to fetch in the $20,000 range, says tech and media analyst Gary Arlen, president of Arlen Communications. Still, if UHDs go the way of HDTVs — and myriad other consumer electronics categories before them — prices might drop sooner than may now seem likely, though I wouldn't bet a lot on the prospect. (I am in Vegas, after all.)

Samsung executive Joe Stinziano calls the TV a "statement piece" -- to my mind, code-language for, "if you have to ask what it costs, you can't afford it". He says the pixel density of the panels in the set is very expensive to manufacture.

Fortunately, the new TV flaunts other features that will be available on less-expensive 2013 models, notably a newly designed Smart Hub interface. Through the early years of Smart TVs, the various TV makers have done a generally mediocre job when it comes to screen interfaces, perhaps one reason behind all the talk of an eventual Apple-branded television.

My initial impression of Samsung's new Smart Hub is positive, though, as always, you can't really judge these things until you use it outside the boundaries of a trade show.

Samsung's Smart Hub consists of five panels: The "On TV" panel shows the channel you're watching now in a window that's adjacent to a half-dozen smaller windows representing other shows airing at the same time. Below are thumbnails revealing shows that are coming up. The visible content is based on Samsung recommendations generated from your viewing habits.

A "Movie & TV" panel, also based on your viewing history, reveals on-demand flicks, movies available to you as a subscriber to certain services, and material you may have purchased.

Other panels cover your personal "Photos, Videos and Movies," "Apps" (where you'll find Netflix, Hulu Plus, Spotify, Pandora, etc.) and "Social" (feeds and videos from Facebook, Twitter, YouTube and so on).

You can manipulate the Smart Hub with a new remote that has a touch panel, as well as left-right, up-down slide bar controls.

Samsung also says the voice interaction in its latest TVs — advancing the state of the art from last year — has improved to the point where the TV understands complete sentences. You'll be able to say "I want to watch CSI" and the TV will serve up all the likely matches. Or you might say, "go to South Park," or, "go to ESPN," since the TV can distinguish the name of a show from a channel.

Inside the UHD TV (and other new models) is a quad-core processor that Samsung claims is 3.6 times faster than last year's dual-core models. No you won't change the channels any faster. But you can speed up the time when you stop watching a stream from one content provider and start searching on

It's fair to say that all the consumer electronics companies with a diverse portfolio of products at this show want you to keep it in the family. So it goes with Samsung. If you have Samsung phones, tablets or home appliances, for example, you can take advantage of "AllShare" features that tie the TV to compatible devices. Via an onscreen TV app, you might be able to monitor the wash cycle of your Samsung washer-dryer or change the temperature of the air conditioner without having to pause the TV content. Samsung will let you stream from the TV to one of its mobile phones.

Moreover, Samsung will soon start selling the Smart Evolution kits it announced at last year's CES, which will enable folks to upgrade certain 2012 (but not older) models to the quadcore generation. You get the new remote control as part of the kit, and can add the latest Smart Hub interface. The kit is likely to cost between $200 and $500, Samsung says.

Not that there's anything wrong with your current HDTV, which you'll be able to safely enjoy watching for quite some time. Samsung expects it to take several years before UHDs begin to overtake today's popular HDTVs. But UHD does reveal a lot about where Samsung, and its industry counterparts who are pushing the same or similar technologies, are directing the near and longer-term future of television.

Monday, October 29, 2012

Is a Tablet the Only TV You Need?


With the explosion of on-demand video and live streaming apps, the future of television might be closer (and smaller and lighter) than you think
KEVIN SINTUMUANG
September 28, 2012
http://online.wsj.com/article/SB10000872396390444165804578010371602729036.html

It started out of laziness: Put on sweatpants, plop on couch, search for remote. It's not on the coffee table—but, hey, here's an iPad! I check some emails, detour to Facebook and Twitter, click a link to a video of a baby chewing the bars of his crib. Why am I here again? Oh right: the TV. Where's that remote? I should really look under this cushion. Or maybe press the TV's "On" button? Nah. That would require walking 10. Whole. Feet. (Yes, I realize the irony of not wanting to move in sweatpants.) So it's back to the easiest pipeline to entertainment at the moment: this tablet.

I bounce from video app to video app. A season of "Sherlock" here, some "The X-Files" there, and at some point while watching "Battle Royale" (totally better than "The Hunger Games," by the way) I look at a clock. I've just spent hours staring at a 10-inch screen when there was a 40-inch one directly in front of me.

While planting your face in front of a tiny screen is perfectly acceptable on trans-Atlantic flights, it can be a little odd at home. But if you give yourself over to the tablet, it's actually a pretty awesome experience. I'm not claiming an iPad beats the big screen, but I will say this: Watching shows and movies on a tablet feels closer to what television viewing should be like in the 21st century than what 21st-century TVs actually deliver.

Yes, there are "smart" televisions that come with Wi-Fi and video-streaming services like Netflix and Hulu Plus baked in, but they feel sluggish compared to tablets. Devices that help bridge the gap between Internet-based content and your living room's television, like Apple TV and the Xbox 360, are pretty excellent, but once you've become accustomed to the speed and intimacy of using something like an iPad to watch your shows and films, it's hard to deal with tech that's not as responsive. Even simple things on a tablet, like briskly flicking through a menu of movies or accurately rewinding with the tip of your finger, can be pleasurable. As the gadgets in our pockets and handbags and briefcases become the most impressive technological objects in our lives, the good ol' TV setups in our homes can feel painfully slow and antiquated.

And what these futuristic slates lack in eye-popping bigness, they make up for in deft portability. Want to watch "Monday Night Football" in your backyard for a more tailgate-like experience? You can do that. Spouse kick you off the big screen to watch "Glee?" Grab the tablet and head to the attic. The tablet can be a marriage saver in one-television households. It's also the best thing to happen to lazy Sunday mornings since breakfast in bed.

You might think TV on a tablet is just about "Parks and Recreation" reruns on Netflix, but content-wise, it's neck and neck with your cable box's offerings. There are apps from individual networks like HBO, ABC and CW. You can download movies for offline viewing from iTunes and Google Play. And apps from pay-TV providers like DirecTV even let you watch live broadcasts and give you access to content you could previously only get through a coaxial cable.

So do tablets beat the flatscreen monolith hanging on your living room wall? Let's just say the iPad and friends are feisty enough to capture more of your show-watching attention than you might expect. Turn the page to get the gear and apps for the best TV experience on your tablet. Sweatpants optional.

The Little Slabs That Could

FEISTY UPSTART: Amazon Kindle Fire HD

The second generation of Amazon's color tablet does two things better than any other black slab out there: 1) immerse you in Amazon's ecosystem of streaming movies and TV shows (a $79 Amazon Prime subscription gives you unlimited access to thousands of titles) and 2) drench you in big sound. A pair of dual-driver speakers on the back of the tablet does an outstanding job of making explosions sound, well, explosive. From $199, amazon.com

GOLD STANDARD: Apple iPad

It's the world's best-selling tablet for a reason. From the quality of its construction to the number of apps available and the incredible selection of cases that keep it upright in bed or in the back of the car, the Apple tablet trounces the competition—especially when it comes to movie marathons. The iPad's battery life is epic and its drop-dead gorgeous picture is the envy of not just other tablets, but screens five times its size. From $399, apple.com

LIGHTWEIGHT WONDER: Google Nexus 7

When it comes to 7-inch tablets, the battle is really between the Kindle Fire HD and the Nexus 7. What the Nexus has going for it is Jelly Bean, the latest iteration of the Android operating system, which is slick and feature-filled. The Nexus is also built more solidly than most budget tablets and is light enough that you never have to think twice about taking it along with you. From $199, google.com/nexus

GEEKY MARVEL: Samsung Galaxy Note 10.1

While the Note is, ahem, notable for its stylus, it has several entertainment-friendly features: an expansive screen that's well-suited to widescreen content; two crisp, front-facing speakers; and an innovation called Smart Stay, which dims the screen when you look away to preserve battery life. And if a 10.1-inch image feels cramped, you can connect to a television using an HDMI adapter. From $500, samsung.com

Download These Essential Tablet TV Apps

Netflix

The streaming pioneer and stalwart. If you go with just one on-demand video service, let it be Netflix. As with all streaming sites, selection varies—at first glance, Netflix seems to have an overwhelming number of B movies—but content is constantly being shuffled in and out of the mix. By most estimates, Netflix has the largest collection of content available for unlimited streaming on the Internet. Expect more original content exclusive to Netflix soon, including a revival of "Arrested Development." $8 per month, netflix.com

Hulu Plus

Love television? Then you'll need a subscription to Hulu. It's the one place you can find current shows from most of the major networks, making it one of the biggest time-sucks ever. (You could spend days catching up on "South Park" alone.) Episodes are usually available on Hulu a day to a week after they air. That can feel like an eternity, but you get used to it. There's also a strong offering of movies, including classics from the Criterion Collection, and vintage shows from "ALF" to "Quantum Leap" to "Battlestar Galactica." $8 per month, hulu.com/plus

Amazon Instant Video

A $79 Amazon Prime subscription gets you unlimited streaming of more than 25,000 movies and television shows. A recent licensing deal with EPIX will let Amazon add thousands more movies, including "The Hunger Games," "The Avengers" and other blockbusters. If that's not enough to entice you to sign up, Prime also gives you access to the Kindle Owners' Lending Library, a selection of around 180,000 books you can borrow for free when you need a break from the "Downton Abbey" binge. $79 per year, amazon.com

Fanhattan

You give in to peer pressure and finally decide to watch "Damages." But where on the World Wide Web do you do so? You could search your apps strategically: Netflix, then Hulu Plus, then iTunes. But that would be a lot of hunting and pecking. Instead, just use Fanhattan. It searches 16 online video sources to find where your movie or show is streaming or available for download. It's simply the best video discovery tool for your iPad. Without it, you're sailing through a universe of content without GPS. Free, iOS only, fanhattan.com

HBO GO

I'm sure there are many people who would ditch their cable subscriptions if they didn't have to give up HBO GO. But to access the app, you need to be an HBO subscriber (or know someone who is). The app gives you unlimited access to almost everything you can watch on the king of cable networks in a slick, easy-to-use interface. There's so much great content: "The Wire," "Curb Your Enthusiasm," "Boardwalk Empire," "Veep" and loads of movies you actually want to watch. If only all streaming services could have such grade-A material. Free, hbogo.com

But I Want My Live TV!
How to stream a broadcast in real time

Just because you're on a tablet doesn't mean you have to give up on watching TV as it's happening. Apps from the DISH Network and DirecTV let you watch live broadcasts outside of your home over a Wi-Fi connection. (The Dish Network's app even works over a 3G or 4G connection.) Other providers require you to be on your home network to watch live TV on a tablet.

Another solution: Attach a Slingbox (from $180, slingbox.com) to your cable box to stream live TV to the $30 SlingPlayer app on your tablet. It's like bringing along your living room TV setup wherever you go.

A few channels also offer live options, most notably ESPN, which has a free app called WatchESPN. If you're a sports fan, I'm sorry I told you about it. Your office productivity just got cut in half. And Disney's various channels have free iOS apps that let subscribers watch live broadcasts as well.

Want to ditch cable but still need access to live TV? There's an app for that: Aereo. For $8 a month (you can also try it for $1 a day), it lets you stream live TV to your tablet—programs that are broadcast over the airwaves. Aereo also lets you schedule recordings for future, on-demand streaming. Access to the app is limited to New York, but service is slated to launch in other cities next year.

Cozy Up to Your Tablet
Three ways to hunker down comfortably with a glass rectangle

Table It: Vitra NesTable

Don't try watching back-to-back episodes of "New Girl" on a tablet propped on your knees. It'll leave you hobbled. A sturdy laptop stand like the NesTable decouples your screen from your sitting position. Feel free to cross and uncross your legs again and again. $925, vitra.com

Prop It: Vipp Mini Table

Perfect for "Breakfast at Tiffany's" in bed, the Vipp Mini Table has collapsible stainless-steel legs for easy stowing and a generously sized surface that's big enough for a tablet, bowl of popcorn and extra-large soda. $349, vipp.com

Plump It: Lap Log

These buckwheat-filled pillows soften a tablet's hard edges while offering up the perfect viewing angle. Unlike a device-specific, form-fitting holder, they work with pretty much every tablet out there, in or out of a case. $46, thelaplog.com

Upgrade the A/V
Essential gear for cranking the volume and enlarging the image

The Projector: Optoma ML500

The ML500 is as compact as any tablet yet throws a huge, vivid image—up to 180 inches diagonal. A simple adapter should let most tablets jack into the ML500's VGA or HDMI inputs to transform small-screen viewing into a more cinematic experience. $599, optomausa.com

The Speaker: Logitech UE Boombox

Generally, tablets sound as thin as they feel. This rechargeable speaker provides much-needed kick and clarity to any soundtrack. There's a tiny (4.4-inch) version ($100) that you can set down right next to your tablet. $250, logitechue.com

The Headphones: Klipsch Image ONE Bluetooth

These lightweight, exceptionally comfortable wire-free headphones deliver rumbling low end that won't disturb your bedmate. And with buttons on the earpiece that let you pause and resume playback in some video apps, it can double as an impossible-to-lose remote control. $250, klipsch.com

—Michael Hsu

A version of this article appeared September 29, 2012, on page D1 in the U.S. edition of The Wall Street Journal, with the headline: Is a Tablet the Only TV You Need?.

Wednesday, September 19, 2012

MY FAVORITE CARS OF TELEVISION


MONDAY, AUGUST 13, 2012
http://www.forcesofgeek.com/2012/08/the-mystery-box-my-favorite-cars-of.html

I love lists that mention fave thangs.

It's fun, although highly subjective, but you can usually come away with learning something ne to add to your pop culture brain-file.

So dear readers, here then is a compiled list of my favorite cars from television. At first I was going to include films and also animated television shows, and have them all mixed up, but decided not to, as those can be part of future lists.

I'm sure that you will have your own favorite vehicles that did not make my list.

Some folks worship KITT, David Hasselhoff's modified '82 Pontiac Trans Am co-star in Knight Rider.

Others may drool over Magnum P.I.'s Ferrari 308 GTS—and for good reason, as that is a mighty sweet car indeed!

Yes, there will be plenty of vehicles that people like but I just find boring.

Here at The Mystery Box H.Q. I have a particular fondness for vintage hot rods and antique sports cars. Plus, I can never get enough of the unusual one-of-a-kind rides and weird hybrids that were prevalent on sixties and seventies TV shows. If you feel I left one of your faves out, then by all means let me know about it.

In no particular order, except for the very last car, here they are!


BANANA SPLITS' BANANA BUGGIES

For two seasons (1968-1970) our heroes, Fleegle, Bingo, Drooper and Snorky (or "Snork" as he was called in the theme song) zipped around on these customized six-wheel Amphicat all-terrain vehicles (so not really beachy dune buggies). Each was designed for the character who drove it.

As the mayhem and adventures ensued, so too did my wish to hop on one of these babies so that I might drive by, shaking fist in the air, past the dreaded Sour Grape Bunch.


THE BEVERLY HILLBILLIES TRUCK

Ah, the wonders that were 9 full seasons of The Clampetts!

As remarkable as the longevity of the show's run, is also what the clan drove to Beverly Hills in the first place. Originally a 1941 Model 46 Roadster, customized cars legend George Barris took a touring car body and married it to a flatbed truck frame. He added Granny's rocking chair and some moonshine to the back and made history. The truck varied over different episodes (and five different vehicles were actually used for the series) as needed for a particular story line.

In one memorable episode cousin Jethro Bodine turns himself into a "double naught spy" and adds an ejector seat to the vehicle. In a rare moment when Granny is sitting in the front passenger seat, she pulls what she thinks is an "assist handle" and ends up ejected into a tree.

For another episode Jethro soups up the "not with it" truck into a flashy hot rod nicknamed Granny's Haulin' Rod.


77 SUNSET STRIP'S T BUCKET


Credited with defining Hot Rod culture in the late '50s/early '60s, Ed Byrnes' character, the hipster Gerald Lloyd "Kookie" Kookson III often stole the spotlight away from the stars of the show and became a huge star.

With his slang, his windbreaker and constant hair combing, as a valet who worked at Dean Martin's Dino's Lodge restaurant next door to the 77 Sunset Strip private detective agency, Kookie drove a souped up 1923 Ford Model T better known as a T Bucket. Flames on a car would forever become synonymous with cool.


SAXONDALE'S 1973 FORD MUSTANG MACH 1

When he's not attending anger management classes, Steve Coogan's character, the macho ex-roadie Tommy Saxondale, is highly devoted to his beloved car. Yet unfortunately, he must sustain even further indignities by mostly driving a far less glamorous Renault Kangoo to work as a pest controller.


THE GREEN HORNET'S BLACK BEAUTY

From 1966-1967, the same folks that brought Batman to success on television, decided to once again (after several failed attempts in years past) give The Green Hornet his own similar styled show. Instead of the campy quality that Adam West and his Batman reveled in, The Green Hornet played it straight. Van Williams, as media mogul/playboy Britt Reid was lucky enough to have as his personal driver/partner Kato, be played by the legendary Bruce Lee, making his television debut.

For many kids, it was their first time seeing martial arts used on an action show. Show producer William Dozier was unhappy with what George Barris came up with for his version of The Black Beauty, so he hired the other customized cars legend, Dean Jeffries, who took a 1966 Chrysler Crown Imperial and turned it into a classic. Loaded with an arsenal of weaponry and gadgets that included Infra-green Headlights, Front and Rear Rockets, a Mortar, a front grill Gas Gun, and of course the requisite Smoke-screen. You cannot get any cooler than a car with a mortar being driven by Bruce Lee.


MAXWELL SMART'S 1965 RED SUNBEAM TIGER

On Mel Brooks/Buck Henry spy spoof Get Smart that ran for 5 seasons, Agent 86, as played by Don Adams, primarily drove around town in a red 1965 Sunbeam Tiger that had been customized by Gene Winfield.

A machine gun, ejection seat and of course, Barbara Feldon as Agent 99 in the passenger seat, were a few of the special additions made to this a very special TV car.


THE SAINT'S VOLVO P1800 (1962)

Roger Moore has always been cool as far as I'm concerned.

Not only did I really enjoy his work as 007, but he was making great television shows and driving groovy cars long before the Bond films. His version of the The Saint, is an absolute standout. Simon Templar drove this formidable Volvo P1800.


THE MONKEEMOBILE

Once again, car designer Dean Jeffries made television pop culture history when he was enlisted in 1966 to come up with something for a new show featuring a four wacky guys in a musical group. He took an already wild Pontiac GTO and turned it into The Monkeemobile.


THE BEWITCHED "SUPER CAR"


For this particular episode of Bewitched, Darrin yearns for a flashy prototype sports car (created for the show by Gene Winfield) which he sees in a car enthusiast magazine.

In a super rare attempt to be friends with "Derwood" I mean Darrin, his mother-in-law, Endora, gives him the car as a gift. Unbeknown to all, the actual car, called The Reactor Mach II, was zapped from the engineers guarding it in Detroit.

The same car also turned up in episodes of Batman, with big ears and a tail as Catwoman's Kitty Car, in an episode of classic Star Trek, and on the show The Flying Nun.


GRANDPA MUNSTER'S DRAG-U-LA

Grandpa Munster was always adept at tinkering with things, and so, in order to once again bail out Herman, he had to invent something. Herman had lost the family car, The Munster Koach (see entry below) in a drag race for the episode Hot Rod Herman.

Grandpa had no problem coming up with this Gothic dream. Built by Tom Daniel who was working for George Barris at the time, an actual fiberglass coffin, bought out of the back door of a funeral home was used for the body. Immortalized in music by Rob Zombie.


THE PRISONER'S "KAR 120C" LOTUS 7


Bearing the famous registration plate KAR 120C, Patrick McGoohan's Prisoner character's choice of car, the Lotus 7, was nicely suited to the character Number Six's ideas of freedom, and since the car was also available for real in kit form,

The Prisoner's claim that he built the car with his own hands, also fit right in. A tasty sports car that was both highly original and highly unusual, it perfectly suited McGoohan, who created one of the greatest, and most original of all television shows that have ever appeared on television.

SANFORD AND SON'S RED PICK UP TRUCK


For one of my all time favorite sit-coms, two red pick up trucks were used: A 1951 Ford Pickup, and a 1947 Mercury M-47 Pickup. The Ford, in all its faded glory is the most famous and most remembered.

There are few joys in all of television history as wonderful as seeing Lamont Sanford drive up in the truck while the Sanford and Son theme song, Quincy Jones' "The Streetbeater" welcomes you into the world of Lamont and his father, the King of Junk, Fred Sanford.


THE MUNSTER KOACH


For The Munsters, Herman Munster's family car was contracted to George Barris, who then had his stable of car customizers come up with The Munster Koach.

His employee, Tom Daniel designed it and was paid $200.00 for his genius. The car is a concoction using 3 Model T bodies, a handmade frame, radiator and fenders, with a blood red interior and a gloss black custom hearse body.


Meanwhile, across town The Addams Family had a car that was rarely seen in episodes —a beautiful 1931 Packard V-12.


THE 1966 BATMOBILE


I love vintage guitars, vintage shortwave radios, and well, I guess many, many things that fall under the classification of "vintage", especially vintage cars. Seems 1966 was a very good year for cars!

There are few artists in automobile design history that I do not worship as much as the great George Barris, the King of Kustomized Kar Kulture, and his Barris Kustom Industries is the stuff of legend. So of course his fantastic Batmobile, which was used in the Adam West Batman TV series that ran from 1966 to 1968, has to be among my own personal favorites ever.

You can keep taking things darker and darker with the Batman franchise, but I still prefer the "Krunch", "Glurp" and "Kapow!" that was the trademark of the most colorful and witty Andy Warhol/Pop Art Movement/James Bond craze inspired Silver Age version that was the 1966 Batman.

In 1955 Ford Motors had a hand-built Italian made prototype for a car they would call The Ford Futura. At a cost of over $250,000, the car never made it to production and when in 1965 the producers for a new Batman show contacted George Barris and told him they needed him to come up with a Batmobile fast, his Barris Kustom City company managed to buy the Futura off Ford for $1.

He envisioned this Futura to be the perfect vehicle to match the Batman's needs, and after some splendid Kustomizing, came up with masterpiece. for the record George Barris came up with quite a few other masterpieces of Kustomized cars.

Say what you will about any Batmobile that has come since, this is still my fave, and I wish I still had that original Corgi toy version from my youth...


SPECIAL MENTION:


PARTRIDGE FAMILY BUS

A school bus would normally have been an uncool turn-off to any kid, but this particular bus not only had a modern art, Piet Mondrian inspired paint job, it set off on cosmic adventures with passengers that were a loving family turned rock band. Oh yeah, and the big sister was Susan Dey...


THE BRADY BUNCH STATION WAGON

What's not to love about this 1971 Plymouth Satellite station wagon?

The Brady's were a loving, close family that used the car to set off on not so cosmic adventures, but then again, one of the passengers was Maureen McCormick as Marsha Brady, so that made it all the more groovier.


A-TEAM VAN

No it wasn't a Chevy van, but instead a black and metallic gray 1983 GMC van, one of six used on the show.

Inside, items such as a printing press, mega surveillance equipment a plethora of Hannibal's disguise kits, and a bad azz mofo named Bosco "B.A." Baracus a.k.a. Mr. T., made this van one for the ages.

Wednesday, December 29, 2010

Book of the Week: TV Sets


From Amazon.com:


TV Sets: Fantasy Blueprints of Classic TV Homes
Mark Bennett (Author)

Hardcover
Publisher: Black Dog & Leventhal Publishers
Published: August 2000


Paperback
Publisher: TV Books
Published: February 1, 1998


Amazon.com Review


This book of architectural blueprints is a loving, if obsessive, tribute to the minutiae of televised domestic life. Author Mark Bennett's excrutiatingly detailed plans span 25 years of television history, from Tiger's doghouse on The Brady Bunch to The Addams Family's entire manor, including Lurch's harpsichord, Gomez's train set, and Uncle Fester's laboratory. Also included are Laverne and Shirley's bachelorette pad, The Jetson's space unit, and Archie and Edith Bunker's Queens row house. Incredibly, all the plans are drawn to be architecturally feasible; that is, one could actually build from them. To accomplish this feat, the author often had to imagine rooms and areas not shown on the television programs, but only referred to, like Ward Cleaver's den or Ralph and Alice Kramden's bedroom. Included are detailed renderings not only of the characters' homes, but their entire towns, such as the whole of Mayberry and a complete layout of Gilligan's Island.

Review

You can almost see the milk and cookies waiting on the kitchen counter for Wally and the Beav. Pages later, in Brooklyn, there's Ralph Kramden's lunch pail on the sideboard, just beside the door to a bedroom we'll never see. Here, in blue on blue, are architectural drawings of the ephemera of our childhoods--the sets of favorite old television shows.
-- The New York Times Book Review, Patricia T. O'Conner

Product Description

Author and artist Mark Bennett compiles his entertaining collection of blueprints extrapolated from the storylines and sets of the 1950s to 1980s television sitcom homes millions of Americans grew up with. An extraordinary work of imagination, these blueprints of TV homes that are as familiar to us as our neighbor's den and backyard give us a fascinating "real life" view that the camera angles never offered.

From Ward and June Cleaver's house to Rob and Laura Petrie's apartment to Mary Richards's Minneapolis bachelorette apartment to the Jetson's "house" in the clouds, each home is lovingly recreated with painstaking precision in the fine blue lines of architectural blueprints. --This text refers to an out of print or unavailable edition of this title.

From the Inside Flap

At 4222 Clinton Way in Los Angeles, a split-level contemporary features three bedrooms, three bathrooms, and a maid's room. Perfect for the six children of Mike and Carol Brady.

At 322 Maple, in the friendly town of Mayberry, is a comfortable two-story wood and shingle house. This is the residence of local sheriff Andy Taylor, his son Opie, and Aunt Bee. Large trees grace the front yard.

At 211 Pine Street, in Mayfield, lives the Beaver, with his brother Wally and his parents Ward and June. Ward's book-lined den and the spacious living room are just right for Wally's teen parties.

These are the homes where our favorite television families lived - the Brady kids; Beaver and Wally; Opie; Lucy and Ricky; Richie Cunningham; Ralph and Alice Kramden; Fred and Wilma Flintstone. These characters were a part of our day-to-day lives, and they live on in our memories and on cable television.

In TV SETS, Mark Bennett has lovingly recreated the blueprints for forty sitcom homes. Working first with small sketches on envelopes and table napkins - and in the days before videocassette recorders - Bennett gathered information on each home before making a formal drawing. The bedrooms, bathrooms, living rooms, doghouses, and, in some cases, such as Mayberry R.F.D., the entire town, have been carefully drawn, all down to the last fascinating detail. Relive your favorite episode as you study the blueprint for the Brady home, he M*A*S*H 4077 compound, or the Addams family mansion. Take a close look at Oscar and Felix's swinging bachelor pad, and marvel at ho Mary Richards managed to squeeze so much furniture into her Minneapolis studio apartment.

A twenty-year labor of love and an extraordinary work of imagination, TV SETS is a witty tribute to the fine details of domestic life on television. --This text refers to an out of print or unavailable edition of this title.

About the Author

Mark Bennett is a young artist whose blueprints have been shown by galleries in New York, Los Angeles, Seattle, Chicago and Cincinnati. He lives in Los Angeles.

Paperback: 144 pages
ISBN-10: 1575000172
ISBN-13: 978-1575000176

Blueprints courtesy of Artnet.com

Saturday, November 13, 2010

Cable subscribers flee, but is the Internet or the economy to blame?

http://finance.yahoo.com/news/Cable-subscribers-flee-but-is-apf-3875814716.html

Cable subscribers flee, but is the Internet or the economy to blame?
Peter Svensson, AP Technology Writer
Thursday November 4, 2010

NEW YORK (AP) -- Cable companies have been losing TV subscribers at an ever faster rate in the last few months, and satellite TV isn't picking up the slack.

That could be a sign that Internet TV services such as Netflix and Hulu are finally starting to entice people to cancel cable, though company executives are pointing to the weak economy and housing market for now.

Third-quarter results reported Thursday by major cable TV companies show major losses, but don't settle the question of what's causing them.

If "cord-cutting" in favor of Internet video is finally taking hold, that has wide-ranging implications. Consumers who use the Internet to get their movies and TV shows bypass not just the cable companies, but the cable networks that produce the content. The move could have the same disruptive effect on the TV and movie industries as digital downloads have already had on music.

A few weeks ago, the CEO of phone company Verizon Communications Inc. likened cord-cutting to what started happening to the local-phone companies five or six years ago, when people started giving up their landlines in favor of relying solely on their cell phones.

"The first thing when that happens is you deny it," Ivan Seidenberg said. "I know the drill. I have been there."

On Thursday, Time Warner Cable Inc.'s chief operating officer, Landel Hobbs, said the company doesn't see evidence of people dropping cable in favor of the Internet. He said the biggest subscriber losses have been among people who don't have cable broadband services; high-speed Internet -- from cable or a competitor -- is key to watching video online. These people seem to be going to satellite or giving up on pay TV entirely.

On the theory that college students might be among the first to drop cable TV, the company looked at changes in subscriber figures in college towns such as Austin, Texas, and Columbus, Ohio. They weren't out of line with previous years, and they corresponded to the level of student enrollment, he said.

"We'll continue to monitor cord-cutting, but haven't found evidence where you might expect to see it," Hobbs told analysts on a conference call.

Time Warner Cable lost 155,000 video subscribers in the July-September quarter, compared with 64,000 a year ago.

The only larger cable company, Comcast Corp., reported last week that its subscriber loss more than doubled in the third quarter, to 275,000. Comcast said many of those leaving had taken advantage of low introductory rates that the company offered last year when the analog TV broadcast network as shut down.

All together, seven of the country's nine largest pay-TV companies, representing about 75 percent of the subscriber total, had reported their results for the third quarter by Thursday. They showed a combined gain of 95,700 video subscribers, or a 0.6 percent increase at an annualized rate, less than the growth of the population. In the third quarter of last year, they gained 405,800 subscribers.

(Missing from the top nine: the third-largest cable company, Cox Communications, which is privately held and doesn't report subscriber counts publicly; and the second-largest satellite TV company, Dish Network Corp., which reports results Friday.)

Cable companies have been losing video subscribers for some time, but they have been compensating by upgrading basic subscribers to more expensive digital tiers, as well as adding broadband and phone subscribers.

However, both Time Warner Cable and Cablevision Systems Corp. lost digital video subscribers in the third quarter. Both added record-low number of phone subscribers, as years of growth are coming to an end.

Meanwhile, Netflix Inc.'s streaming service has become so popular that it is now the largest source of U.S. Internet traffic during peak evening hours, according to Sandvine Inc., a Canadian company that supplies traffic-management equipment to Internet service providers.

A variety of gadgets can send Netflix's streams to the living room TV, including game consoles and the $99 Apple TV box. Many high-end TVs now come with the built-in ability to play Internet content.

Thomas Clancy Jr., 35, in Long Beach, N.Y., canceled the family's Cablevision subscription this spring. He said he has been happy with Netflix and other Internet video services since then, even though there isn't a lot of live sports to be had online.

"The amount of sports that I watched certainly didn't justify a hundred-dollar-a-month expense for all this stuff. I mean, that's twelve hundred dollars a year," Clancy said. "Twelve hundred dollars is ... near a vacation."

But Clancy -- who has no relation to the thriller writer -- is also an example of the hurdles cord cutters face. He uses an Internet-connected Blu-ray player to get Netflix movies to the TV. And he pulls a cable from his computer to the TV for Internet content Netflix doesn't have. Clancy owns a computer consulting firm and is tech-savvy enough to do all that. Most people wouldn't know how.

Cablevision wanted to raise Clancy's Internet bill when he canceled TV service. That would have made cord-cutting less attractive, but he happens to live in an area where Verizon provides Internet service at speeds that are comparable with the best cable has to offer. He got a better deal from Verizon and switched to that provider.

Most people who have the technological skills to take advantage of Internet video find that the selection of movies and shows isn't broad enough to make the jump worth it, Sanford Bernstein analyst Craig Moffett said.

On the other hand, poor people have an excellent motive to cut cable and simply replace it with an antenna or nothing at all, he said.

"The price cable TV has risen to the point where it's simply not affordable to lots of lower-income homes. And right now there are an awful lot of lower-income homes," Moffett said. "The evidence suggests that what we're seeing is a poverty problem rather than a technology phenomenon."

In addition, high unemployment means fewer new households, as kids are probably delaying moving out of their parents' houses, or people move in with roommates. That can reduce the number of households that pay for TV.

Cable companies would like to get low-income customers back with cheaper cable packages, but their hands are tied. Content providers such as The Walt Disney Co. and News Corp. won't license their channels one by one, so subscribers have to take big, expensive channel packages, or very basic ones, which offer little beyond what's available with an antenna.

Content providers now get billions of dollars in fees from cable service providers, and they want to make sure that whatever new industry model comes along, they'll get paid. It's not obvious yet that Internet video will let them sustain their profit levels.

Six companies create the content that consumes 85 percent of U.S. viewing hours, Moffett said. "Until they get on board, the train's not leaving the station."

Friday, October 15, 2010

If A TV Show Turns 50 And No One Notices...


http://www.npr.org/templates/story/story.php?storyId=130376572&ft=1&f=1048

If A TV Show Turns 50 And No One Notices...
by David Bianculli
October 6, 2010

The theme song to TV's My Three Sons is a tune all but guaranteed to start your toes tapping — and it may even conjure up long-dormant images of the animated opening credits, where cartoon toes were actually tapping.

There's value in old shows like that one, not just because the best of them were and are entertaining but because they provide a snapshot of what we were, what we accepted and what, in some cases, we aspired to become.

I mention this not because of a general wave of nostalgia, but because of a very specific wave: Last Wednesday, My Three Sons, a gentle ABC sitcom starring Fred MacMurray as a single father raising three boys, turned 50 years old. I would say it celebrated its golden anniversary, except I couldn't find any celebration.

There was no mention on ABC, which wasn't about to waste valuable prime time on a show that premiered before the oldest person in the network's coveted 18-to-49 demographic was even born. Not on TV Land, which you'd think would be a natural — or even on Nick at Nite. No, not even on cable networks devoted to vintage TV, where "vintage" these days means The George Lopez Show. And I'm not kidding.

My Three Sons, by the way, is by no means an isolated case of TV's disregard for its own past. Last Sunday, CBS's The Andy Griffith Show — one of TV's most durable, popular and iconic weekly shows, turned 50. TV Land at least showed a four-hour block of episodes that day to honor the event — but made sure the celebration was over before prime time.

The Flintstones turned 50 last week, and only the Boomerang cable network seemed to care. ABC's Beulah, the first TV sitcom to star an African-American, turned 60 last weekend — but not even BET bothered to present an episode.

And yesterday was the 60th anniversary of You Bet Your Life, the delightful game show hosted by Groucho Marx — and I bet your life you didn't know that.

Next month is the golden anniversary of one of the most important TV documentaries ever shown — Edward R. Murrow's Harvest of Shame, about migrant workers, which was originally shown Thanksgiving weekend on CBS. It's been out on video for years — but if no one sees it, that's the same as being lost and forgotten.

The same goes for a show that turns 60 next Tuesday, a CBS series that was the pivotal missing link between vaudeville, radio and what evolved into the TV sitcom: The George Burns and Gracie Allen Show.

This was when both George Burns and TV were relatively young. The stage sets of George and Gracie's house only had three walls, so studio audiences could see the stars. Mentions of the commercial sponsor, Carnation Evaporated Milk, were folded right into the show's dialogue; Gracie, effortlessly bringing to TV her radio role of a ditzy dame, would wonder how they managed to get milk from a carnation.

But the central DNA of television situation comedy is all here: the neighbor who bursts in unannounced, the schemes that don't work, the husband who thinks he knows best but often doesn't. And after 60 years, the comedy is still funny.

For example, the scene where Gracie visits a friend in the hospital and returns home with a bouquet of flowers — and yes, they're carnations — still gets a big laugh from the college students in my TV history class.

"I'll put them in the refrigerator, dear," she says to George. "We'll milk them later."

"We'll milk them later," he repeats. "Well, I guess if she made sense, I'd still be selling ties."

So where is that scene going to be shown on TV next week? So far as I can tell, nowhere. And that's a shame. For movie fans, Turner Classic Movies is the perfect cable network. It shows films unedited and uninterrupted, and has a host on hand to put things in context. It even has a weekend showcase called The Essentials, where Robert Osborne and guest host Alec Baldwin present certain movies, and talk about why they love them.

Where's the TV equivalent, when more programs are celebrating key anniversaries every year? If we forget our TV history, we're doomed to no repeats.

David Bianculli is founder and editor of the website TVWorthWatching.com, and teaches TV and film history at Rowan University in New Jersey