Showing posts with label DVD. Show all posts
Showing posts with label DVD. Show all posts
Monday, December 24, 2012
In Search Of... The Complete Series
Format: DVD
Amazon URL:
http://www.amazon.com/Search-Complete-Leonard-Nimoy/dp/B008X8VM1W
List Price: $149.99
Price: $104.99
You Save: $45.00 (30%)
Actors: Leonard Nimoy, Rod Serling, Mitch Pileggi
Directors: Leonard Nimoy
Format: Box set, Dolby, Full Screen, NTSC
Language: English
Subtitles: Spanish
Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
Number of discs: 21
Rated: Unrated
Studio: Visual Entertainment Inc.
DVD Release Date: December 11, 2012
Run Time: 3612 minutes
ASIN: B008X8VM1W
Leonard Nimoy, hosts and narrates this documentary series that takes you to the world of Unsolved Mysteries and those strange and unusual things in the world that defy explanation and often understanding. The world is filled with unexplained mysteries, paranormal phenomena, strange creatures, and other things that go bump in the night. The topics are entertaining and engrossing. Lost civilizations, extraterrestrials, myths and monsters, missing persons, magic and witchcraft, unexplained phenomena. ''In Search Of...'' cameras travel the world, seeking out these great mysteries. This program was the result the work of scientists, researchers and a group of highly-skilled technicians and results in a series of programs that are varied and each is worth viewing.
Wednesday, July 27, 2011
Netflix Price Hike
From the L.A. Times:
Netflix Inc., America's largest video subscription service, is hiking prices as much as 60% in a move that has sparked outrage among its customers but brought smiles to Hollywood studio executives.
The service will no longer offer a $9.99 plan that lets users watch an unlimited number of movies online and rent one DVD at a time. Instead, subscribers who want that combination will have to pay a total of $15.98 a month — $7.99 for Netflix Instant streaming and $7.99 to receive discs in the mail.
The changes take effect immediately for new customers and in September for existing ones. Tony Wible, an analyst with Janney Capital Markets, estimated that 80% of Netflix's 22.8 million U.S. subscribers currently use a DVD/streaming combination plan and will be affected by the price hike. The company launched a $7.99 streaming-only plan late last year.
Reactions to Netflix's biggest-ever price increase were swift and overwhelmingly negative. More than 10,000 people had responded to the news on Netflix's Facebook page by late Tuesday, nearly all of them critical.
"A 60% hike with no added value is outrageous," said Courtney Penly, a 28-year-old limousine company dispatcher from North Hollywood. "Unless Netflix is going to offer its entire library via streaming, then I am canceling."
In a statement, Netflix's chief service and operations officer, Andy Rendich, said the new prices "better reflect … the underlying costs" and represent a better value for people who want only DVDs.
A Netflix spokesman said executives would elaborate on reasons for the price change when reporting the company's financial results July 25. But analysts pointed out that the company faces escalating costs to acquire content for its digital streaming library.
Consumers will end up paying more money or, if they switch to a cheaper plan, accessing less content. Either way, Netflix will benefit from higher revenue or lower costs, freeing up cash for the Los Gatos, Calif., company to buy digital rights to more movies and TV shows.
Subscribers who choose the online-only option won't have access to popular recent releases like "Harry Potter and the Deathly Hallows Part 1" or "Little Fockers." Those who opt just for discs will need to wait two days, instead of two minutes, from the time they request a movie until they can watch it...
Netflix has raised its prices several times before, most recently in January, but never to such a dramatic degree. It remains to be seen what the news will mean to its bottom line. On Tuesday, Netflix's stock, which has risen 66% this year, rose 5 cents to $291.27.
"We believe the unprecedented size of the potential increase and the lack of consistent [past] data makes it difficult to assess the net benefit or loss from the change," analyst Wible wrote in a research note.
Eric Wold, director of research for Merriman Capital, said, "We would not be surprised if existing Netflix subscribers reevaluate their monthly subscription." He predicted that the move could benefit the company's largest competitor: kiosk rental company Redbox, which offers DVDs for $1 a night.
Other beneficiaries could be pay cable channels like HBO, which is competing with Netflix as the latter company gobbles up rerun rights to television shows such as AMC's "Mad Men" and movies from independent studios like Relativity Media, maker of the March hit "Limitless." The $15.98 price for Netflix's one-disc-at-a-time plan with online streaming is the same monthly cost as HBO.
Rental chain Blockbuster, which was recently acquired by Dish Network, used the opportunity Tuesday to remind consumers of its recently lowered prices to rent DVDs in stores and its plans to develop a subscription streaming offering.
Netflix has made changes that provoked subscriber complaints before, with no apparent effect on its subscriber base. When it signed its first deal with a studio that included 28-day delays for new releases in early 2010, many users expressed outrage online. However, the company added 9.63 million subscribers in the last year. In March, it surpassed Comcast Corp. as the nation's largest subscription video provider.
Nonetheless, many users on Tuesday were adamant that they wouldn't pay a higher bill during tough economic times. Karla Hernandez, a 25-year-old music supervisor in Encino, said she didn't find any of Netflix's new plans compelling enough to continue with the service.
"The price increase seems really unreasonable," she said. "Having limited options with just one plan or paying $16 for both options doesn't seem worth it."
Netflix raising prices as much as 60%
Video subscription service will no longer offer a $9.99 plan that lets users watch an unlimited number of movies online and rent one DVD at a time. Instead, those who want that combination will have to pay $15.98 a month.
Ben Fritz, Los Angeles Times
July 13, 2011
http://www.latimes.com/business/la-fi-ct-netflix-20110713,0,4419525.story
Netflix Inc., America's largest video subscription service, is hiking prices as much as 60% in a move that has sparked outrage among its customers but brought smiles to Hollywood studio executives.
The service will no longer offer a $9.99 plan that lets users watch an unlimited number of movies online and rent one DVD at a time. Instead, subscribers who want that combination will have to pay a total of $15.98 a month — $7.99 for Netflix Instant streaming and $7.99 to receive discs in the mail.
The changes take effect immediately for new customers and in September for existing ones. Tony Wible, an analyst with Janney Capital Markets, estimated that 80% of Netflix's 22.8 million U.S. subscribers currently use a DVD/streaming combination plan and will be affected by the price hike. The company launched a $7.99 streaming-only plan late last year.
Reactions to Netflix's biggest-ever price increase were swift and overwhelmingly negative. More than 10,000 people had responded to the news on Netflix's Facebook page by late Tuesday, nearly all of them critical.
"A 60% hike with no added value is outrageous," said Courtney Penly, a 28-year-old limousine company dispatcher from North Hollywood. "Unless Netflix is going to offer its entire library via streaming, then I am canceling."
In a statement, Netflix's chief service and operations officer, Andy Rendich, said the new prices "better reflect … the underlying costs" and represent a better value for people who want only DVDs.
A Netflix spokesman said executives would elaborate on reasons for the price change when reporting the company's financial results July 25. But analysts pointed out that the company faces escalating costs to acquire content for its digital streaming library.
Consumers will end up paying more money or, if they switch to a cheaper plan, accessing less content. Either way, Netflix will benefit from higher revenue or lower costs, freeing up cash for the Los Gatos, Calif., company to buy digital rights to more movies and TV shows.
Subscribers who choose the online-only option won't have access to popular recent releases like "Harry Potter and the Deathly Hallows Part 1" or "Little Fockers." Those who opt just for discs will need to wait two days, instead of two minutes, from the time they request a movie until they can watch it...
Netflix has raised its prices several times before, most recently in January, but never to such a dramatic degree. It remains to be seen what the news will mean to its bottom line. On Tuesday, Netflix's stock, which has risen 66% this year, rose 5 cents to $291.27.
"We believe the unprecedented size of the potential increase and the lack of consistent [past] data makes it difficult to assess the net benefit or loss from the change," analyst Wible wrote in a research note.
Eric Wold, director of research for Merriman Capital, said, "We would not be surprised if existing Netflix subscribers reevaluate their monthly subscription." He predicted that the move could benefit the company's largest competitor: kiosk rental company Redbox, which offers DVDs for $1 a night.
Other beneficiaries could be pay cable channels like HBO, which is competing with Netflix as the latter company gobbles up rerun rights to television shows such as AMC's "Mad Men" and movies from independent studios like Relativity Media, maker of the March hit "Limitless." The $15.98 price for Netflix's one-disc-at-a-time plan with online streaming is the same monthly cost as HBO.
Rental chain Blockbuster, which was recently acquired by Dish Network, used the opportunity Tuesday to remind consumers of its recently lowered prices to rent DVDs in stores and its plans to develop a subscription streaming offering.
Netflix has made changes that provoked subscriber complaints before, with no apparent effect on its subscriber base. When it signed its first deal with a studio that included 28-day delays for new releases in early 2010, many users expressed outrage online. However, the company added 9.63 million subscribers in the last year. In March, it surpassed Comcast Corp. as the nation's largest subscription video provider.
Nonetheless, many users on Tuesday were adamant that they wouldn't pay a higher bill during tough economic times. Karla Hernandez, a 25-year-old music supervisor in Encino, said she didn't find any of Netflix's new plans compelling enough to continue with the service.
"The price increase seems really unreasonable," she said. "Having limited options with just one plan or paying $16 for both options doesn't seem worth it."
Netflix raising prices as much as 60%
Video subscription service will no longer offer a $9.99 plan that lets users watch an unlimited number of movies online and rent one DVD at a time. Instead, those who want that combination will have to pay $15.98 a month.
Ben Fritz, Los Angeles Times
July 13, 2011
http://www.latimes.com/business/la-fi-ct-netflix-20110713,0,4419525.story
Friday, May 6, 2011
Classic Car Flicks
With the release of Fast Five, the AP has released a list of five great car movies to put in your DVD player for a weekend of fun:
— "Two-Lane Blacktop" (1971): A languid, existential journey rather than a heart-pounding adventure, and that's what makes director Monte Hellman's film so fascinating. James Taylor and Dennis Wilson play two nameless and meandering auto racers: a driver and a mechanic, respectively. They end up in a showdown in their '55 Chevy with a big talker in a '70 G.T.O. (Warren Oates) who is named, aptly, G.T.O. Along with the girl who randomly showed up and insinuated herself in their lives, they agree to race G.T.O. to Washington. The pervasive feeling of detachment is meant to metaphor for a national sense of melancholy at the end of the 1960s. But you're welcome to just enjoy the cars.
— "American Graffiti" (1973): The cars here serve as a reflection of not just who the characters are, but who they dream of becoming. They're not just a mode of transportation but a way of life. Inspired by director and co-writer George Lucas' own youth in Modesto, Calif., this coming-of-age comic-drama follows the all-night adventures of a group of high school seniors on the brink of adulthood. Led by Ron Howard, Richard Dreyfuss and Harrison Ford, they cruise the main drag one last time in August 1962 — joking, flirting, getting into trouble. But regardless of the setting, this is a time we can all relate to: when having a car equals freedom.
— "Bullitt" (1968): Peter Yates' film features what is considered one of the definitive car chases in movie history — "The French Connection" has another — but just having Steve McQueen as its star makes it sufficiently bad-ass. As a cop determined to find out who killed the mob witness he was protecting, McQueen zips up and down the hilly streets of San Francisco and skids around corners in his Mustang, trying to evade a couple of gangsters in a Charger. Sure, you could count the number of hubcaps that fly off a car and come up with a number that's greater than four. Still, the scene is shot and edited in such a clean, uncomplicated way, it's 10 minutes of pure tension.
— "Christine" (1983): It's a car! It's a killing machine! It's ... both! Director John Carpenter adapted the Stephen King novel — one horror master playing off another — and this tale about a bright red 1958 Plymouth Fury that does much more than get you from point A to point B remains darkly funny and deeply chilling. Keith Gordon stars as the nerdy teenager who finds the car with plans to fix it up, but he ends up becoming the one who undergoes major changes. The car gives him confidence and makes him popular — but then she gets jealous when she realizes she can't have him all to herself. Good, silly, twisted fun.
— "The Fast and the Furious" (2001): And here we are, back at the beginning, with the first movie in the series. Of course it's ridiculous, but audaciously so, and that's the film's charm. By bringing underground street racing to the masses, it knows exactly what it is and revels in it. Led by Vin Diesel, Jordana Brewster and Paul Walker, everyone's beautiful and they say incredibly idiotic things like: "I live my life a quarter-mile at a time." The main draw, though, is the racing itself, full of souped-up cars in splashy colors. The competitions are shot and edited seamlessly. They are, hence the title, fast and furious.
5 Great Car Movies
CHRISTY LEMIRE
April 29, 2011
http://abcnews.go.com/Entertainment/wireStory?id=13492221
— "Two-Lane Blacktop" (1971): A languid, existential journey rather than a heart-pounding adventure, and that's what makes director Monte Hellman's film so fascinating. James Taylor and Dennis Wilson play two nameless and meandering auto racers: a driver and a mechanic, respectively. They end up in a showdown in their '55 Chevy with a big talker in a '70 G.T.O. (Warren Oates) who is named, aptly, G.T.O. Along with the girl who randomly showed up and insinuated herself in their lives, they agree to race G.T.O. to Washington. The pervasive feeling of detachment is meant to metaphor for a national sense of melancholy at the end of the 1960s. But you're welcome to just enjoy the cars.
— "American Graffiti" (1973): The cars here serve as a reflection of not just who the characters are, but who they dream of becoming. They're not just a mode of transportation but a way of life. Inspired by director and co-writer George Lucas' own youth in Modesto, Calif., this coming-of-age comic-drama follows the all-night adventures of a group of high school seniors on the brink of adulthood. Led by Ron Howard, Richard Dreyfuss and Harrison Ford, they cruise the main drag one last time in August 1962 — joking, flirting, getting into trouble. But regardless of the setting, this is a time we can all relate to: when having a car equals freedom.
— "Bullitt" (1968): Peter Yates' film features what is considered one of the definitive car chases in movie history — "The French Connection" has another — but just having Steve McQueen as its star makes it sufficiently bad-ass. As a cop determined to find out who killed the mob witness he was protecting, McQueen zips up and down the hilly streets of San Francisco and skids around corners in his Mustang, trying to evade a couple of gangsters in a Charger. Sure, you could count the number of hubcaps that fly off a car and come up with a number that's greater than four. Still, the scene is shot and edited in such a clean, uncomplicated way, it's 10 minutes of pure tension.
— "Christine" (1983): It's a car! It's a killing machine! It's ... both! Director John Carpenter adapted the Stephen King novel — one horror master playing off another — and this tale about a bright red 1958 Plymouth Fury that does much more than get you from point A to point B remains darkly funny and deeply chilling. Keith Gordon stars as the nerdy teenager who finds the car with plans to fix it up, but he ends up becoming the one who undergoes major changes. The car gives him confidence and makes him popular — but then she gets jealous when she realizes she can't have him all to herself. Good, silly, twisted fun.
— "The Fast and the Furious" (2001): And here we are, back at the beginning, with the first movie in the series. Of course it's ridiculous, but audaciously so, and that's the film's charm. By bringing underground street racing to the masses, it knows exactly what it is and revels in it. Led by Vin Diesel, Jordana Brewster and Paul Walker, everyone's beautiful and they say incredibly idiotic things like: "I live my life a quarter-mile at a time." The main draw, though, is the racing itself, full of souped-up cars in splashy colors. The competitions are shot and edited seamlessly. They are, hence the title, fast and furious.
5 Great Car Movies
CHRISTY LEMIRE
April 29, 2011
http://abcnews.go.com/Entertainment/wireStory?id=13492221
Sunday, August 29, 2010
15 Things You Shouldn't Be Paying For
http://finance.yahoo.com/banking-budgeting/article/110384/things-you-shouldnt-be-paying-for
15 Things You Shouldn't Be Paying For
by Phil Taylor
Thursday, August 19, 2010
So much money and energy is wasted on things we could get for free. If you're into new, shiny things and collecting stuff, this is not for you. But if you want less clutter in your life and want to keep more of your money, then check out these 15 things you shouldn't be paying for.
Basic Computer Software -- Thinking of purchasing a new computer? Think twice before you fork over the funds for a bunch of extra software. There are some great alternatives to the name brand software programs. The most notable is OpenOffice, the open-source alternative to those other guys. It's completely free and files can be exported in compatible formats.
Your Credit Report -- You don't have to pay for your credit report. You could sign up for one of the free credit monitoring services online to get a quick look at your credit report. You just have to remember to cancel the service before the end of the free trial. Or you could do one better and visit http://www.annualcreditreport.com/, the only truly free place to see all three of your credit reports for free once a year.
Cell Phone -- The service plan may be expensive, but the phone itself doesn't have to cost a thing. Most major carriers will give you a free phone, even a free smart phone, with a two-year contract.
Books -- There's a cool place in your town that's renting out books for free: the library. Remember that place? Stop by and put your favorite book on reserve. And if you don't feel like getting out, visit www.paperbackswap.com and find your books there (small shipping fees apply).
Water -- Besides the monthly utility bill, there's no reason to shell out $1 for every bottle of water you drink. Bottled water is so last decade anyway. We're over it, and into tap, filters, and reusable water bottles. It's cheaper for you and better for the environment.
Credit Card -- With as many credit cards as there are available on the market today, it's easy to avoid a credit card with an annual fee. Unless you're dead set on a particular perk that a fee card brings, skip the annual fee card and pocket that money yourself.
Debt Reduction Help -- Speaking of credit cards, if you're in over your head with credit card help, there are many free sources you can turn to for help with your debt. No one is going to be able to magically wipe away your debts, but there is help out there that will set you up on a debt reduction plan you can handle. Start with a visit to the National Foundation for Credit Counseling.
Basic Tax Preparation -- If your tax situation isn't that complicated, then you should probably be preparing your own tax return using one of the many free online services. It's now common for e-filing to be free as well with many services. You won't even need a stamp.
The News -- Leave it to a blogger to try and kill off traditional print. I'm not anti-newspaper. I just don't find them practical anymore. Skip the daily .50 cents and get your news online. And for you dedicated coupon clippers, you can get most of your Sunday coupons online now too.
Budgeting Tools -- There are many budgeting tools (both online and desktop) that offer up the service for free. Don't ask me how they do this, but who cares. If you're looking to reign in some of your spending, the good news is you can do it for free.
Pets -- This is a controversial one, I know. But there are likely many pets down at your local animal shelter that could use just as much love as the pure-bred types. There may be a small fee due to the shelter for shots and basic care, but you'll have your pet home without paying a mini-fortune.
Shipping -- If you like to buy online, you probably use coupons to get a percentage off of your purchase. Take your skills to the next level and look for coupons or promotion codes that offer free shipping. If in doubt, visit a site like www.freeshipping.org.
Checking Account -- Isn't it nice when a bank takes your money, lends it out to earn money, and then has the audacity to charge you for the service? What a joke. Checking should be free. If yours isn't free then move to one of the many banks that offers a checking account for free. And the same can be said for ATM fees, teller fees, and checks.
DVD Rentals -- Did you know that you can rent DVDs from RedBox locations for $1 a night? And better yet, if you use one of the coupon codes from www.insideredbox.com you can avoid the $1 charge. Free DVD rentals! Most libraries now have free DVD rental as well.
Exercise -- Skip the expensive gym memberships. Visit your local park for a walk or run. Do basic push-up and sit-up programs in your living room. Rent a workout DVD from the library. There are many free workout programs you can download online as well.
15 Things You Shouldn't Be Paying For
by Phil Taylor
Thursday, August 19, 2010
So much money and energy is wasted on things we could get for free. If you're into new, shiny things and collecting stuff, this is not for you. But if you want less clutter in your life and want to keep more of your money, then check out these 15 things you shouldn't be paying for.
Basic Computer Software -- Thinking of purchasing a new computer? Think twice before you fork over the funds for a bunch of extra software. There are some great alternatives to the name brand software programs. The most notable is OpenOffice, the open-source alternative to those other guys. It's completely free and files can be exported in compatible formats.
Your Credit Report -- You don't have to pay for your credit report. You could sign up for one of the free credit monitoring services online to get a quick look at your credit report. You just have to remember to cancel the service before the end of the free trial. Or you could do one better and visit http://www.annualcreditreport.com/, the only truly free place to see all three of your credit reports for free once a year.
Cell Phone -- The service plan may be expensive, but the phone itself doesn't have to cost a thing. Most major carriers will give you a free phone, even a free smart phone, with a two-year contract.
Books -- There's a cool place in your town that's renting out books for free: the library. Remember that place? Stop by and put your favorite book on reserve. And if you don't feel like getting out, visit www.paperbackswap.com and find your books there (small shipping fees apply).
Water -- Besides the monthly utility bill, there's no reason to shell out $1 for every bottle of water you drink. Bottled water is so last decade anyway. We're over it, and into tap, filters, and reusable water bottles. It's cheaper for you and better for the environment.
Credit Card -- With as many credit cards as there are available on the market today, it's easy to avoid a credit card with an annual fee. Unless you're dead set on a particular perk that a fee card brings, skip the annual fee card and pocket that money yourself.
Debt Reduction Help -- Speaking of credit cards, if you're in over your head with credit card help, there are many free sources you can turn to for help with your debt. No one is going to be able to magically wipe away your debts, but there is help out there that will set you up on a debt reduction plan you can handle. Start with a visit to the National Foundation for Credit Counseling.
Basic Tax Preparation -- If your tax situation isn't that complicated, then you should probably be preparing your own tax return using one of the many free online services. It's now common for e-filing to be free as well with many services. You won't even need a stamp.
The News -- Leave it to a blogger to try and kill off traditional print. I'm not anti-newspaper. I just don't find them practical anymore. Skip the daily .50 cents and get your news online. And for you dedicated coupon clippers, you can get most of your Sunday coupons online now too.
Budgeting Tools -- There are many budgeting tools (both online and desktop) that offer up the service for free. Don't ask me how they do this, but who cares. If you're looking to reign in some of your spending, the good news is you can do it for free.
Pets -- This is a controversial one, I know. But there are likely many pets down at your local animal shelter that could use just as much love as the pure-bred types. There may be a small fee due to the shelter for shots and basic care, but you'll have your pet home without paying a mini-fortune.
Shipping -- If you like to buy online, you probably use coupons to get a percentage off of your purchase. Take your skills to the next level and look for coupons or promotion codes that offer free shipping. If in doubt, visit a site like www.freeshipping.org.
Checking Account -- Isn't it nice when a bank takes your money, lends it out to earn money, and then has the audacity to charge you for the service? What a joke. Checking should be free. If yours isn't free then move to one of the many banks that offers a checking account for free. And the same can be said for ATM fees, teller fees, and checks.
DVD Rentals -- Did you know that you can rent DVDs from RedBox locations for $1 a night? And better yet, if you use one of the coupon codes from www.insideredbox.com you can avoid the $1 charge. Free DVD rentals! Most libraries now have free DVD rental as well.
Exercise -- Skip the expensive gym memberships. Visit your local park for a walk or run. Do basic push-up and sit-up programs in your living room. Rent a workout DVD from the library. There are many free workout programs you can download online as well.
Tuesday, January 12, 2010
10 Things Not to Buy in 2010
http://www.smartmoney.com/spending/budgeting/10-things-not-to-buy-in-2010/
Consumer Action by AnnaMaria Andriotis
December 31, 2009
10 Things Not to Buy in 2010
Ten years ago, most homes relied on dial-up connections to access the Internet and iPods, flat-screen TVs and the Nintendo Wii didn’t exist.
As we prepare to ring in 2010, consumer should expect to see more revolutionary products supplanting old mainstays. In media, DVDs, books, newspapers and magazines will continue to lose ground to services like in-home movie rentals and gadgets like the Amazon Kindle. In big-ticket items, the push for energy efficiency will continue to influence consumer decisions on cars and home upgrades.
As a result, some consumer products appear poised for a dip in sales, which could be a prelude to obsolescence. Here are 10 items not to buy in 2010.
DVDs
The days of going to a video shop to rent a movie are at an end. In September, Blockbuster said it plans to close roughly 22% of its stores by the end of 2010; meanwhile, third-quarter revenue was down 21% from the year-ago period. (The company didn’t return calls for comment.)
Looking ahead, DVD purchases could turn cold, as well. On average, DVDs sell for at least $20 each. That’s pricier than signing up for Netflix or renting movies from cable providers’ on-demand channels. Netflix charges as little as $8.99 a month to rent one DVD at a time (with no limit to the number of monthly rentals).
Time Warner Cable offers thousands of movies on demand for around $4.99 each. Verizon Fios cable service charges $5.99 a month to download unlimited movies.
Home telephone service
It will probably take a while, but home landlines could become as archaic as the rotary phone.
According to a Centers for Disease Control and Prevention study, more than one in five U.S. homes (22.7%) had cellphones – and no landlines – during the first half of 2009, up from 10.5% during the same period in 2006.
Ditching your home phone is easier now than it has been in the past, as cell phone companies compete for greater market share and alternatives to the home landline continue growing. For example, magicJack provides phone service when it’s plugged into a computer’s USB port and a home phone. It costs $39.95 and includes a one-year license for calls in the U.S. and Canada; after that, service costs $19.95 per year. (By contrast, Time Warner Cable’s digital home phone service costs $39.95 per month.)
And, consider Skype, which is free when you communicate with other Skype users; this software application uses the Internet as a platform to make calls, hold video conferences and send instant messages.
External hard drives
Consumers who keep their computers for years and upload thousands of songs, videos, movies and photos will need to get more space at some point.
External hard drives are one option, but an up-and-coming alternative might be simpler and save you another transition down the road. Online backup services, like Carbonite.com or Mozy.com, allow users to back up data over the Internet.
These services are more expensive than purchasing an external hard drive, which typically starts at around $70. At Carbonite.com, a one-year subscription starts at $54.95, and at Mozy.com monthly subscription costs total $54.45 for a year.
Smartphone also-rans
In the past few years, several smartphones hit the market with similar features to the iPhone and BlackBerry, but they haven’t generated the same buzz. As a result, fewer developers are likely to create applications and other products that cater to those phones.
Today, the BlackBerry dominates the smartphone market with 40% market share, followed by the iPhone with 25%, according to data released by ComScore in December. In the near term, both are expected to stay at the top. ComScore found that most consumers who’ll be shopping for smartphones in the next three months plan to purchase a Blackberry (51%) or an iPhone (20%).
By contrast, only 5% of respondents said they planned to purchase T-Mobile’s MyTouch. The Palm Pre and Palm Centro received 2% and 1% of the vote, respectively.
A possible upcoming competitor that could shake up the space is Google’s Android. According to ComScore, as of October, the Android’s market share had doubled to 3.5% in the past year.
Compact digital cameras
For nearly a decade, digital compact cameras were must-haves for most consumers.
But during the past several years, another type of digital camera has been slowly rising in popularity: the single-lens reflex (SLR) camera, from manufacturers including Nikon, Canon, Sony and Olympus. Although bulkier, these cameras produce pictures that more accurately represent what’s in their viewfinders than those that use older technology.
They’re also pricier. For example, Canon’s digital compact cameras start at $110, while the SLRs start at $570.
Newspaper subscriptions
The past few years have been unkind to the publishing industry.
In 2008, newspaper advertising revenues declined by 17.7%, according to the Newspaper Association of America. Meanwhile, average daily circulation at 379 newspapers fell 10.6% from April through September 2009, compared to the same period a year ago, according to the Audit Bureau of Circulations.
Magazines haven’t fared any better. In 2009, more than 360 magazines shut down. During the first half of 2009, ad pages fell 27.9% when compared to the same period in 2008, according to Publishers Information Bureau.
The morning newspaper has been replaced by a growing online media presence – much of which is accessible for free. The Amazon Kindle – even with its price tag of around $250 – and other eBook readers could increasingly become one-stop sources to access newspapers, magazines and books.
CDs
When was the last time you bought a CD or even walked into a record store?
The past decade was one of the worst for the industry. In the beginning, there was Napster. Then came iTunes, which was introduced in 2001 and offered affordable pricing and easy accessibility. Face it, CDs aren’t coming back.
Record stores are feeling the pinch. Most Virgin Megastores in the U.S. have shut down following declines in sales and revenues. In 2004, Tower Records entered bankruptcy and by 2006 most locations had closed.
New college textbooks
Unless a student absolutely needs brand-new textbooks, they can use several alternatives to save.
Shop for used textbooks, which can help you save 70% to 90% off the retail price, says Mike Gatti, the executive director at the Retail Advertising and Marketing Association, a trade group. Check out web sites like CheapestTextbooks.com, Booksprice.com or Amazon.com. Many college bookstores also sell used texts.
Another option is downloading books online. Sites like Coursesmart.com sell subscriptions to digital copies of more than 7,000 textbooks. TextbookMedia.com allows students to download textbooks for free. You can also rent textbooks on Chegg.com.
Gas-guzzling cars
Skyrocketing gasoline prices dominated headlines during most of the decade, and they remain volatile.
The Energy Information Administration estimates that crude oil prices will average around $77 a barrel for the fourth quarter of 2009, up from $42.90 in the first quarter. The EIA also projects prices will rise in 2010 to their highest point in more than two years: $81.33 a barrel.
Recent announcements by car manufacturers to mass produce fuel-efficient cars could help push consumers away from gas-guzzling vehicles.
According to the Department of Energy, the most efficient cars include the Honda Civic Hybrid, which gets 40 miles per gallon (mpg) in the city and 45 mpg on the highway, the Volkswagen Jetta and Golf (both run on diesel), which each get 30 mpg in the city and 41 mpg on the highway, and the Toyota Prius hybrid (51/48 mpg).
Energy-inefficient homes and appliances
Ten years ago, shopping for home upgrades involved looking at a product’s functionality and aesthetic. Now, there’s another component: energy efficiency.
Today, the products most touted by manufacturers and retailers are those that are Energy Star certified and those that meet new federal environmental standards – most of which have higher price tags than their counterparts but help to lower heating and cooling bills.
The government is offering a federal tax credit of up to $1,500 on energy-efficient home upgrades through Dec. 31, 2016. But many are set to expire by Dec. 31, 2010; these include eligible insulation, roofs and windows and doors.
Consumer Action by AnnaMaria Andriotis
December 31, 2009
10 Things Not to Buy in 2010
Ten years ago, most homes relied on dial-up connections to access the Internet and iPods, flat-screen TVs and the Nintendo Wii didn’t exist.
As we prepare to ring in 2010, consumer should expect to see more revolutionary products supplanting old mainstays. In media, DVDs, books, newspapers and magazines will continue to lose ground to services like in-home movie rentals and gadgets like the Amazon Kindle. In big-ticket items, the push for energy efficiency will continue to influence consumer decisions on cars and home upgrades.
As a result, some consumer products appear poised for a dip in sales, which could be a prelude to obsolescence. Here are 10 items not to buy in 2010.
DVDs
The days of going to a video shop to rent a movie are at an end. In September, Blockbuster said it plans to close roughly 22% of its stores by the end of 2010; meanwhile, third-quarter revenue was down 21% from the year-ago period. (The company didn’t return calls for comment.)
Looking ahead, DVD purchases could turn cold, as well. On average, DVDs sell for at least $20 each. That’s pricier than signing up for Netflix or renting movies from cable providers’ on-demand channels. Netflix charges as little as $8.99 a month to rent one DVD at a time (with no limit to the number of monthly rentals).
Time Warner Cable offers thousands of movies on demand for around $4.99 each. Verizon Fios cable service charges $5.99 a month to download unlimited movies.
Home telephone service
It will probably take a while, but home landlines could become as archaic as the rotary phone.
According to a Centers for Disease Control and Prevention study, more than one in five U.S. homes (22.7%) had cellphones – and no landlines – during the first half of 2009, up from 10.5% during the same period in 2006.
Ditching your home phone is easier now than it has been in the past, as cell phone companies compete for greater market share and alternatives to the home landline continue growing. For example, magicJack provides phone service when it’s plugged into a computer’s USB port and a home phone. It costs $39.95 and includes a one-year license for calls in the U.S. and Canada; after that, service costs $19.95 per year. (By contrast, Time Warner Cable’s digital home phone service costs $39.95 per month.)
And, consider Skype, which is free when you communicate with other Skype users; this software application uses the Internet as a platform to make calls, hold video conferences and send instant messages.
External hard drives
Consumers who keep their computers for years and upload thousands of songs, videos, movies and photos will need to get more space at some point.
External hard drives are one option, but an up-and-coming alternative might be simpler and save you another transition down the road. Online backup services, like Carbonite.com or Mozy.com, allow users to back up data over the Internet.
These services are more expensive than purchasing an external hard drive, which typically starts at around $70. At Carbonite.com, a one-year subscription starts at $54.95, and at Mozy.com monthly subscription costs total $54.45 for a year.
Smartphone also-rans
In the past few years, several smartphones hit the market with similar features to the iPhone and BlackBerry, but they haven’t generated the same buzz. As a result, fewer developers are likely to create applications and other products that cater to those phones.
Today, the BlackBerry dominates the smartphone market with 40% market share, followed by the iPhone with 25%, according to data released by ComScore in December. In the near term, both are expected to stay at the top. ComScore found that most consumers who’ll be shopping for smartphones in the next three months plan to purchase a Blackberry (51%) or an iPhone (20%).
By contrast, only 5% of respondents said they planned to purchase T-Mobile’s MyTouch. The Palm Pre and Palm Centro received 2% and 1% of the vote, respectively.
A possible upcoming competitor that could shake up the space is Google’s Android. According to ComScore, as of October, the Android’s market share had doubled to 3.5% in the past year.
Compact digital cameras
For nearly a decade, digital compact cameras were must-haves for most consumers.
But during the past several years, another type of digital camera has been slowly rising in popularity: the single-lens reflex (SLR) camera, from manufacturers including Nikon, Canon, Sony and Olympus. Although bulkier, these cameras produce pictures that more accurately represent what’s in their viewfinders than those that use older technology.
They’re also pricier. For example, Canon’s digital compact cameras start at $110, while the SLRs start at $570.
Newspaper subscriptions
The past few years have been unkind to the publishing industry.
In 2008, newspaper advertising revenues declined by 17.7%, according to the Newspaper Association of America. Meanwhile, average daily circulation at 379 newspapers fell 10.6% from April through September 2009, compared to the same period a year ago, according to the Audit Bureau of Circulations.
Magazines haven’t fared any better. In 2009, more than 360 magazines shut down. During the first half of 2009, ad pages fell 27.9% when compared to the same period in 2008, according to Publishers Information Bureau.
The morning newspaper has been replaced by a growing online media presence – much of which is accessible for free. The Amazon Kindle – even with its price tag of around $250 – and other eBook readers could increasingly become one-stop sources to access newspapers, magazines and books.
CDs
When was the last time you bought a CD or even walked into a record store?
The past decade was one of the worst for the industry. In the beginning, there was Napster. Then came iTunes, which was introduced in 2001 and offered affordable pricing and easy accessibility. Face it, CDs aren’t coming back.
Record stores are feeling the pinch. Most Virgin Megastores in the U.S. have shut down following declines in sales and revenues. In 2004, Tower Records entered bankruptcy and by 2006 most locations had closed.
New college textbooks
Unless a student absolutely needs brand-new textbooks, they can use several alternatives to save.
Shop for used textbooks, which can help you save 70% to 90% off the retail price, says Mike Gatti, the executive director at the Retail Advertising and Marketing Association, a trade group. Check out web sites like CheapestTextbooks.com, Booksprice.com or Amazon.com. Many college bookstores also sell used texts.
Another option is downloading books online. Sites like Coursesmart.com sell subscriptions to digital copies of more than 7,000 textbooks. TextbookMedia.com allows students to download textbooks for free. You can also rent textbooks on Chegg.com.
Gas-guzzling cars
Skyrocketing gasoline prices dominated headlines during most of the decade, and they remain volatile.
The Energy Information Administration estimates that crude oil prices will average around $77 a barrel for the fourth quarter of 2009, up from $42.90 in the first quarter. The EIA also projects prices will rise in 2010 to their highest point in more than two years: $81.33 a barrel.
Recent announcements by car manufacturers to mass produce fuel-efficient cars could help push consumers away from gas-guzzling vehicles.
According to the Department of Energy, the most efficient cars include the Honda Civic Hybrid, which gets 40 miles per gallon (mpg) in the city and 45 mpg on the highway, the Volkswagen Jetta and Golf (both run on diesel), which each get 30 mpg in the city and 41 mpg on the highway, and the Toyota Prius hybrid (51/48 mpg).
Energy-inefficient homes and appliances
Ten years ago, shopping for home upgrades involved looking at a product’s functionality and aesthetic. Now, there’s another component: energy efficiency.
Today, the products most touted by manufacturers and retailers are those that are Energy Star certified and those that meet new federal environmental standards – most of which have higher price tags than their counterparts but help to lower heating and cooling bills.
The government is offering a federal tax credit of up to $1,500 on energy-efficient home upgrades through Dec. 31, 2016. But many are set to expire by Dec. 31, 2010; these include eligible insulation, roofs and windows and doors.
Labels:
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Wednesday, September 30, 2009
Nintendo drops Wii price to $199
http://news.cnet.com/8301-17938_105-10360550-1.htmlSeptember 23, 2009
Nintendo drops Wii price to $199
by John P. Falcone
Nintendo has officially announced that the price of the Wii will drop to $199.99, effective on Sunday. The long-rumored $50 price cut comes in the wake of recent price drops for the PlayStation 3 ($299, with built-in Blu-ray player) and Xbox 360 ($299 for the 120GB version with built-in DVD player and Netflix support), which have boosted sales of the Sony and Microsoft consoles. (To date, the Wii remains the best-selling home game console of the three.)
Other than the price cut, there are no other changes to the current Wii bundle--you're still getting the console, along with the Wiimote and Nunchuk controllers and the bundled Wii Sports game. By contrast, there's at least one rumor that the U.K. will get a Wii package that adds the MotionPlus peripheral and Wii Sports Resort to the mix. Meanwhile, white remains the only color choice in North America (Japanese consumers can choose black as well).
Nintendo also took the opportunity to officially announce the release date for New Super Mario Bros. Wii, which had previously been slated for a vague "fall 2009" window. The multiplayer Super Mario game will hit store shelves on November 15.
Monday, August 24, 2009
Cocksucker Blues
http://www.dangerousminds.net/index.php/site/comments/cocksucker_blues_rarely_seen_rolling_stones_documentary/Cocksucker Blues: Rarely Seen Rolling Stones Documentary
08.18.2009
Richard Metzger
Tags:
The Rolling Stones
Robert Frank
Hard to remember it now, but it wasn’t until approximately 1987 that VCRs were commonplace in America life. I lived in lower Manhattan at the time and there were very few video rental stores then, too. The only ones I can recall are Kim’s Video (originally sharing space with a dry cleaner and now with several locations) and the New Video mini-chain, now a DVD distributor. By the following year, the “tape trading underground” was starting to organize itself (aided by the then burgeoning zine scene) and an unlikely character named “Dan the Record Man” became a key node in that machinery.
Dan the Record Man was probably in his late 60s when I met him, but he was in such terrible shape that he could have been much younger. He was a classic example of what eating SHIT 24/7—in his case dirty water sauerkraut and mustard slathered hot dogs sold by street vendors outside of the Canal Street flea market where his stall was located—could do to a human body. My god did he just reek of poor health and future strokes and heart attacks, but he was a super cool old guy who had been a dancer on Hullabaloo and knew everything about music and had records so rare it made my head spin. Case in point he had copies of “The Great Lost Kinks Album” as well as the live Yardbirds LP and the novelty record “Stairway to Gilligan” that Led Zeppelin’s lawyers had yanked off the market. Once he knew you were “cool”—he was really paranoid—he’d pull back the black curtains covering the top shelves in his overstuffed corner booth and show you the bootlegs (there were thousands) and the real treasure, the bootleg music videos.
Dan had EVERYTHING you ever wanted or could ever want. And if he didn’t have it, he could get it for you (he scored Nancy Sinatra’s TV special for me as I recall). Tapes were $20 and he’d do trade if you had something really good, but in keeping with his Gollum-esque character, you had to have two really good things in order to get one of his really good things for free. Those were his rules and you could fuck off if you weren’t prepared to play by them. Old school record collectors out there will feel me when I say: you did play by his rules. Otherwise you were cut off from so much illicit bootleg goodness.
Every once in a while you could surprise Dan with something incredibly rare. At the time I knew Dan, I was working in a digital video studio that ran Super8, 16mm and 35mm film transfers. On one occasion, photographer Robert Frank booked time to make a film transfer from his little seen documentary of the Rolling Stones’ 1972 American Tour with the title Cocksucker Blues. Cocksucker Blues had an injunction against it screening (unless for charity) because, well, it was a fairly decadent and quite unflattering portrait of them, let’s just say. The staff were told that under no circumstances could we make our own copies of what Frank was coming in to transfer. Yeah right! So, uh, this friend of mine, yeah this friend of mine, made copy, a copy I then traded to Dan, for, as I recall, a live video of David Bowie’s Heroes tour from 1978 and Bowie’s 1980 Floor Show performance from The Midnight Special. Whenever I see a bootleg DVD or Bit Torrent avi of Cocksucker Blues, I always look to see if it’s a generation or two away from the one I traded with Dan. Since that was easily the cleanest copy possible to have, most of them are my copy’s progeny (I can tell by a warble in the opening credits, but they’re cut too close in the below video for me to say about this version).
In any case, my rambling anecdote about the VHS tape trading underground of the late 1980s is because I wanted you to know that the legendary BANNED Cocksucker Blues documentary has been liberated and is now for viewing on the Internet:
http://www.wat.tv/video/the-rolling-stones-cocksucker-xs4f_ovt4_.html
PS: The quality is bad. It always was bad, as the film was shot on Super8 to begin with…
Sunday, December 28, 2008
VHS era is winding down
http://www.latimes.com/entertainment/news/la-et-vhs-tapes22-2008dec22,0,5852342.story
VHS era is winding down
The last big supplier of the tapes is ditching the format, ending the long fade-out of a product that ushered in the home theater.
By Geoff Boucher
December 22, 2008
Pop culture is finally hitting the eject button on the VHS tape, the once-ubiquitous home-video format that will finish this month as a creaky ghost of Christmas past.
After three decades of steady if unspectacular service, the spinning wheels of the home-entertainment stalwart are slowing to a halt at retail outlets. On a crisp Friday morning in October, the final truckload of VHS tapes rolled out of a Palm Harbor, Fla., warehouse run by Ryan J. Kugler, the last major supplier of the tapes.
"It's dead, this is it, this is the last Christmas, without a doubt," said Kugler, 34, a Burbank businessman. "I was the last one buying VHS and the last one selling it, and I'm done. Anything left in warehouse we'll just give away or throw away."
Dumped in a humid Florida landfill? It's an ignominious end for the innovative product that redefined film-watching in America and spawned an entire sector led by new household names like Blockbuster and West Coast Video. Those chains gave up on VHS a few years ago but not Kugler, who casually describes himself as "a bottom feeder" with a specialization in "distressed inventory."
Kugler is president and co-owner of Distribution Video Audio Inc., a company that pulls in annual revenue of $20 million with a proud nickel-and-dime approach to fading and faded pop culture. Whether it's unwanted "Speed Racer" ball caps, unsold Danielle Steel novels or unappreciated David Hasselhoff albums, Kugler's company pays pennies and sells for dimes. If the firm had a motto, it would be "Buy low, sell low."
"It's true, one man's trash is another man's gold," Kugler said. "But we are not the graveyard. I'm like a heart surgeon -- we keep things alive longer. Or maybe we're more like the convalescence home right before the graveyard."
The last major Hollywood movie to be released on VHS was "A History of Violence" in 2006. By that point major retailers such as Best Buy and Wal-Mart were already well on their way to evicting all the VHS tapes from their shelves so the valuable real estate could go to the sleeker and smaller DVDs and, in more recent seasons, the latest upstart, Blu-ray discs. Kugler ended up buying back as much VHS inventory as he could from retailers, distributors and studios; he then sold more than 4 million VHS videotapes over the last two years.
Those tapes went to bargain-basement chains such as Dollar Tree, Dollar General and Family Dollar, and Kugler's network of mom-and-pop clients and regional outlets, such as the Gabriel Bros. Stores in West Virginia or the Five Below chain in Pennsylvania. If you bought a Clint Eastwood movie at the Flying J Truck Stop in Saginaw, Mich., or a "Care Bears" tape at one of the H.E. Butts Grocery stores in Texas, Kugler's company probably put it there. He also sells to public libraries, military bases and cruise ships, although those clients now all pretty much want DVDs.
Kugler estimates that 2 million tapes are still sitting on shelves of his clients' stores across the country, but they are the last analog soldiers in the lost battle against the digital invasion. "I'm not sure a lot of people are going to miss VHS," he said, "but it's been good to us."
If you rewind back to the 1980s, VHS represented a remarkable turning point for the American consumer. For the first time, Hollywood's classics and its recent hits could be rented and watched at home.
"It was a sea change," says Leonard Maltin, the film critic and author who has written stacks of books to meet the consumer need for video recommendations. "Hollywood thought it would hurt movie ticket sales, but it didn't deter people from going to movies; in fact, it only increased their appetite for entertainment. Hollywood also thought it would just be a rental market, but then when someone had the idea of lowering the prices, the people wanted to own movies. They wanted libraries at home, and suddenly VHS was a huge part of our lives."
The format was easy to use (although fast-forwarding and rewinding to any particular spot was the worst new-tech irritant since the telephone busy signal) and, of course, the videocassette recorder and blank VHS tapes made it possible to catch up on any missed must-see TV, whether it was "Days of Our Lives" or "Monday Night Football." Hollywood found that movies also enjoyed a second opening weekend, as viewers throughout the country made Friday night trips to the rental store for new releases.
"I think in some ways it even pulled families together, if that doesn't sound too corny, because renting movies became such a part of the weekend," says Jim Henderson, one of the owners of Amoeba Music, the 45,000-square-foot merchant in Hollywood that sells pop culture in just about every format imaginable, including VHS. "It was also a great thing for film fans. You could educate yourself and go back to the well again and again. We're used to choice now, but that was the first time fans could watch what they wanted when they wanted."
Amoeba no longer buys VHS from distributors such as Distribution Video Audio. But customers bring in tapes every day to trade and sell. "We actually sell maybe 200 a day, almost all of them between $1 to $3," Henderson said. "Almost the same amount comes in as goes out."
A lot of those are the classic or foreign films that are not available on DVD, such as "The Magnificent Ambersons" or Gregory Nava's "El Norte," or vintage music videos by punk bands or new wave pioneers such as Black Flag or Siouxsie and the Banshees. Some older customers simply don't want to switch to DVD, others just like the bargain-basement price of the tapes.
But, Henderson said, unlike with vinyl records, no one seems to cling to VHS for romantic reasons.
"DVDs replaced VHS really fast compared to other format changes through the years," Henderson said. "VHS took too long to rewind, they were boxy and cumbersome, the picture was kind of flawed. The tape inside was delicate and just didn't hold up. DVD just blew it away."
It's true, the VHS tape never really had a chance once the DVD arrived in the late 1990s with all its shiny allure -- higher quality image, nimble navigation and all that extra content. After a robust run at the center of pop culture, VHS rentals were eclipsed by DVD in 2003. By the end of 2005, DVD sales were more than $22 billion and VHS was slumping badly but still viable enough to pull in $1.5 billion. Next year, that won't be the case.
Just before Halloween, JVC, the company that introduced the Video Home System format in 1977 in the United States, announced that it would no longer make stand-alone videocassette recorders. The electronic manufacturer still produces hybrid VHS-DVD players, but it's not clear how long that will last.
For a format that made Hollywood so much money, VHS leaves behind a shallow footprint in the movies themselves. There was "The Ring," a 2002 horror movie and its 2005 sequel, about a mysterious VHS tape that brings death to whoever watches it, but that's a sad valentine. This year Jack Black and Mos Def starred in "Be Kind Rewind," a loopy comedy that finds its center at a VHS rental store that is holding out against the DVD era, but the rebellion didn't go beyond the script -- the movie is available for rent or purchase on DVD and Blu-ray, but it was never released on VHS.
The format was also name-checked in "The 40-Year-Old Virgin," the 2005 hit film that stars an unloved salesman at an electronics store; and even he has no room in his heart for the underdog format. "It's a dead technology," he explains to a customer. "It's like buying an eight-track player."
Kugler is one of the rare people who can stir up some nostalgia for the black, boxy tapes. His father bought Distribution Video Audio in 1988 and carved out a niche as an inventory supplier for the video rental stores that were popping up everywhere. His young son was interested in a different end of the entertainment business; the younger Kugler spent many afternoons in his teen years sneaking onto the Paramount Pictures studio lot and soaking it all in. While watching the cast at work on "Planes, Trains and Automobiles," he decided he wanted to become a filmmaker; soon, the kid who was always underfoot on the "Cheers" set even coaxed Ted Danson to appear in a two-minute film he made.
But life took Kugler on a less glamorous path. He started working at Distribution Video Audio in 1991 and in short order took the company to new heights by negotiating directly with studios to buy their overrun inventory.
The approach led the company beyond VHS, and soon Kugler's warehouses were filling up with CDs, books and merchandise like "CSI: Crime Scene Investigation" wristwatches and "America's Next Top Model" T-shirts.
A casual observer might wonder how much shelf life those sorts of products could possibly have, but Kugler has moved hard to the Internet and says the "scavenger culture" mentality and sites such as Half.com, Amazon Marketplace and EBay have made it easier than ever to match narrow-niche and oddball customers with the products they want -- especially when it's priced to go at $2 or $3.
With some things, though, even Kugler the great salvager can't find a buyer no matter how low he goes. He took a loss on 50,000 copies of "Yo-Yo Man," a Smothers Brothers instructional video for the stringed toy. ("I'm not sure what I was thinking on that one," Kugler said.) And then there is that stash of VHS tapes that couldn't even earn a spot on the last shipment out of his warehouse: a few thousand copies of "The Man With the Screaming Brain," a 2005 horror movie about a mad scientist, a Bulgarian tycoon, a cab driver and some cranial misadventures. ("That one," Kugler said, "will be buried with us.")
The majority of his firm's business today is with big box retailers including Target, Wal-Mart, K-Mart and Sears, where the company sets up displays of its discounted DVDs, such as "Superman Returns" and "Proof of Life," which are often priced at $10 or less. Plenty of customers see that price as an invitation to build up their DVD collections.
But Kugler, with a sly smile, offered a warning to consumers thinking of putting up shelving to handle their burgeoning libraries.
"The DVD will be obsolete in three or four years, no doubt about it. Everything will be Blu-ray," Kugler said, anticipating the next resident at his pop culture retirement home. "The days of the DVD are numbered. And that is good news for me."
geoff.boucher@latimes.com
VHS era is winding down
The last big supplier of the tapes is ditching the format, ending the long fade-out of a product that ushered in the home theater.
By Geoff Boucher
December 22, 2008
Pop culture is finally hitting the eject button on the VHS tape, the once-ubiquitous home-video format that will finish this month as a creaky ghost of Christmas past.
After three decades of steady if unspectacular service, the spinning wheels of the home-entertainment stalwart are slowing to a halt at retail outlets. On a crisp Friday morning in October, the final truckload of VHS tapes rolled out of a Palm Harbor, Fla., warehouse run by Ryan J. Kugler, the last major supplier of the tapes.
"It's dead, this is it, this is the last Christmas, without a doubt," said Kugler, 34, a Burbank businessman. "I was the last one buying VHS and the last one selling it, and I'm done. Anything left in warehouse we'll just give away or throw away."
Dumped in a humid Florida landfill? It's an ignominious end for the innovative product that redefined film-watching in America and spawned an entire sector led by new household names like Blockbuster and West Coast Video. Those chains gave up on VHS a few years ago but not Kugler, who casually describes himself as "a bottom feeder" with a specialization in "distressed inventory."
Kugler is president and co-owner of Distribution Video Audio Inc., a company that pulls in annual revenue of $20 million with a proud nickel-and-dime approach to fading and faded pop culture. Whether it's unwanted "Speed Racer" ball caps, unsold Danielle Steel novels or unappreciated David Hasselhoff albums, Kugler's company pays pennies and sells for dimes. If the firm had a motto, it would be "Buy low, sell low."
"It's true, one man's trash is another man's gold," Kugler said. "But we are not the graveyard. I'm like a heart surgeon -- we keep things alive longer. Or maybe we're more like the convalescence home right before the graveyard."
The last major Hollywood movie to be released on VHS was "A History of Violence" in 2006. By that point major retailers such as Best Buy and Wal-Mart were already well on their way to evicting all the VHS tapes from their shelves so the valuable real estate could go to the sleeker and smaller DVDs and, in more recent seasons, the latest upstart, Blu-ray discs. Kugler ended up buying back as much VHS inventory as he could from retailers, distributors and studios; he then sold more than 4 million VHS videotapes over the last two years.
Those tapes went to bargain-basement chains such as Dollar Tree, Dollar General and Family Dollar, and Kugler's network of mom-and-pop clients and regional outlets, such as the Gabriel Bros. Stores in West Virginia or the Five Below chain in Pennsylvania. If you bought a Clint Eastwood movie at the Flying J Truck Stop in Saginaw, Mich., or a "Care Bears" tape at one of the H.E. Butts Grocery stores in Texas, Kugler's company probably put it there. He also sells to public libraries, military bases and cruise ships, although those clients now all pretty much want DVDs.
Kugler estimates that 2 million tapes are still sitting on shelves of his clients' stores across the country, but they are the last analog soldiers in the lost battle against the digital invasion. "I'm not sure a lot of people are going to miss VHS," he said, "but it's been good to us."
If you rewind back to the 1980s, VHS represented a remarkable turning point for the American consumer. For the first time, Hollywood's classics and its recent hits could be rented and watched at home.
"It was a sea change," says Leonard Maltin, the film critic and author who has written stacks of books to meet the consumer need for video recommendations. "Hollywood thought it would hurt movie ticket sales, but it didn't deter people from going to movies; in fact, it only increased their appetite for entertainment. Hollywood also thought it would just be a rental market, but then when someone had the idea of lowering the prices, the people wanted to own movies. They wanted libraries at home, and suddenly VHS was a huge part of our lives."
The format was easy to use (although fast-forwarding and rewinding to any particular spot was the worst new-tech irritant since the telephone busy signal) and, of course, the videocassette recorder and blank VHS tapes made it possible to catch up on any missed must-see TV, whether it was "Days of Our Lives" or "Monday Night Football." Hollywood found that movies also enjoyed a second opening weekend, as viewers throughout the country made Friday night trips to the rental store for new releases.
"I think in some ways it even pulled families together, if that doesn't sound too corny, because renting movies became such a part of the weekend," says Jim Henderson, one of the owners of Amoeba Music, the 45,000-square-foot merchant in Hollywood that sells pop culture in just about every format imaginable, including VHS. "It was also a great thing for film fans. You could educate yourself and go back to the well again and again. We're used to choice now, but that was the first time fans could watch what they wanted when they wanted."
Amoeba no longer buys VHS from distributors such as Distribution Video Audio. But customers bring in tapes every day to trade and sell. "We actually sell maybe 200 a day, almost all of them between $1 to $3," Henderson said. "Almost the same amount comes in as goes out."
A lot of those are the classic or foreign films that are not available on DVD, such as "The Magnificent Ambersons" or Gregory Nava's "El Norte," or vintage music videos by punk bands or new wave pioneers such as Black Flag or Siouxsie and the Banshees. Some older customers simply don't want to switch to DVD, others just like the bargain-basement price of the tapes.
But, Henderson said, unlike with vinyl records, no one seems to cling to VHS for romantic reasons.
"DVDs replaced VHS really fast compared to other format changes through the years," Henderson said. "VHS took too long to rewind, they were boxy and cumbersome, the picture was kind of flawed. The tape inside was delicate and just didn't hold up. DVD just blew it away."
It's true, the VHS tape never really had a chance once the DVD arrived in the late 1990s with all its shiny allure -- higher quality image, nimble navigation and all that extra content. After a robust run at the center of pop culture, VHS rentals were eclipsed by DVD in 2003. By the end of 2005, DVD sales were more than $22 billion and VHS was slumping badly but still viable enough to pull in $1.5 billion. Next year, that won't be the case.
Just before Halloween, JVC, the company that introduced the Video Home System format in 1977 in the United States, announced that it would no longer make stand-alone videocassette recorders. The electronic manufacturer still produces hybrid VHS-DVD players, but it's not clear how long that will last.
For a format that made Hollywood so much money, VHS leaves behind a shallow footprint in the movies themselves. There was "The Ring," a 2002 horror movie and its 2005 sequel, about a mysterious VHS tape that brings death to whoever watches it, but that's a sad valentine. This year Jack Black and Mos Def starred in "Be Kind Rewind," a loopy comedy that finds its center at a VHS rental store that is holding out against the DVD era, but the rebellion didn't go beyond the script -- the movie is available for rent or purchase on DVD and Blu-ray, but it was never released on VHS.
The format was also name-checked in "The 40-Year-Old Virgin," the 2005 hit film that stars an unloved salesman at an electronics store; and even he has no room in his heart for the underdog format. "It's a dead technology," he explains to a customer. "It's like buying an eight-track player."
Kugler is one of the rare people who can stir up some nostalgia for the black, boxy tapes. His father bought Distribution Video Audio in 1988 and carved out a niche as an inventory supplier for the video rental stores that were popping up everywhere. His young son was interested in a different end of the entertainment business; the younger Kugler spent many afternoons in his teen years sneaking onto the Paramount Pictures studio lot and soaking it all in. While watching the cast at work on "Planes, Trains and Automobiles," he decided he wanted to become a filmmaker; soon, the kid who was always underfoot on the "Cheers" set even coaxed Ted Danson to appear in a two-minute film he made.
But life took Kugler on a less glamorous path. He started working at Distribution Video Audio in 1991 and in short order took the company to new heights by negotiating directly with studios to buy their overrun inventory.
The approach led the company beyond VHS, and soon Kugler's warehouses were filling up with CDs, books and merchandise like "CSI: Crime Scene Investigation" wristwatches and "America's Next Top Model" T-shirts.
A casual observer might wonder how much shelf life those sorts of products could possibly have, but Kugler has moved hard to the Internet and says the "scavenger culture" mentality and sites such as Half.com, Amazon Marketplace and EBay have made it easier than ever to match narrow-niche and oddball customers with the products they want -- especially when it's priced to go at $2 or $3.
With some things, though, even Kugler the great salvager can't find a buyer no matter how low he goes. He took a loss on 50,000 copies of "Yo-Yo Man," a Smothers Brothers instructional video for the stringed toy. ("I'm not sure what I was thinking on that one," Kugler said.) And then there is that stash of VHS tapes that couldn't even earn a spot on the last shipment out of his warehouse: a few thousand copies of "The Man With the Screaming Brain," a 2005 horror movie about a mad scientist, a Bulgarian tycoon, a cab driver and some cranial misadventures. ("That one," Kugler said, "will be buried with us.")
The majority of his firm's business today is with big box retailers including Target, Wal-Mart, K-Mart and Sears, where the company sets up displays of its discounted DVDs, such as "Superman Returns" and "Proof of Life," which are often priced at $10 or less. Plenty of customers see that price as an invitation to build up their DVD collections.
But Kugler, with a sly smile, offered a warning to consumers thinking of putting up shelving to handle their burgeoning libraries.
"The DVD will be obsolete in three or four years, no doubt about it. Everything will be Blu-ray," Kugler said, anticipating the next resident at his pop culture retirement home. "The days of the DVD are numbered. And that is good news for me."
geoff.boucher@latimes.com
Thursday, December 18, 2008
Unexpected tech trends and predictions for 2009
http://tech.yahoo.com/blogs/null/111734
Unexpected tech trends and predictions for 2009
Christopher Null: The Working Guy
Sun Dec 14, 2008
People will buy iPhones. Intel will introduce more powerful microchips. Video games will continue to be popular.
Predicting what will happen in the tech world in 2009 isn't all that tough: The big trends are plain as day, and it doesn't take a psychic to forecast some of the more mundane happenings.
But what about some of the less obvious developments that tech 2009 will bring? I put on my Carnac hat this weekend with the hopes of offering some insight into the unexpected, less hype-fueled, and more obscure happenings we're likely to see in the year ahead, technology-wise. Weigh in in the comments section to let me know if you agree or disagree!
GPS Everywhere - With the exception of super-cheap gear, GPS is going to explode in 2009. Cell phones won't just incorporate GPS nearly universally, you'll see GPS move into more and more other gadgets, including cameras and even hybrid MP3 player and other devices. And applications that make use of GPS technology -- as we're seeing the start of with the iPhone and Android -- are going to grow rapidly. But fundamentally, people will ask in droves: Why buy a standalone GPS unit when your phone does the job just as well?
Blu-ray Ascending - It pains me to predict this, but I believe Blu-ray is going to grow in popularity and market share vs. DVD. Why? Manufacturers are likely to aggressively cut prices on hardware and discs, which is about the only thing that will get consumers to buy this stuff. They have to: Otherwise Blu-ray risks fading away altogether. That said, the overall market for packaged media will likely shrink in '09, with DVD taking the bulk of the hit.
Video on the Go - Watching TV on your cell phone has been huge in Asia for years. Now it's time for mobile video to really make its mark in the U.S., as broadcasters are becoming down-right desperate for new markets to tap into.
It's All About Windows 7 - Windows Vista is functionally dead already. No one will willingly upgrade to Vista now that Windows 7 is just a year away. And when it finally arrives (some predict December 2009 for a release date... but that's speculation), expect a flood of software to be Win7-ready at launch, unlike the pathetic trickle that accompanied Vista. PC manufacturers are down-right drooling for this release to lift them out of their current, Vista-driven agony.
Green Tech Hits the Mainstream - There's a ton of "green" hardware on the market these days -- from bamboo hard drives to solar gadget chargers -- but 2009 should see a substantial focus on environmentalism across the mainstream industry, from decreasing reliance on heavy metals and hazardous chemicals to broader recycling programs.
4G Remains a Niche at Best - WiMax hasn't made much of an impact to date, and it's unlikely that will change in 2009: It's just not fast enough nor does it have a large enough footprint to merit switching carriers and/or investing in new hardware. I can't imagine the major WiMax backer, the troubled Sprint, will find funds to invest in the massive amount of infrastructure it will take to get 4G going in earnest, at least not in '09. Competing technologies have an even grimmer outlook and are certain to be no-shows until 2010 or later.
Android Becomes Competitive - The first "Google phone" was met with an emphatic and resounding sigh, but the beauty of the Android OS is that innovation keeps rolling along quite handily. I expect to see some great strides in the software and the hardware that runs it (the homely T-Mobile G1 isn't making many fans) such that by the end of 2009, Android could actually be competitive with the iPhone.
Discounts Get Silly - Black Friday wasn't the end of absurd deals on tech. I'm predicting hefty price cuts throughout the tech industry to be sustained -- or deepened -- as the year wears on and manufacturers and retailers alike attempt to jump-start their business in the hopes of getting an economic recovery started.
Unexpected tech trends and predictions for 2009
Christopher Null: The Working Guy
Sun Dec 14, 2008
People will buy iPhones. Intel will introduce more powerful microchips. Video games will continue to be popular.
Predicting what will happen in the tech world in 2009 isn't all that tough: The big trends are plain as day, and it doesn't take a psychic to forecast some of the more mundane happenings.
But what about some of the less obvious developments that tech 2009 will bring? I put on my Carnac hat this weekend with the hopes of offering some insight into the unexpected, less hype-fueled, and more obscure happenings we're likely to see in the year ahead, technology-wise. Weigh in in the comments section to let me know if you agree or disagree!
GPS Everywhere - With the exception of super-cheap gear, GPS is going to explode in 2009. Cell phones won't just incorporate GPS nearly universally, you'll see GPS move into more and more other gadgets, including cameras and even hybrid MP3 player and other devices. And applications that make use of GPS technology -- as we're seeing the start of with the iPhone and Android -- are going to grow rapidly. But fundamentally, people will ask in droves: Why buy a standalone GPS unit when your phone does the job just as well?
Blu-ray Ascending - It pains me to predict this, but I believe Blu-ray is going to grow in popularity and market share vs. DVD. Why? Manufacturers are likely to aggressively cut prices on hardware and discs, which is about the only thing that will get consumers to buy this stuff. They have to: Otherwise Blu-ray risks fading away altogether. That said, the overall market for packaged media will likely shrink in '09, with DVD taking the bulk of the hit.
Video on the Go - Watching TV on your cell phone has been huge in Asia for years. Now it's time for mobile video to really make its mark in the U.S., as broadcasters are becoming down-right desperate for new markets to tap into.
It's All About Windows 7 - Windows Vista is functionally dead already. No one will willingly upgrade to Vista now that Windows 7 is just a year away. And when it finally arrives (some predict December 2009 for a release date... but that's speculation), expect a flood of software to be Win7-ready at launch, unlike the pathetic trickle that accompanied Vista. PC manufacturers are down-right drooling for this release to lift them out of their current, Vista-driven agony.
Green Tech Hits the Mainstream - There's a ton of "green" hardware on the market these days -- from bamboo hard drives to solar gadget chargers -- but 2009 should see a substantial focus on environmentalism across the mainstream industry, from decreasing reliance on heavy metals and hazardous chemicals to broader recycling programs.
4G Remains a Niche at Best - WiMax hasn't made much of an impact to date, and it's unlikely that will change in 2009: It's just not fast enough nor does it have a large enough footprint to merit switching carriers and/or investing in new hardware. I can't imagine the major WiMax backer, the troubled Sprint, will find funds to invest in the massive amount of infrastructure it will take to get 4G going in earnest, at least not in '09. Competing technologies have an even grimmer outlook and are certain to be no-shows until 2010 or later.
Android Becomes Competitive - The first "Google phone" was met with an emphatic and resounding sigh, but the beauty of the Android OS is that innovation keeps rolling along quite handily. I expect to see some great strides in the software and the hardware that runs it (the homely T-Mobile G1 isn't making many fans) such that by the end of 2009, Android could actually be competitive with the iPhone.
Discounts Get Silly - Black Friday wasn't the end of absurd deals on tech. I'm predicting hefty price cuts throughout the tech industry to be sustained -- or deepened -- as the year wears on and manufacturers and retailers alike attempt to jump-start their business in the hopes of getting an economic recovery started.
Wednesday, March 12, 2008
Lions Gate to give iTunes copy on DVDs
http://www.businessweek.com/ap/financialnews/D8VALS4G1.htm
Lions Gate to give iTunes copy on DVDs
March 10, 2008
NEW YORK
Film and television producer Lions Gate Entertainment Corp. said Monday that it is working with Apple Inc. to provide customers who buy certain DVD and Blu-ray movies with an included digital copy of the movie through iTunes as well.
Lions Gate said the first movies that will include digital copies will be the special edition DVD and Blu-ray versions of "Rambo" and the film "The Eye."
"Rambo" be available on May 27 and "The Eye" will come out on DVD during the summer.
Lions Gate said it and Apple will make a number of other Lions Gate DVDs available with digital copies via iTunes later in the year.
Consumers can insert eligible DVDs into their computers, enter a code into iTunes and the film will be copied to their iTunes library, Lions Gate said.
In January, News Corporation's Twentieth Century Fox and Apple said they would make a variety of DVDs available for which customers could get digital copies through iTunes.
Apple shares fell $1.12 to $121.13, while Lions Gate shares fell 6 cents to $8.74.
Lions Gate to give iTunes copy on DVDs
March 10, 2008
NEW YORK
Film and television producer Lions Gate Entertainment Corp. said Monday that it is working with Apple Inc. to provide customers who buy certain DVD and Blu-ray movies with an included digital copy of the movie through iTunes as well.
Lions Gate said the first movies that will include digital copies will be the special edition DVD and Blu-ray versions of "Rambo" and the film "The Eye."
"Rambo" be available on May 27 and "The Eye" will come out on DVD during the summer.
Lions Gate said it and Apple will make a number of other Lions Gate DVDs available with digital copies via iTunes later in the year.
Consumers can insert eligible DVDs into their computers, enter a code into iTunes and the film will be copied to their iTunes library, Lions Gate said.
In January, News Corporation's Twentieth Century Fox and Apple said they would make a variety of DVDs available for which customers could get digital copies through iTunes.
Apple shares fell $1.12 to $121.13, while Lions Gate shares fell 6 cents to $8.74.
Sunday, February 3, 2008
Direct-to-DVD Releases Shed Their Loser Label
http://www.nytimes.com/2008/01/28/business/media/28dvd.html
January 28, 2008
Direct-to-DVD Releases Shed Their Loser Label
By BROOKS BARNES
LOS ANGELES — If you missed the red-carpet premiere for the latest “American Pie” movie, you are not alone. There wasn’t one. “American Pie Presents: Beta House,” the sixth film in the popular comedy series, was sent straight to DVD.
But it’s not another failed straight-to-video movie collecting dust in Blockbuster. “Beta House,” which reached stores late last month, was made specifically for a DVD release and is likely to end up more profitable for Universal Studios than some of the company’s theatrical releases. The film, which cost less than $10 million to make, is expected to sell more than a million units — in line with two previous “American Pie” installments that were produced specifically for DVD release, according to Universal. That translates to sales of about $30 million before adding revenue from rentals and the sale of distribution rights to cable networks.
Once a dumping ground for movies considered virtually unwatchable, the direct-to-DVD pipeline is becoming increasingly important to mainstream film franchises.
Hollywood’s new direct-to-DVD strategy rests on calculating a sequel’s chances at the multiplex. Three big-screen “American Pie” movies rained money on Universal, selling more than $750 million of tickets worldwide, according to Box Office Mojo. But Universal had a decision to make when it came to approving a fourth installment for a theatrical release. The third film, “American Wedding,” cost $55 million plus tens of millions more to market — far more than its predecessor. Yet its ticket sales were 28 percent lower.
In previous years, the studio would have either pulled the plug on the series or continued to serve up sequels in theaters to increasingly smaller audiences. Opting for diminished returns was typically the industry’s course — why leave money on the table? — which is how wince-inducing films like “Police Academy 6: City Under Siege” ended up at the multiplex.
But studios have realized that the power of the DVD market gives them another option. They drop everything but the franchise concepts and the titles, and hire cheaper acting talent. Add a marketing campaign of decent weight to increase the size of the audience that remains and — presto — more profit, pound for pound, than some big action flicks. Oh, and get rid of that pejorative-sounding direct-to-DVD term. Call it DVD Premiere.
“It is a reflection of how people consume media these days,” said Tom Siegrist, vice president for production of 20th Century Fox Home Entertainment. “If you approach it in a smart way, looking into your catalog of released films to see what you can build on, these things really sell.”
Universal, for example, hired a new cast and released “American Pie Presents: Band Camp” and “American Pie Presents: The Naked Mile” straight to DVD. Those did so well that “Beta House” was produced and the studio is weighing a seventh installment, though costs are rising with each release.
“The direct-to-video business was making titillating, low-quality movies to feed the rental channel,” said Craig Kornblau, the president of Universal Studios Home Entertainment. “We discovered we could keep franchises alive with made-for-DVD movies if we made them feature quality.”
The number of direct-to-DVD films has grown 36 percent since 2005 with 675 released last year, according to Adams Media Research. The business totals about $1 billion in annual sales. (All DVD sales came to $15.7 billion last year.)
Warner Brothers entered the direct-to-DVD competition a few months ago with an approach that signals how competitive the business has become. The studio thinks that making sequels and prequels of established movie brands is no longer good enough, said Diane Nelson, the president of Warner Premiere.
Instead, Ms. Nelson is trying out an array of new ideas. For instance, this summer Warner Premiere will release “Get Smart’s Bruce and Lloyd Out of Control” on DVD in conjunction with “Get Smart,” a big-screen comedy based on the 1960s television series. The projects were filmed back to back with supporting characters appearing in both. (The star of the newest “Get Smart,” Steve Carell, appears only in the bigger project.)
The quality of direct-to-DVD titles may be improving, but few movie fans will confuse these releases with what they see in theaters. For starters, few of the original stars appear. When Universal decided last fall to make a direct-to-DVD prequel to “The Scorpion King,” it replaced Dwayne Johnson, known as the Rock, with a lesser-known wrestler-turned-actor, Randy Couture.
“We weren’t going to be able to afford the Rock, but when we took a look at Randy we saw that he is actually quite good,” Mr. Kornblau said.
DVD Premiere movies are also much more explicit — full-frontal nudity is a hallmark of the “American Pie Presents” films — because they are not required to meet the same rating standards as theatrical releases. “Too graphic, too disturbing and too shocking for general audiences” is how Lionsgate describes some horror sequels in promotional material, adding that the studio had “defied the system” by sidestepping theaters.
Special effects in these films, while improving as a result of cheaper digital technology, often require a little more imagination from viewers. “Garfield” and “Dr. Dolittle” were both hits in theaters, but talking animals are expensive. John Davis, the producer behind both franchises, said the direct-to-DVD sequels of those films use less sophisticated effects.
“We feel our quality is really terrific, but a television set is a little more forgiving than a movie screen,” he said. “The mouth movements on the animals don’t need to match quite as precisely.” Mr. Davis is now working on two new direct-to-DVD installments of “Dr. Dolittle” — without Eddie Murphy — and another “Garfield.”
So many studios and top-level filmmakers are flirting with the direct-to-DVD business that it risks mirroring the troubled theatrical landscape, where movies that were once sure-fire moneymakers are having a harder time breaking through because of a glut of releases. The producer Joel Silver, known for the “Matrix” trilogy, recently signed a deal to produce 10 direct-to-DVD titles. Ashley Tisdale, a teenage actress known for her roles in Disney’s “High School Musical” blockbusters, just completed a DVD movie called “Picture This.”
“Real stars and real filmmakers have started giving DVD exclusives a shot,” said Scott Hettrick, former editor of the trade publication Video Business, “but with more product hitting store shelves I think we’re going to see less consistency in sales.”
A boom in animated direct-to-video titles in the 1990s led to similar saturation, resulting in studios like Walt Disney sharply reducing their output, Mr. Hettrick noted.
Some cast continuity from movie to movie is important, Mr. Kornblau said, which is why the “American Pie” DVD spinoffs all feature Eugene Levy as a father figure — even though the character’s son stopped appearing after the series ended its run in theaters.
“We think he is crucial to this franchise because his character represents the heart of the movie,” Mr. Kornblau said. “His presence reminds fans that we are maintaining the integrity of the franchise.” (Mr. Levy declined to be interviewed.)
One trap that studios are still learning to avoid is becoming hypnotized by a made-for-DVD movie and giving it a shot in theaters. “Daddy Day Camp,” intended as a DVD sequel to the 2003 Eddie Murphy hit “Daddy Day Care,” was received so well by test audiences that Sony gave it a shot in the big leagues last summer. It sold just $13 million in tickets.
January 28, 2008
Direct-to-DVD Releases Shed Their Loser Label
By BROOKS BARNES
LOS ANGELES — If you missed the red-carpet premiere for the latest “American Pie” movie, you are not alone. There wasn’t one. “American Pie Presents: Beta House,” the sixth film in the popular comedy series, was sent straight to DVD.
But it’s not another failed straight-to-video movie collecting dust in Blockbuster. “Beta House,” which reached stores late last month, was made specifically for a DVD release and is likely to end up more profitable for Universal Studios than some of the company’s theatrical releases. The film, which cost less than $10 million to make, is expected to sell more than a million units — in line with two previous “American Pie” installments that were produced specifically for DVD release, according to Universal. That translates to sales of about $30 million before adding revenue from rentals and the sale of distribution rights to cable networks.
Once a dumping ground for movies considered virtually unwatchable, the direct-to-DVD pipeline is becoming increasingly important to mainstream film franchises.
Hollywood’s new direct-to-DVD strategy rests on calculating a sequel’s chances at the multiplex. Three big-screen “American Pie” movies rained money on Universal, selling more than $750 million of tickets worldwide, according to Box Office Mojo. But Universal had a decision to make when it came to approving a fourth installment for a theatrical release. The third film, “American Wedding,” cost $55 million plus tens of millions more to market — far more than its predecessor. Yet its ticket sales were 28 percent lower.
In previous years, the studio would have either pulled the plug on the series or continued to serve up sequels in theaters to increasingly smaller audiences. Opting for diminished returns was typically the industry’s course — why leave money on the table? — which is how wince-inducing films like “Police Academy 6: City Under Siege” ended up at the multiplex.
But studios have realized that the power of the DVD market gives them another option. They drop everything but the franchise concepts and the titles, and hire cheaper acting talent. Add a marketing campaign of decent weight to increase the size of the audience that remains and — presto — more profit, pound for pound, than some big action flicks. Oh, and get rid of that pejorative-sounding direct-to-DVD term. Call it DVD Premiere.
“It is a reflection of how people consume media these days,” said Tom Siegrist, vice president for production of 20th Century Fox Home Entertainment. “If you approach it in a smart way, looking into your catalog of released films to see what you can build on, these things really sell.”
Universal, for example, hired a new cast and released “American Pie Presents: Band Camp” and “American Pie Presents: The Naked Mile” straight to DVD. Those did so well that “Beta House” was produced and the studio is weighing a seventh installment, though costs are rising with each release.
“The direct-to-video business was making titillating, low-quality movies to feed the rental channel,” said Craig Kornblau, the president of Universal Studios Home Entertainment. “We discovered we could keep franchises alive with made-for-DVD movies if we made them feature quality.”
The number of direct-to-DVD films has grown 36 percent since 2005 with 675 released last year, according to Adams Media Research. The business totals about $1 billion in annual sales. (All DVD sales came to $15.7 billion last year.)
Warner Brothers entered the direct-to-DVD competition a few months ago with an approach that signals how competitive the business has become. The studio thinks that making sequels and prequels of established movie brands is no longer good enough, said Diane Nelson, the president of Warner Premiere.
Instead, Ms. Nelson is trying out an array of new ideas. For instance, this summer Warner Premiere will release “Get Smart’s Bruce and Lloyd Out of Control” on DVD in conjunction with “Get Smart,” a big-screen comedy based on the 1960s television series. The projects were filmed back to back with supporting characters appearing in both. (The star of the newest “Get Smart,” Steve Carell, appears only in the bigger project.)
The quality of direct-to-DVD titles may be improving, but few movie fans will confuse these releases with what they see in theaters. For starters, few of the original stars appear. When Universal decided last fall to make a direct-to-DVD prequel to “The Scorpion King,” it replaced Dwayne Johnson, known as the Rock, with a lesser-known wrestler-turned-actor, Randy Couture.
“We weren’t going to be able to afford the Rock, but when we took a look at Randy we saw that he is actually quite good,” Mr. Kornblau said.
DVD Premiere movies are also much more explicit — full-frontal nudity is a hallmark of the “American Pie Presents” films — because they are not required to meet the same rating standards as theatrical releases. “Too graphic, too disturbing and too shocking for general audiences” is how Lionsgate describes some horror sequels in promotional material, adding that the studio had “defied the system” by sidestepping theaters.
Special effects in these films, while improving as a result of cheaper digital technology, often require a little more imagination from viewers. “Garfield” and “Dr. Dolittle” were both hits in theaters, but talking animals are expensive. John Davis, the producer behind both franchises, said the direct-to-DVD sequels of those films use less sophisticated effects.
“We feel our quality is really terrific, but a television set is a little more forgiving than a movie screen,” he said. “The mouth movements on the animals don’t need to match quite as precisely.” Mr. Davis is now working on two new direct-to-DVD installments of “Dr. Dolittle” — without Eddie Murphy — and another “Garfield.”
So many studios and top-level filmmakers are flirting with the direct-to-DVD business that it risks mirroring the troubled theatrical landscape, where movies that were once sure-fire moneymakers are having a harder time breaking through because of a glut of releases. The producer Joel Silver, known for the “Matrix” trilogy, recently signed a deal to produce 10 direct-to-DVD titles. Ashley Tisdale, a teenage actress known for her roles in Disney’s “High School Musical” blockbusters, just completed a DVD movie called “Picture This.”
“Real stars and real filmmakers have started giving DVD exclusives a shot,” said Scott Hettrick, former editor of the trade publication Video Business, “but with more product hitting store shelves I think we’re going to see less consistency in sales.”
A boom in animated direct-to-video titles in the 1990s led to similar saturation, resulting in studios like Walt Disney sharply reducing their output, Mr. Hettrick noted.
Some cast continuity from movie to movie is important, Mr. Kornblau said, which is why the “American Pie” DVD spinoffs all feature Eugene Levy as a father figure — even though the character’s son stopped appearing after the series ended its run in theaters.
“We think he is crucial to this franchise because his character represents the heart of the movie,” Mr. Kornblau said. “His presence reminds fans that we are maintaining the integrity of the franchise.” (Mr. Levy declined to be interviewed.)
One trap that studios are still learning to avoid is becoming hypnotized by a made-for-DVD movie and giving it a shot in theaters. “Daddy Day Camp,” intended as a DVD sequel to the 2003 Eddie Murphy hit “Daddy Day Care,” was received so well by test audiences that Sony gave it a shot in the big leagues last summer. It sold just $13 million in tickets.
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